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“Kitchen” Vincenzo Campi, 1580

Between the 14th and 16th centuries two big changes came over cooking and cookbooks in Europe. The first was a change of taste, leaving behind the spices of the East and taking up the herbs of the garden; the second was the invention of the printing press. 

It needs to be remembered that until 1450, all cookbooks were written in manuscript and copied when needed. Their reading public was limited by the literacy of the populace when only the very few could “reckon letters.” And so, those cookbooks were aimed at the kitchens of the wealthy and aristocratic, and their instructions were given to those who already knew the basic techniques. The cookbooks rarely mentioned quantities or explained widely understood preparations. 

And, beginning in 1517, as northern Europe emerged, and Protestantism grew, it shifted the locus of thought there away from the Mediterranean. Rome saw Paris flex its muscles and a rivalry began. 

Le Viandier and Le Managier

The first of these European-aimed cookbooks is Le Viandier, traditionally credited to Guillaume Tirel (1310-1395), aka Taillevant (“Cut Wind”), who was chef to the court of France during the Hundred Years War, although the earliest of four surviving manuscripts is dated from 10 years before Taillevent was born, making the attribution a bit dodgy. 

The book contains about 130 recipes and they are still heavy on exotic spices, such as this one for a Fish Grané:

Take pike or carp or other fish. Scale and fry the fish. Then toast bread and soak it in a puree of peas. Strain it and put in large slices of fried onion. Boil it all together with ginger, cinnamon and other spices, infused with vinegar. Add saffron for color. 

Other 14th century manuscript cookbooks include the Portuguese Llibre de Sent Sovi from 1324 and the German Daz Buch von der guter Spise from 1350. And the English The Forme of Cury, by “The Chief Master Cooks of King Richard II.” From 1390, it is written in Middle English and sounds very like Chaucer.

The Forme of Cury, pages

One recipe begins: “Sawse madame. Take sawge, persel, ysope and saueray, quinces and peeres, garlek and grapes, and fylle the gees therwith; and sowe the hole that no grece come out, and roost hem wel, and kepe the grece that fallith therof.”

Translated into modern lingo, the whole recipe runs:

Sauce Madame. Take sage, parsley, hyssop and savory, quinces and pears, garlic and grapes, and stuff the  geese with them, and sew the hole so that no dripping comes out, and roast them well and keep the dripping  that falls from them. Take the gelatin and dripping and place in a posset (a hot drink made by curdling milk with ale or wine). When the geese is roasted enough, take and chop it in pieces, and take what is within and put it in a posset and put in wine if it is too thick. Add to it powder of galangal, powder-douce and salt, and boil the sauce and dress the geese in dishes and lay the sauce on. 

Here is the original recipe for rabbit in gravy:

Translated, it reads: “Take rabbits, smite them to pieces. Parboil them and draw them with a good broth with blanched and brayed almonds. Do therein sugar and powdered ginger and boil it and the flesh therewith. Flour it with sugar and with powdered ginger and serve forth.” 

I love that “smite them to pieces.” The language has an almost biblical feel to it. Another recipe says to “Shell the oysters and seethe them in wine and in their own broth.” 

In 1393, Le Ménagier de Paris, or “The Householder of Paris” was published. It is less a cookbook and more a treatise on how to be a good wife, presented as an older husband counseling his young bride. It includes gardening tips, etiquette and even sex advice. Its second section contains recipes. It set the model for many books in the coming centuries aimed not at professional kitchens but at the edification and instruction of women. 

Other Medieval cookbooks include Du Fait de Cuisine (On the making of cuisine”), written in 1420 by the master chef of the court of Burgundy; and the mid-15th century Venetian book, Libro per Cuoco. Who knew that the name of the star of TV’s Big Bang Theory was “Kitchen full of Kale?” Perfect for a Hollywood actress.

Bartolomeo Sacchi, aka Platina

Then came Johannes Gutenberg and cookbooks ever since have been largely printed in large numbers for a growing literate public. The first real bestseller cookbook was printed first in 1475 and called De Honesta Voluptate et Valetudine, or “On Honorable Pleasure and Health,” by Bartolomeo Sacchi, better known as Platina. He was a courtier and soldier born near Cremona in Italy and wrote dozens of books on diverse subjects. 

De Honesta Voluptate was written in Latin and cribbed from the notes of Martino da Como, who some have described as the world’s first “celebrity chef.” He was kitchen-master in the Vatican. Sacchi credits him in De Honesta Voluptate. The book went through untold editions and translations for the next century or so. 

Sacchi tells us that the lentil is “digested with difficulty, generates black bile and creates scaly skin disease, causes flatulence and a stuffed feeling, harms the brain and chest, dulls the eyes and represses passions.” 

A recipe for eel pie includes almond milk, rosewater, raisins, sugar and spices, but why he includes this is questionable. His comment on the dish: “When it is finally cooked, serve it to your enemies, for it has nothing good in it.” 

The shift from the Mediterranean to more continental tastes should, in part, be credited to Martin Luther. His insistence that people learn to read the Bible for themselves caused a great increase in literacy in northern Europe, and with Gutenberg’s press, led to a new profusion of cookbooks in vernacular languages.

In 1570, a second Bartolomeo came out with his cookbook, both printed and in ordinary Italian. It was the Opera dell’Arte del Cucinare, or “Works on the art of the kitchen,” by Bartolomeo Scappi (1500-1577), who was chef to three popes. It continues the old tradition of exotic spicing, but it is the first cookbook to include illustrations. 

The book is divided into six parts and contains 1000 recipes. It begins with a dialog between the chef and his apprentice, laying out the workings of a smoothly operating kitchen, its implements and ingredients. A second part discusses meat from quadrupeds and birds, and how to make sauces. A third covers fish, eggs and vegetables. The fourth lists foods by season. The fifth teaches the making of pastries, cakes and a miscellany of things. The book ends with a chapter of food for the infirm; so many of these early cookbooks mingle food and medicine, as if they were two sides of a single coin. 

Scappi’s braised beef

He writes of preparing frogs for Pope Pius IV “in the way the pope was used to eating them.” He writes, “Frogs abound in Lombardy, and especially in Bologna, where they are transported in bags on carts.” 

And although it was published some seven decades after Columbus sailed to the New World, the only Columbian Exchange item to show up is the turkey. No potatoes, chiles, tomatoes or chocolate. 

So far, most of these cookbooks are written by cooks for popes or royalty, and their menus are often exotic and call for an abundance of spice. But as the printing press pumped out more and more material, their buying audience widened to include middle class cooks, too. And that also means that their demographic shifts from male chefs to women at their home hearths. 

And this shows up in the number of books aimed at teaching women the best or proper way to make their homes. Often the recipes are only a portion of the books’ contents, which spreads out to include etiquette, home finances and household management. This is a trend that expands in the 17th century and exponentially in the 18th century. 

Thomas Dawson published The Good Huswifes Jewell in 1585 and Gervase Markham wrote The English Huswife in 1615. 

The Jewell gives recipes for pancakes and haggis and is the first in English to mention sweet potatoes — a New World ingredient. It also has a recipe for “A Sallet of All Kinde of Hearbes:”

“Take your hearbes and picke them very fine into faire water, and picke your flowers by themselves, and washe them al cleane, and swing them in a strainer, and when you put them into a dish, mingle them with cowcumbers or lemmons payred and sliced, and scrape suger, and put in vineger and oyle, and throw the flowers on the toppe of the sallet, and of every sorte of the aforesaide things and garnish the dish about with the foresaide things, and harde egges boyled and laide about the dish upon the sallet.”

The full title of Markham’s book is quite long and runs: The English Huswife: Containing the Inward and Outward Virtues Which Ought to Be in a Complete Woman: as her Phisicke, Cookery, Banqueting-stuffe, Distillation, Perfumes, Wooll, Hemp, Flaxe, Dairies, Brewing, Baking, and all other things belonging to an Houshold.” Which gives some sense of the direction cookbooks in general will be headed in the following centuries. 

Markham was by profession a soldier, and he shows some humility in his introduction: Thou mayst say (gentle Reader) what hath this man to doe with Hus-wifery, he is now out of his element,” but goes on to say that he had his manuscript vetted by an honorable lady of quality. But no doubt, he was not the original mansplainer. 

There are quite a few 17th century cookbooks, and I cannot include them all, but I can’t avoid The Closet of the Eminently Learned Sir Kenelme Digbie Knight Opened, from 1669. Digby was a courtier, diplomat, natural philosopher, astrologer and Roman Catholic intellectual, once called “The Ornament of This Nation.”

If you open his closet, as it were, you find many directions for alcoholic drinks, but also a fair number of delicacies, such as Capon del Conte di Trino, which calls for ambergris (from the intestines of a whale), dates, raisins, currants and sugar, all boiled inside an ox bladder. 

To boil eggs: “A certain and infallible method to boil new-laid Eggs to sup up, and yet that they have the white turned to milk, is thus: Break a very little hole, at the bigger end of the shell, and put it into the water, whiles it boileth. Let it remain boiling, whiles your Pulse beateth two hundred stroaks. Then take it out immediately, and you will find it of an exact temper.”

The language and spelling are a delight. Here is another:

“A FLOMERY-CAUDLE — When Flomery is made and cold, you may make a pleasant and wholesome caudle of it, by taking some lumps and spoonfuls of it, and boil it with Ale and White wine, then sweeten it to your taste with Sugar. There will remain in the Caudle some lumps of the congealed flomery, which are not ungrateful.”

Markham in An English Huswife defines flummery as a soft, starch-based sweet pudding: “From this small Oat-meale, by oft steeping it in water and clensing it, and then boyling it to a thicke and stiffe jelly, is made that excellent dish of meat which is so esteemed in the West parts of this Kingdome, which they call Wash-brew, and in Chesheire and Lankasheire they call it Flamerie or Flumerie.” A caudle, by the way, is potion or porridge for infants or the infirm. 

And to feed your chickens and make them plump and juicy, Digby writes:

“AN EXCELLENT WAY TO CRAM CHICKEN — Stone a pound of Raisins of the Sun, and beat them in a Mortar to Pulp; pour a quart of Milk upon them, and let them soak so all night. Next morning stir them well together, and put to them so much Crums of Grated stale white bread as to bring it to a soft paste, work all well together, and lay it in the trough before the Chicken (which must not be above six in a pen, and keep it very clean) and let a candle be by them all night. The delight of this meat will make them eat continually; and they will be so fat (when they are but of the bigness of a Black-bird) that they will not be able to stand, but lie down upon their bellies to eat.”

Chickens gotta eat, too. 

Next: The 18th Century where we will not forget the ladies. 

The oldest cookbook in the world is made of mud recipes — not recipes for eating mud, but tablets fashioned from mud and inscribed with cuneiform script. They are from Babylon and are now in the Yale Collection in the university’s Mesopotamian Collection. There are three nearly complete tablets and a forth fragmentary one and they date from about 1750 BCE, nearly 4,000 years ago and roughly the time of Hammurabi. 

Most of the recipes they contain are for broths and stews, but no doubt these fragments are only the remains of a larger cache of recipe tablets so far unearthed or uncatalogued. It is notable, though, that the evidence suggests that it is at this time and place that cooking in liquid was first introduced. It was an innovation in cooking and supplemented the open fire roasting and closed oven baking. 

The recipes we have are sketchy at best, mostly a list of ingredients with rudimentary instruction, most likely because the recipes were written down for the use of well-trained chefs who already knew the basic methods of the kitchen. 

A recipe for lamb stew reads literally: “Meat is used. You prepare water. You add fat. You add fine-grained salt, dried barley cakes, onion, Persian shallot and milk. You crush and add leek and garlic.” 

The ingredients for many recipes includes ingredients that are obscure, at best. Translating from the Akkadian text is often ambiguous. Modern scholars disagree on what is meant by “sebetu,” and they are probably a type of greens, like collards, but arguments persist.

Mesopotamian wildfowl pie, before and after covering

There are recipes older than these tablets, like an Egyptian recipe for flatbread from the 19th century BCE tomb of Senet and a formula for beer — or “liquid bread — from Sumer in the 14th century BCE, but the Yale Tablets are the oldest collection of recipes pulled together, in other words, the first cookbook. 

The oldest book, not on clay, is from the Fourth or Fifth Century CE and is typically ascribed to a Roman gourmand named Marcus Gavius Apicius. He almost certainly didn’t write the book, since he had been dead for at least 200 years when it was produced, but several recipes in the book are named for him. (Plato in his Gorgias has Socrates mention a book by Mithaikos on the cuisine of Sicily, which the philosopher calls a “gluttonous food culture.” Plato disapproved of so much. The book, if it existed, is lost.)

Apicius was once the byname for gastronomic excess. Pliny tells us he loved the “superb flavor” of flamingo tongues, and that he once sailed across the Mediterranean Sea to sample Libyan shrimp, but when his boat pulled up to the coast, and he saw what the local fishermen had caught, was unimpressed by the size of the shrimp and turned his ship around and went home without even going ashore. The Historia Augusta tells of his taste for “camel heels, cockscombs, the tongues of peacocks and nightingales, the brains of flamingos and thrushes, partridge eggs, the heads of parrots and pheasants, and the beards of mullets.” 

De Re Coquinaria

The book is De Re Coquinaria, or “On the Subject of Cooking,” and while it contains such exotic recipes, most are of more mainstream foods, and gives us an insight into the typical Roman diet. 

A recipe for Pork with Apples translates literally as: “Put in a sauce pan oil, broth, finely chopped leeks, coriander, small bits of cooked pork shoulder cut into long strips, including the skin, having everything equally half done. Add Matian apples cleaned, the core removed, slice lengthwise and cook them together. Meanwhile crush pepper, cumin, green coriander or seeds, mint, laser root, moistened with vinegar, honey and garum and a little reduced must. Add to this broth of the above morsels, vinegar to taste. Boil, skim, bind strain over the morsels, sprinkle with pepper and serve.” 

There are no measurements, no cooking times, and a few ingredients that may make you scratch your head. “Garum,” for instance, is a ubiquitous Roman fish sauce made by layering whole small fish with salt in a one-to-one proportion and letting the whole concoction ferment for a month or so and to collect the juices. “Laser root” is the Latin equivalent of the Greek sylphion, which is an extinct herb. Modern versions of the recipe often call for the substitution of asafoetida, “Must,” or “defrutum,” is a thick, reduced grape syrup. 

A recipe to stew lamb or goat kid says: “Put the pieces of meat into a pan. Finely chop and onion and coriander, pound pepper, lovage, cumin, garum, oil and wine. Cook, turn out into a shallow pan, thicken with wheat starch. If you are cooking lamb, add the spices while the meat is raw; if goat kid, add it while it is cooking.” 

De Re Coquinaria was popular in many editions and variants through the Renaissance and first printed commercially in 1498, with dozens of editions to follow. 

In the middle of the 10th Century, the first Arabic cookbook was compiled by Abu Muhammad al-Muthaffar ibn Nasr ibn Sayyar al-Warraq, or Ibn Sayyar al-Warraq, for short. Called the Kitab al-Tabikh, or “Book of Dishes,” it collects 600 recipes in 132 chapters. 

Because the Rome of Apicius and the Middle East of al-Warraq are both Mediterranean cultures, it shouldn’t be surprising that so many of their recipes share certain traits. If the Romans douse everything with garum, the Arabs had their murri, or fermented barley water (very like soy sauce). 

A recipe for Barida runs thus: “Take roasted chicken, disjoint it and arrange the pieces on a platter. Beat together mustard made with good wine vinegar and a small amount of murri and some sugar so that the sauce tastes sweet and sour. Add to the mixture ground walnut and a little asafoetida. Pour the sauce over the chicken to drench it. Then pour olive oil all over, finally, sprinkle top with chopped rue and garnish with pomegranate seeds, God willing.”

Long pepper

And if you compare the Arabic, Roman and Mesopotamian cookbooks, you find a family resemblance: lots of coriander, mint, cumin, caraway, cinnamon, sesame, rue, long pepper, and the lost sylphion. They could really be considered variants of a single thousand-years-old basic cuisine. 

Indeed, the Akkadian word for broth is “mu,” or “water,” and in al-Warraq’s book, a cooking broth is called “ma wa milh,” or literally, “water and salt.” 

Some two centuries after al-Wassaq, another Kitab al-Tabikh was written by Muhammad bin al-Hasan bin Muhammad bin al-Karim al-Baghdadi (they had a thing for long names), al-Baghdadi for short. It contains 160 recipes. 

Many early cookbooks, including al-Wassaq’s Kitab al-Tabikh, functions as much as a medical book as a cuisine guide. The quadri-humoral theory of medicine underlies all the recipes — the balance of wet, dry, cool, and warm. The subtitle of al-Wassaq’s book is “Winning a Lover’s Heart and Sparing Him the Need for a Doctor.” 

The first cookbook from India is the Sushruta Samhita, a Sanskrit medical text and one of the foundations of Ayurveda medicine. It is usualy dated from the First Millennium BCE, but the oldest surviving version dates from 878 CE. 

The Manasollasa is a 12th Century guide to Indian culture, from politics to dance compiled by Someshvara III, king of the Deccan empire of Chalukya. The Third Book is devoted to cuisine both vegetarian and non-vegetarian. A recipe for fish:

“Cut fishes into pieces and wash them well. Cook along with tamarind juice. Sprinkle well with wheat flour; fry in heated oil until brown. Add rock salt. Sprinkle powdered cardamom and pepper.” 

Yinshan Zhengyao

Tugh Temur

The first Chinese cookbook was written in 1330 and was also a medical text. Called the Yinshan Zhengyao, or “Essential Knowledge for Drinking and Feasting,” it was assembled by Hu Sihui and presented to Emperor Tugh Temur of the Mongol court. 

Hu Sihui is believed to have been of Turkic origin and many of his recipes seem to have been brought over from the Middle East, and therefore, share some of the habits of all the previous cookbooks. He was working during the Yuan Dynasty, which was Mongol, and the culture and cuisine of the nomadic peoples of Central Asia had a monumental affect on Asian and European societies, which may account for the similarities in cooking from Beijing to Marseilles, where you find meats stewed with fruits and exotic spices. 

One recipe, for Wolf Soup calls for: “Wolf meat (leg: bone and cut up),  cardamom, black pepper, kasini (powdered chickory), turmeric, saffron.  Boil together into a soup. Adjust flavors of everything using onions, sauce, salt, and vinegar.”

The author was primarily a physician and was likely the first to discover the link between nutritional deficiencies and disease. A recipe for mutton stew says “it supplements and increases, warms the center, and accords qi [the life force, literally ‘air’].” 

That Pan-Eurasian food culture lasts through the Middle Ages in Europe, but a more Western style of cuisine begins to emerge in the as the Medieval morphed into the Renaissance. Apicius still stood as the model for the kitchen staff of the wealthy, but at least in northern Europe, a different sort of cookbook began to emerge. And after about 1500 CE, the Columbian Exchange brought a whole new pantry of ingredients. 

Next: Cookbooks become an industry 1400-1800

Walk into any used bookstore — or if you can find it, a new bookstore — and you will find an entire aisle devoted to cookbooks. Perhaps there may be more romance novels, if it’s a used paperback store, but in most, cookbooks take up more space than anything else. Of the making of cookbooks, there is no end. 

Reading a good cookbook is a pleasure and collecting them is a vice. When I got married, 40 years ago, two collections joined as one. Over the years, many have gone to feed the shelves of used bookstores and now I’m whittled down to the most essential ones. But I still love them all; many I have let go I have since rebought. 

But not all cookbooks are of the same ilk. There are four distinct classes of cookbooks and they offer differing rewards. 

ONE

The first group are the recipe books, and they make up by far the largest class, maybe even 80 percent of the total. Their purpose is to give homemakers directions to the preparation of the standard day-to-day fare of the family table, or to instruct how to make more exotic dishes from exotic cultures. There may be intercalary text, a few stories or some background information, but the heart of such a book is the individual recipe, divided into an ingredients list and a procedure directive. 

We can divide these up into actual bound books and the plethora of booklets and pamphlets, many of them promotional items.

Among the books we run from the big comprehensive volumes  covering everything from soup to roasts and desserts, to the specialty book, such as have Christmas recipes, or baking secrets, or how-to for Chinese food. 

And each cook has one of these compendiums as her primary source: either Craig Claiborne’s New York Times Cookbook, the Fannie Farmer Cookbook, the Gold Cookbook, or the Better Homes and Gardens New Cook Book: America’s #1 Cookbook Since 1930. 

And most have a collection, too, of smaller books — a McCall’s paperback on pastries or a Southern Living collection of casseroles. Such books, often mere pamphlets, have been produced at least since the end of the 19th century. 

I have lived in the South for a good portion of my life, and have come to love, even need, Southern cooking, from barbecue to Brunswick stew, from fried okra to hushpuppies. There have been Southern cookbooks from way back, when it was still OK to use an African-American mammy on the cover. Edna Lewis is a great step upwards. I have owned three editions of Mrs. Dull’s book.

As American food culture expanded, beginning in the 1970s, the range of cookbooks of exotic cuisine expanded. Julia Child taught us French; Joyce Chen taught us Chinese; Madhur Jaffrey brought us India and Diana Kennedy made us long for varieties of chile pepper we had never heard of and never even imagined. 

Before then, most cookbooks were good ol’ American family fare, and  magazines gave out monthly ideas for how to turn loaf bread, Jell-O packets, a can of soup, and some Shake ’n Bake chicken into a meal fit for a junior assistant vice president in charge of sales. 

And from the 1920s through the 1960s, various corporations put out pamphlet-size promotional books with recipes for their products. A Jell-O cookbook; a Diamond Walnut cookbook; a Gold Medal Flour cookbook; a Sunbeam Mixmaster cookbook — hundreds, maybe thousands of them. 

For anyone interested in graphic design and typography, these promotional cookbooks are a treasure trove of historical fashion. They popped up first in the years before World War I, became popular again in the 1920s, served the war effort with helpful kitchen shortcuts in the 1940s, and became hip and cartoonish in the 1960s. Each era has its look and seasoned eyes can date one from its cover alone, to an accuracy of less than five years. 

A subgenre of the recipe book is the celebrity cookbook. Many of these have a short shelf life, as movie and TV stars come and go. 

And television series and movies with sequels spawn similar entries. Want a Star Wars cookbook? There are at least six of them. 

A Harry Potter Cookbook? Game of Thrones? Walking Dead? Outlander? 

A kind of gender spread from boy-aimed Star Trek to girl-aimed Gilmore Girls, with Doctor Who in the middle, pitched to both. 

For Downton Abbey, there are official and unofficial versions. 

Every church has, at some point, published a spiral-bound book of the favorite recipes of its parishioners, usually with much use of crushed corn flakes and cream of mushroom soup. 

But I’m getting sidetracked. I love my collection of these ephemera, not for their recipes, which I never use, but for their design and typography. They are an unnoticed art gallery. Others find the same in classic cars or vintage clothing, but for me, it’s the changing trends in publishing, and the cheapest source of old book design comes on the cookbook shelves of your favorite used bookstore. 

TWO 

The second class of cookbook is the instructional — those books whose purpose to to show how to bone a chicken or julienne a carrot. The most famous is probably Jacques Pepin’s La Technique and La Methode, with their photographic step-by-step. 

Of course, the boundaries of these classes is blurry. Most procedurals also contain recipes, and even the big recipe collections give some help in the basic techniques. But it is a question of emphasis. You can look at Julia Child’s Mastering the Art of French Cooking as a roster of gourmet recipes, but its greatest virtue is its explication of technique. (And no, I am not forgetting Louisette Bertholle or Simone Beck). 

And it is easy to think of the perennial Joy of Cooking as a recipe book, but while I would never consider being without my own copy — which is the single volume I would keep if required to disinvest in all but one cookbook — I never cook from its recipes, but depend on it to consult on how long to cook a pork roast or how to poach a trout. For me, it is my go-to technique book. It has never let me down. 

The importance of technique is that once you have learned all the basics, you can abandon all your recipes and begin cooking on your own, with full confidence that you know how. 

THREE

The third type of cookbook I might call the travel book, the book that explains culture and geography through cuisine. Television has largely taken over this genre. One of the best at this was Anthony Bourdain, although his work was in TV rather than in books (although he wrote his share of them, too). 

Amber Hoffman wrote The Food Traveler’s Guide to Emilia Romagna: How to Taste the History and Tradition of Italy. David Lebovitz wrote The Sweet Life in Paris. Yemisi Aribisala wrote Longthroat Memories: Soups, Sex and Nigerian Taste Buds. Fuchsia Dunlop gave us Sharks Fin and Sichuan Pepper: A Sweet-Sour Memoir of Eating in China. 

There are also historical books that take us through the history of a single ingredient, such as Mark Kurlansky’s Cod: A Biography of a Fish that Changed the World and his Salt: A World History. Or Beans: A History by Ken Albala. 

Kurlansky also translated Emile Zola’s novel about the food markets of 19th Century Paris: The Belly of Paris. 

Finally, there are a series of books about the kitchens of famous artists — three Monet alone. Others cover Van Gogh and Matisse.

 

FOUR

The fourth class is similar to the third, so that even the line between them is blurred, which is the food memoir and the food essay. 

Bourdain had a best seller with his jaundiced look at the backstage antics of restaurants in his Kitchen Confidential. Jacques Pepin is a bit more nostalgic about the hardships of his long culinary training in The Apprentice: My Life in the Kitchen. 

Three food writers wander back and forth between memoir and essay: M.F.K. Fisher, Elizabeth David, and Ruth Reichl. Fisher wrote The Art of Eating, David wrote An Omelette and a Glass of Wine, and Reichl published Tender at the Bone: Growing Up at the Table. 

I feel I have to mention one of my favorite food writers, Calvin Trillin. Where others are rhapsodic, he is ironic and quirky. His essays were usually published in The New Yorker, and some were collected in three of his books on food — American Fried: Adventures of a Happy Eater; Alice, Let’s Eat: Further Adventures of a Happy Eater; and Third Helpings. The three were later published in a single volume titled The Tummy Trilogy. 

The genre was born in 1825 with the publication by Jean Anthelme Brillat-Savarin of his Physiologie du Goût, or to give it its full title (translated): The Physiology of Taste, or, Meditations on Transcendent Gastronomy; a Theoretical, Historical and Topical Work, Dedicated to the Gastronomes of Paris by a Professor, Member of Several Literary and Scholarly Societies. Brillat-Savarin was a man who liked to eat and what is more to write about what he ate. 

He is perhaps most famous for having said: “Tell me what you eat and I will tell you what you are.” 

All of these books are a pleasure to leaf through, to look at the pictures, to read the introductions, to read the recipes and imagine their tastes — the way a musician can look at a score and hear the music in her head. 

Of the enjoyment of cookbooks, there is no end.

Next: A history of cookbooks

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