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I was sitting on the backyard patio this morning, soaking up sunlight, when a squirrel skittered across the lawn, back and forth like a pinball. Eventually, he came to within 10 feet of me. I sat stock still, and he stared, twitching his nose, standing on hind legs like a deacon. After about a minute — which can feel like quite a long time — I must have blinked, because he jumped, startled, and took off running away. 

I often sit in the back yard, to hear the birds and watch the clouds. It feels like an unmediated soak in existence. I sit trying to notice everything, the birds singing, the clouds moving, the wind making the trees wiggle in random motion, and until recently, the incessant noise of the cicadas, sounding like the A Train rushing through the 81st Street subway station. I felt the breeze in my hair, saw the bluish greens of the iris plants and the yellower green of the grass, I enjoyed the warm concrete on the soles of my bare feet and the incipient sunburn on the backs of my hands.

Bill Moyers once asked Joseph Campbell about the search for meaning, but Campbell switched focus: “People say that what we’re all seeking is a meaning for life. I don’t think that’s what we’re really seeking. I think that what we’re seeking is an experience of being alive, so that our life experiences on the purely physical plane will have resonances with our own innermost being and reality, so that we actually feel the rapture of being alive.”

And so, I sit watching my back yard, the trees that line it and the sky above it. I can feel myself breathing, wiggling my toes and being alive, and what is more, recognizing the world being alive around me. For a moment, there is no boundary between my existence and the sea of being in which I swim. 

A wren flits down and sits on the steps to the shed and moves from one position to another with no apparent intervening motion, as if it were a jump-cut in a movie. A really bossy mockingbird runs through his repertoire of bird calls, claiming this patch as his own. A cardinal flies from my left to land on a bush to the right. A white butterfly bounces on the air waves to disappear behind the bushes. 

I’ve seen so much life in this tiny patch of ground, it sometimes astounds me. I cannot count the birds. Crows, even a raven. Way up in the sky, I’ve seen up to a dozen buzzards at a time circle as they catch the updraft coming from the river and up the bluff to this house. 

There have been cottontails and many squirrels. Two years ago, coming home from a trip to Maine, as I pulled into the driveway, two bear cubs were climbing up a tree at the back of the property. We watched them having their fun, and then mama bear climbed up behind them to encourage them to come back down. A dog barked aggressively from somewhere down the neighborhood and the bears all dropped to the ground and ran off. I’ve seen bears waddling through the streets here, and long ago learned not to put the trash out until garbage delivery day. 

A groundhog has crossed the back yard so often, he has left a permanent trace in the lawn. I have seen him multiple times harrumphing his way along. If he spots me sitting, he will take a moment to stare and consider his next move, but then run faster than you think he can move, back where he came from. 

Then, there are the bumble bees, the honey bees, the wasps and the ant lions — their little sandy funnels in the dirt of the front garden. Big black butterflies, and their yellow and orange doubles light on the hedges and weeds. Ants build their nests in the cracks of the driveway, leaving tiny ridges of dirt where they have dug down. 

Yesterday, as I was headed out the back door to have my daily sit-down on the patio, before opening the door, I saw the groundhog plopped down right by my chair, butt-flat on the concrete and motionless as a garden gnome, while an angry mockingbird jumped in a half-circle around him aiming “Cht-Cht — Cht Cht” at him. They continued this performance for a good two minutes until I must have made a noise and the great, heaving woodchuck became disturbed, turned its head my way and waddled off to hide under the shed and the bird, having had its way, flew up to a tree and quieted down. 

When I was little and visited the Bronx Zoo, I was impatient to see the animals, who sometimes hid in the shade at the back of their enclosure, or sat behind some rocks, and if I did not have my interest piqued in the first five seconds, I moved on to the next animal. But my father told me to wait. Just watch. Eventually something would happen. I didn’t understand that then; I do now. I find myself in my yard patiently waiting for the next miracle. 

(Many years later, I worked at the Woodland Park Zoo in Seattle, and saw crowds of impatient kids moving from exhibit to exhibit. And it is only worse now, in an era of cell phones and digital immediacy.) 

Writing in the Fourth Century, the Christian poet Prudentius identified in his Psychomachia (“Battle of the Souls”) his version of the Seven Deadly Sins, and the corresponding Seven Virtues, at war with those sins, and among the virtues was Patience. 

I don’t know if I learned it from my father, or inherited it from his DNA, but, like him, I have become rather patient. Or maybe I’m just sluggish. But, I believe it served both of us well. The old man was slow to judge, slow to anger, and would never think to get outraged at traffic. Being raised that way, I, too, am willing to wait, when waiting seems either inevitable or purposeful. In fact, I can sit quietly in a chair neither talking or thinking for ages at a time. When I’m being philosophical about it, I call it meditation.

In the 1950s, the aging photographer Edward Steichen rarely left his home in West Redding, Connecticut, and began photographing a serviceberry tree (he called it a shadblow tree) through his window. He watched the seasons shift across the face of the pond and the tree and pictured them in all seasons and hours of the day, under varied weather, and made a case you could spend an infinite amount of time in a single place with a single subject and discover everything. As Yogi Berra once famously said, “You can observe a lot by just watching.” 

And it is the little things, carefully watched, that won’t happen again. The flow of the world is that it won’t happen again, all in constant forward motion and I sit to watch it move past me, and take me with it. 

 I just want to sit and soak, to sense the universe around me without thinking. We tend to glorify rationality, and the power of our brains to think meaningful thoughts, and we diminish the value of pure sensation, the sensuous awareness of colors, shapes, earthforms, clouds, birds, song, rhythm, touch, smells, and tastes. But these things are primal and exist before thought. Sensation is primary; making sense is an afterthought. 

And so I sit, trying to lose myself in the larger pattern.  

But, damn it, I can’t help being a writer and so I need to belittle what I enjoy, turning it all into words, into capsules of meaning that when read by others will be turned into ideas about sensations. Words not experience. And so, I can’t stop myself from writing this, hoping you share some of that delight when you step outdoors on the right day, with the right breeze, and the right mockingbird and crow squawking, and can see the trees dancing and the sun moving slowly across the sky blotted with whatever variety of cloud you have that moment.

I remember, as a child, going to the zoo and being impatient if I couldn’t see the animal immediately. The lion was off in the shade at the back? Move to the next animal. Children often have short attention spans, and I was no different. 

As I’ve aged, I’ve been surprised to discover how much more I can concentrate, how much more patient I’ve become. I can look long and hard until I see the lion, and wait to see what it will do next. Perhaps lick its paw; perhaps roll over and snooze. Oddly, with less time left on this earth, the amount of time I’m willing to wait has become inversely proportional. 

I am now an old man, with a powerful sense of how few years I will be able to enjoy this existence. People I knew and loved have left before me, giving me an imminent sense of what to expect.  

Maybe I am just growing soft in the head, or is it simply old age and the recognition that annihilation isn’t that far off, or some other cause, but I am almost daily having moments of utter beauty that remind me what I love about being. Moments that James Joyce might have called “epiphanies.” 

I have been going out and sitting on the back patio pretty much every day, usually for a half-hour at a time, sometimes longer, and saying to myself — or is it to the universe — “Show me something.” And every day, if I wait long enough and be patient enough, something will happen. 

Yesterday, a hummingbird flew not more than a couple of feet from my face to hover in front of a basil flower and then buzz back past me as he left. Another time, it was two cottontail rabbits hopping across the back yard, first one and as I watched it, a second one caught up. 

Once, I watched 15 vultures soar and climb in the air currents, one eventually so far up it was no bigger than a period at the end of a sentence in a book held at arm’s length. Yet again, a mockingbird sat on the roof of the shed beside the patio and sang his medley over and over, like I wasn’t there. Squirrels run around with acorn in their tiny front arms. A towhee landed on the steps of the shed. A rise of cumulus clouds was so white against the sky blue it nearly blinded. 

It never seems to fail. Each day, it is something new to delight me, and to remind me of the tremendous animation of the cosmos, and how minor fluctuations pile on top of one another to make it all new. 

A bright red cardinal flew directly at me, just a few feet above the grass, and turned away at the last minute to fly to my right and up over the roof behind me. 

A groundhog poked out from the brush and glanced at me and then, apparently deciding I was no threat, waddled across the full stretch of the back lawn to disappear in the brush at the other side. Not a lot happens over the course of an hour sitting there, but every time I go out, there is something for me, as if the cosmos knew I was paying attention and wished to reward my efforts. 

Recently, I heard a crow caw, looked up and watched as he flew in a great “S” curve, coming from behind me on my right, flying past me to the left no more than 20 feet away, then looped back to the right, circled away and looping back to the left and eventually behind the stand of trees, uttering caws the whole way. The curve was so graceful, I felt it in my esthetic sense. “As the crow flies?” Not a straight line. 

And so, every day, I sit and wait for the moment that the butterfly will land on the flowers at the edge of the patio, or the wasp will pause on the bluish florets of the mint. Or I will notice a small yellow flower that wasn’t there the day before. 

It is fall, and one of those flower seeds with its wisp of fibers landed on my shirt. I held it up in the light to see its tiny hard black seed and it reminded me of Carl Sagan’s “spaceship of the imagination.” 

Today, it looks like rain. Dark clouds are everywhere, with the occasional white brightness poking through. And I sat in my silent seat when the wind came up, as it often does just before a rain, and all of a sudden, from the tall oak tree at the top of the hill in the back yard, a hundred leaves let go to flutter down, but, since the wind was blowing toward me, the leaves did not drop straight down, but all floated toward me, up in the air, like a hundred butterflies, or snow in the wind, or bubbles bobbing around in the currents. And so, from a hundred feet up at the top of the tree at the top of the hill, the tumbling leaves filled the sky from edge to edge of my vision, dancing in the air, each showing shadow and light as it twisted, making a glitter in the sky. It was so ungodly beautiful, I began weeping. 

This is the beauty I don’t want to leave. It fills me up. I know I will have to leave, and sooner rather than at some indistinct time in a future that once was only imaginary, but now is palpable in muscle and bone. 

So, perhaps I am going soft in the head. Should I be so moved by such pedestrian events? I am more aware now than when I was young and had other goals in mind, of the complex connectedness of all of the sensate  world, and how that makes an organism too immense to take it all in or understand it. Little things we may understand and describe, but the wholeness of it all can only be apprehended as beauty.

And so I feel gratitude for the world and what it is willing to show me. I do not want ever to leave it, though I know I must. 

And when the final curtain drops on the final scene, I can say “NO” to the end, and “YES” with the same conviction. 

Orangerie, up close, 2006

You wander through one of a city’s great art museums and watch the people. They spend an average of maybe 15 seconds in front of any painting that catches their attention before moving on.

Or more likely, they spend another 15 seconds reading the label on the wall. And if the label contains a legend explaining who the artist was or what the painting is about, they may very well spend more time with the label than with the art on the wall. It’s disheartening to watch.

One of the problems is that we are a verbal, not a visual culture. I know the common wisdom is currently that we are a visual people, but it simply isn’t true: Even those things we think of as symptomatic of being visual are things we “read” for information rather than see: like the stick figure man or woman that lets us know which restroom is appropriate.

But even more than that, it is that we are a problem-solving people. America’s national mythology describes us as doers and go-getters. We simply don’t believe in wasting our time. We’re too busy. Our heads are too crowded.

There are all those yapping voices, all those different aspects of our personalities, all clamoring for attention.

”Mmm, doughnuts!”

”Don’t forget the dentist appointment.”

”Do these socks go with this tie?”

”Is the ozone hole getting bigger?”

”Mmm, doughnuts!”

So, it’s hard to appreciate art these days.

And it’s no wonder that a management class steps forward to create some order.Orangerie, the critics, 2006

Each of us has it: The executive in our heads that tries to get through life quickly and efficiently, cutting through the baloney and making the decisions for everyone else in there.

It’s a necessity in an information top-heavy age with bumper-to-bumper traffic on the freeways.

Unfortunately, this tendency to empty the ”in box” and get on to the next problem runs completely counter to what art is about. To see art, or read poetry, or listen to chamber music, we have to kidnap, blindfold and gag the executive in our brains and give ourselves over to a different kind of experience.

And ”experience” is the operative word, for the primary function of art is to provide an aesthetic experience.

That executive in our cranium is used to dealing with information, not experience. There is life on one hand, and there are words and symbols about life on the other. Most of what life requires of us in the late 20th century deals with words and symbols: filling out forms, scanning in our Visa numbers, looking down the stock listings in the Business section of the newspaper. We are drowned in words.

But at least we are used to them. Experience is scary: sensuous, messy, confused.

So how do you deal with art? How do you prepare yourself to appreciate it, enjoy it, and grow from the experience of being exposed to it?

First of all, you have to slow down. Your interior life moves slowly, implacably. It is only your cerebral cortex that buzzes with frenetic energy. The deeper, more meaningful emotions, the underlying rhythm of life is more measured: a pedal note under the jangling fugue subject above.

Art requires that you work on this slower time scale. It doesn’t give itself up, like the punch line on a New Yorker cartoon; it slowly releases its value to those who can wait.

You have to spend time with a painting or statue. The Manager wants to look at a painting and say, ”Yes, I know that: It’s a Renoir. File it under ’19th Century, Impressionism, French.’ ” And then move on to the next: ”17th Century, Dutch, Genre: Rembrandt.”

It is as if knowing the name of the painting is the same thing as knowing the painting.Orangerie gawkers, 2006

But if you look at a single painting for, say, an hour, you will learn things about it. You will be forced to discover all the richness that the artist took the time to put there.

What colors has the artist used? What shapes? Is it dark or is it light? What is the subject? Can you make sense of it? If not, is the ambiguity important? Is the paint thickly applied, or flat and textureless? How does that help the painting convey what it has to give you?

You swish it around in your mouth like a good wine, looking for the complexities of taste and aftertaste.

How does the painting make you feel? Is it an emotion you’ve felt before? If not, is it related to one you’ve felt? If it’s completely new, how do you feel about that?

The art slowly unfurls, like a rose opening from a bud. The attention you pay will pay you back.

In the next installment, we’ll take a look at just one painting and see how this approach might pay off.

futurismo

Patience is a virtue, they say, although you could never tell it from watching a driver hit the speed dial on his cell phone while in the drive-through lane at McDonald’s.

If it is a virtue, it is one of those quaint, Victorian or medieval virtues, like chastity or temperance, that seem completely beside the point in our modern world.

Ours is a world of channel-surfing, of Federal Express, of 24-hour Wall Street, of the Concorde. drive thru holding bag

When e-mail isn’t fast enough, we invent instant messaging.

Admit it: Haven’t you left something behind at Safeway because you just didn’t want to wait in the line?

Children cannot wait to be teenagers. Teenagers cannot wait to be adults. They are all in over their heads and don’t know it.

Adults cannot wait for the traffic light to change and gun their engines. They run up escalators and microwave their instant coffee.

If they could make their clocks run faster, they would.

And what do they gain by racing through the day?

A few moments to squeeze in something else too hectic to notice as it passes by.

It is our national impatience on each Election Day that we want to know the results before the ballots are actually counted. How has that worked out?

Don’t blame the media: It is our demand for instant results that drives the networks.

But, on the other hand, we should blame media. drive thru sign

I don’t mean “the press,” for which “the media” is often used as a synonym but rather the actual mediums of communication: the television, the computer, the iPhone.

We live in two competing time realities. Media time rushes at the speed of the electrons that form it.

Our computers run at a speed clocked in gigahertz, and if tomorrow they run at terahertz, we’ll trade in our outdated desktop.

But underneath it, there is the time that there has always been: The solar time that is barely perceptible, plodding at the pace of starfish crossing undersea rocks.

In our media experience, everything flies by, helped by keyboard shortcuts.

It confuses us into thinking we live in a fast-paced world. But we don’t. We live in a slow-paced world that is chronicled by ever-faster media. A day still takes a full 24 hours to cycle.

Because so many of us work on computers and spend our leisure time watching video screens, it is easy to mistake the mediated world for the real one. We are social creatures, and the means we have created for communicating with each other can seem primary rather than derivative. cell phone pix

Our new gospel might read, “In the beginning was the flicker.”

The problem is that the faster we speed up our interaction with the world, as mediated by our technology, the less we are actually engaged with the world we live in. Instead, we are engaged with our iPhones, leaving our world to fend for itself.

This was brought home all the more forcefully the last time I went to the zoo.

We visited with a friend’s 8-year-old boy and watched as he paced from exhibit to exhibit, looked in for a maximum of 10 seconds and moved on to the next animal.

Trained by the Discovery Channel or Animal Planet, he expected instant animal action: The big cat should roar, the antelope should pronk. That is what they do on television, where all the “boring parts” are edited out. lions sleeping

The zoo, because it was there, in real time before his eyes, was a terrible disappointment. He hadn’t the patience to stand for a half-hour in front of the exhibit to see what animals actually do, as they sleep, scratch their furry behinds and tear the rinds off tangerines with their teeth.

The result wasn’t just boredom. It was a failure to identify with the animals, to scratch his bottom like the monkeys or to feel his own teeth in those tangerines. A failure of empathy.

What he sees on television are just pictures: information he can manipulate.

There is nothing human about it. It is experience as flat as the video monitor. But there in front of him at the zoo, if he had the patience to see it, is a 3-D world, one infinitely complex and fascinating. It contains not only unexpected behaviors, it contains sounds and — most pungently — smells that the iPad experience cannot deliver.

At such times, we can recognize that impatience is a vice. It blocks our understanding and our growth as humans. It diminishes the world and worse, shrinks our engagement with it.

The reverse is also true: The reason that patience is a virtue — and one worth cultivating even in the 21st century — is that it provides a chance to escape our egos.

It gives us the opportunity to empathize, at real time and with real beings, so that we may act morally and ethically.

Patience allows you to seep into the world and become part of it instead of just moving it efficiently from the in-box to the out-box, stamped by your momentary attention.

Instead of making life boring, patience makes it exciting and keeps us involved in it.