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Dog and cat battle dan kincaidDrawing by Dan Kincaid


“It’s Je-Ne-Vee-Ev, not Jeneveev,” said Stuart, introducing his live-in, Genevieve, the viola player. She is 50-ish, stylish and thin, with a shock of white in her hair, like Susan Sontag. She was born in Belgium and takes the same offense as Hercule Poirot for being assumed French. She has a throaty voice in the same register as her viola, although her instrument probably didn’t spend a lifetime smoking unfiltered cigarettes.

We were having dinner, the four of us: Stuart and Genevieve and my wife and me. Stuart did the cooking; Genevieve poured the wine. And oh, how a little Beaujolais can get Stuart talking.

“It has been said that there are two kinds of people in the world: those who divide the world into two kinds of people and those who do not. But I’ve never met any of those.”

And Stuart was off to the races.

“Everybody and his brother-in-law splits the world into two categories: male and female; conservative and liberal; Gene Autry fan and Roy Rogers fan; those who get it, and those who don’t.”yeats

Stuart had just finished reading A Vision by William Butler Yeats. Stuart had an epiphany, he said.

“Yeats divides human personalities up into 28 ‘phases,’ like the phases of the moon. It’s really brilliant, if a little loony. Ideally, there is no Phase 1 or Phase 15 — the first and middle phase of the moon’s monthly round of waxing and waning: The new and full moons; these are too pure and unmixed to exist in the real world. But all the phases are defined by their ‘tinctures’ of two essential personality engines, which Yeats calls the ‘primary’ and the ‘antithetical.’ Simply put, the lumpy and the poetic.

“He gets quite lawyerly in parsing the bits. And I had this vision of my own, although it is somewhat simpler to understand.vision phases

“It is that underlying every other distinction is this basic, fundamental one: between dog and cat. You can have your phases of the moon, but really, but all those personalities are either canine or feline.”

“You mean, like a dog-person or a cat-person?” my wife asked. “I’m a cat person; we gotta have cats around the house.”

“No,” said Stuart, “not a question of which animals you prefer as pets, but rather, which you are in your cor cordium, your self of selves. We are all one or the other. You can see it in the faces of everyone around you.

“But it goes beyond people. As I now see it, every animate being on the planet is one or the other.

“They are opposed personality types. They function in the world differently and see the world differently.

“For the dog, the world is essentially simple. Truth is truth, up is up and down is down. The dog has a direct relationship with the things of the world: They are what they are.

“A cat, on the other hand, sees the world metaphorically. Things may be what they seem, but are never only what they seem. They can mean one thing Monday, and something entirely different on Tuesday.

“When dogs read poetry, they like to read, ‘what oft was thought, but ne’er so well expressed.’ They can be scholars and critics, and they can be quite discerning and bastions of good taste, but their world view is essentially single-tracked. Their vision is clear, if not very imaginative. Their word is their honor and they have 30-year mortgages.woman in the dunes

“Cats love Japanese movies with subtitles and long shots of shifting sands. Dogs like Adam Sandler and Kristin Stewart.

“Cats enjoy the jostle of ideas. Dogs talk about wines.

“You may think I’m tipping the scales in favor of cats, but that is only because I am one. There is downside to either class, and dogs really are important for the continued functioning of the society that makes cats’ lives possible.

“Cats never decide on a college major and fritter away their parents’ money taking courses in Incan pottery and creative writing. Dogs stick to their curriculum and go to Career Days.

“Dogs become Eagle Scouts and join the Rotary Club. Dogs dream of a house in Syosset and a Bill Jr. to take to the zoo. Cats dream of pirates, scoundrels, military heroes and Tamerlane.

“There are many kinds of dogs in the world. Some are bureaucrats and some, the more stylish, wear whatever is touted in Esquire. Hell, the Playboy Advisor was written for them. Some are noble and become doctors or missionaries; others bring my slippers at day’s end.

“It is plain, especially to dogs, that the world functions only because of them. And truly, we couldn’t do without them.

“But cats have eyes that change as the moon changes. They live by their own rules and amend them as their mood shifts. They are filled with prevarication and treachery. Their minds shuffle like a gambler’s deck of cards and we never know what face will show, or what suit. ‘Spades and Diamonds, Courage and Power; Clubs and Hearts, Knowledge and Pleasure.’

“When it comes to poetry, cats often prefer to write their own.”

Stuart noted that my wife writes poetry. He explained that cats don’t only write bad poetry, but rather, all poetry, no matter what the quality.

“Well, there are exceptions,” he admitted. “Edgar A. Guest and Ella Wheeler Wilcox are woof-woofs. But you get the gist.”rust sings

(My wife’s poetry has been published in a book, called Rust Sings. I recommend it.)

“There can be little meaningful dialog between the dog and the cat,” Stuart continued, “because they mean different things when they use the same words.

“This frustrates the dog no end; he cannot pin the cat down, while the cat delights in the ambiguity, and will even do what he can to amplify it.

“Dogs are trustworthy. A dog will be on time; a cat will be late, cancel or forget.

“A dog joins the Rotarians; a cat never does, unless he can use his membership toward the end of world domination, or something else he thinks might be fun.

“Among women, cats can wear too much eye makeup; dogs put too much mousse in their hair, like a TV news anchor. The difference is total and complete.

“For instance, a dog can certainly be selfish, but it takes a cat to be egocentric. A telling difference.

“Dogs have faith in the basic goodness of the world, and although they make a place for evil, they nevertheless believe it is something that can be overcome. A cat may or may not believe in evil, but whatever else, he believes in the relativity of goodness and truth.

“This isn’t just people: All animals are also dogs or cats. Think of a sea otter. Cat or dog? There can be no question. Anything that can sleep floating on the ocean surface so curled up that its head rests comfortably on its own belly, is a cat. Sturgeon are dogs. So are bears, horses, elephants and cows — ungulates as a class are dogs.fox cheetah dyad

“It is interesting to see this play out in nature. Don’t be confused by taxonomy. It is not names that define dogness and catness. Foxes, for instance, are classified as canines by the doggy scientists, but they are nevertheless cats. And cheetahs — you only have to look at those stiff, tensioned legs to recognize their essential dogginess.

“The main physical difference is in their bendability. Pick up a dog by his middle and what do you feel? The beast is stiff as a two-by-four. He is uncomfortable off the ground. He whimpers. Put him back down and his tail wags.

“Pick up a cat, and it drapes over you, form-fitting and at ease. I know a man who used to wear his big orange cat as a kind of living Davy Crockett hat. The cat sagged over his skull and down his neck and never wavered. The cat just purred.

“You can tell the relative caninicity or felinicity of a person when you dance some old-fashioned thing like a waltz. If your partner’s spine is rigid, he or she is a dog. A cat-partner will swing and sway with the rhythm like an willow in a gust.

“Does anyone remember seeing archival TV film of Richard Nixon attempting the Twist? The very definition of a dog.

“That is because a dog is all of a piece; he is one thing, head to tail. A cat is a loose concatenation of impulses, a pile of multiple personalities. When a dog dances, every part of him has to move in the same direction at the same time. A cat is syncopated.

“This pervades their world views. A dog is regimented and feels most comfortable when most conventional. A cat is individual, and often takes little notice of what is expected of him.

“Cats and dogs have been eternally at war. The dogs think the cats are kooks, hippies or commie sympathizers (although most communists are as doggie as the board of directors at General Motors). They have difficulty conceiving of anything not established by precedent. Community standards actually mean something to a dog.

“And when it gets down to battle, the dogs, like the redcoats of the American revolution, fight according to the book, in lines standing and kneeling, firing volley after volley on command.

“The cats, rather than being organized soldiers, find the dogs a nuisance and, like American Minutemen, take potshots from various convenient hiding places.

“Groucho Marx, taking his potshots, is the quintessential cat. If a canine becomes too officious, a cat is always there to flick his cigar and wiggle his eyebrows. Although dogs do not understand cats, cats understand dogs all too well.

“Interestingly, although almost all politicians are dogs, the most effective religious evangelists are cats. They don’t actually believe the piffle they spout, but get a great deal of pleasure from persuading listeners to line up behind them, cheering (and sending money).

“Or rather, the cat believes what he is saying as he says it. It is just that tomorrow, he can say something else. I’m thinking of Marjoe Gortner, for instance, or Lyndon Larouche. ‘A foolish consistency,’ they rejoinder.

“A true cat will really enjoy making one argument now, then switching hats or podiums, proving himself wrong in the next breath. The pleasure is in the arguing, not the results. Strife is the natural order of things.

“This makes dogs very, very uncomfortable. For the dog, arguments are proof that the world is out of balance. Equilibrium must be restored: The two sides in a dispute must work it out, so the truth will prevail and peace — the dog’s natural order of things — will reemerge.

“The dichotomy is at the bottom of some of the most familiar cultural pairings we know. Benjamin Franklin, with his “early to bed, early to rise,” was a dog; Thomas Jefferson, with his house filled with maps and stuffed elk, inventive contraptions and lack of heat, was a cat. It takes a cat to say ‘All men are created equal,’ while owning slaves and fathering children with them.hemingway faulkner dyad

“Tolstoy was a dog; Dostoevsky was a cat. Hemingway went woof woof; Faulkner, meow.

“If you have ever wondered why some old sayings seem to contradict others — ‘Opposites attract’ vs. ‘Birds of a feather flock together’ — it’s because one is true for dogs, the other for cats.

“Even the proverbs that cats repeat, sitting around a cracker-barrel in an old Vermont store, bear this out.

–”The dog sees not the same tree the cat sees.

–”The hours of a dog are measured by the clock; but of a cat, no clock can measure.

–”If a cat would persist in his folly he would become wise; a persistent dog becomes the village idiot.

–”One law for the dog and the cat is oppression.

“Cats have a built-in sense of the ultimate void and how much fun it can be.

“The very earliest organized philosophies broke down along these lines. Plato was a cat. Even now, you can never know for sure when he actually believes some of the hogwash he comes up with. Aristotle, on the other hand was the very model of a dog. ‘Let’s make lecture notes.’

“Of course, just as with Yeats’ A Vision, there are wheels inside wheels, all spinning on their own doggie-cat axis. Yeats expands his vision to include not just personality types, but all of history. Well, my dogs and cats does the same.

“The ancient Greeks were cats, proving with logic, when it amused them, that it was impossible for anything to exist. Romans were dogs: They invented concrete and designed plumbing.

“The Renaissance was a quintessentially dog era, the Baroque that followed it was all cat. Modernism barked, Postmodernism meows. wayne-nicholson dyad

“Nothing makes my case better than concrete examples. Think John Wayne and Jack Nicholson. Both fine actors, each in his way — think of The Searchers — but I think there is little doubt who is the dog in this pair. Your reaction is instantaneous. You don’t need to explain: It just is.”

“Yes,” said Genevieve. “Like Barack Obama and Joe Biden.”

“Of course,” said Stuart, “That’s why Biden will never be president.”

“What do you mean?” asked my wife. “A cat can never be president? What about Bill Clinton?”

“You got me there,” Stuart said. “But that is a reversal of the pairing. Clinton was a cat and Al Gore was pure dog. These pairings make clear the dog-cat dyad, the paradigm.Martin Luther King

“Martin Luther King, Jr., and Malcolm X. Dog and cat,” I said.

“It can become a party game,” Stuart said. “Tom Hayden and Abbie Hoffman. Big Bird and Oscar the Grouch.”braque picasso dyad

“Georges Braque and Pablo Picasso,” Genevieve said.

“Perfect.”

“Mahler and Bruckner,” she said.

“For years, the nation divided between doggie Jay Leno and cat-man David Letterman,” Stuart said.

“Well, until Letterman lost his cat license,” I said. “He’s gotten kind of doggie in his later years.”

“See, what a profitable lens this is for understanding the world?” Stuart said.

“It explains the difference between Obama and Putin,” Genevieve said.

“And between Andrew Wyeth and Andy Warhol; between George Burns and Gracie Allen…”

“And between Fidel Castro today and Castro 50 years ago,” Genevieve said.

“Between Jane Pauley and Garry Trudeau.”

“When it comes to marriage, a dog can be happy married to a dog,” Stuart said. “But a cat can be happy married to either a cat or a dog. There is fun either way. matalin carville dyadThink Mary Matalin and James Carville. But you see, there is a built-in paradox. How many marriages do you know where one party is happy and the other isn’t? The reason, I tell you, is always the same: One dog, one cat.

“Two cats mated can be happy briefly. But such marriages don’t tend to last. Think of a Hollywood marriage and you pretty much get the picture. Variety is not just an ideal for a cat, but a way of life.

“Of course, the arts are heavy with cats, just as the field of accounting is not. You don’t last long at H.&R. Block if you believe arithmetic is a matter of opinion.

“At bottom, we need both animals in the world. You need the dogs to make life possible; you need cats to make it worth living.”

Stuart brought out a flan and a well-used bottle of amontillado and asked if anyone wanted a cigar. Genevieve was the only taker, but then declined. She said she was giving up smoking again. Ninth time. One more and she got a free sandwich at Subway.

Stephen Spender   The English poet Stephen Spender wrote a poem whose first line I can’t get out of my head: “I think continually of those who were truly great.”
Of course, Spender was writing about political issues, but I can’t help thinking how this line might apply to art.
Because, we use such words rather loosely in the art world. This is “great,” that is “great.” But this devalues the word. I think continually, not of the great writer, painters and musicians who have populated our world, our college curricula and our anthologies — there are many: so many, no one — not even Harold Bloom — can read, see and hear them all — but rather I am thinking of what Spender might call the “truly great.” There are so few of them.
These are those men (and I’ll qualify that soon if you give me a minute) whose works either changed the world significantly or at least changed the culture, or whose works are recognized by a preponderance of humankind to have the deepest insight into the human condition.
It is best understood if we start with science. Who was “truly great?” You could name hundreds of great thinkers, from Watson and Crick to Louis Pasteur to Edwin Hubble. Their contributions have been invaluable. But none of them so completely changed our thinking or ruled it for so long as my three nominees: Aristotle, Newton and Einstein. Each remade the world.three scientists
Who in the arts can have had such effect? These are the people whose works are the core of our culture, the central axis of our understanding of how the world looks, feels, acts, and responds.
The Big Boys.
You may have your own thoughts on the matter: That is not the issue.  We can haggle over the contents of the list. The issue is whether there are some creators whose works are so essential to culture that to be ignorant of their work, is to be ignorant. Period.
In literature, I would say the list begins with Homer and Shakespeare. They are the consensus leaders. If I would add Chaucer, Milton and Dante to the list, so be it. You can add your own. But Homer and Shakespeare are “truly great” in this sense.
What I am suggesting is that in each field, there are probably such consensus choices. In music, you have Johann Sebastian Bach, Wolfgang Amadeus Mozart and Ludwig van Beethoven. Surely others belong on the list. I would include Haydn, Wagner and Stravinsky. You can add your own, but again, if you are not familiar with Bach, Mozart and Beethoven, your education is incomplete.
Among painters, you have Raphael, Rembrandt and Picasso. No one will argue against them. There are many painters that could be included: Titian, Michelangelo, Monet, Turner — the list is expandable depending on your taste, but who has had more influence than Raphael? More depth than Rembrandt? More expanse than Picasso?
(I am purposely narrowing my list to European culture, not because I think that is is the only one that counts, but because I swim in it rather than another, and because I have not enough exposure to everything in other cultures to claim even the slim authority I have discussing Western culture. If I had my way, I’d add Hokusai to this list, but he is ruled out by the operating principles of my system.)
Who are the sculptors? Michelangelo, surely; Bernini and Rodin. Others are great, but these are the standard-bearers.
Try it for yourself. Among novelists, who are our Newton and Einstein? Tolstoy, Dostoevsky and James Joyce.
Again, you may put forth your Fielding, your Trollope or Dickens and I won’t argue. This is only my list and it is surely provisional. It is merely my meager assay. It is my claim that there are the “truly great.” And that they offer something bigger, larger and more powerful than even the best of the rest. They have altered the course of the planet. Or at least the people upon it.
One final caveat: Where are the women? I am not so churlish that I don’t recognize the many great artists who are built with X chromosomes. My argument is with history, not with women: Historically, women have been blocked from the world of art. This is not so anymore, or at least not to the extent it has been true in the past. I was an art critic for a quarter of a century, and I saw the art world shift from a boy’s club to a much more open thing. Most of the best artists I came across were women. Many of our best and most honored writers are now women. In the future, I have no doubt there will be women who shake the world the way Michelangelo did. But I have to look backwards for my list, not guess at the future.
So, does Gertrude Stein belong here? Or Virginia Woolf? This is not to gainsay their genius or the quality of their work. Everyone should read them. But I am not writing about the great: I am comparing them to Shakespeare. The lack of women on this list is a historical artifact, not a prescriptive injunction.
The world is sorely lacking for heroes these days. We don’t even trust the idea of the hero. He surely must be in it for himself; there must be some ulterior motive. It’s all about power, say the deconstructionists. It is all reduced to a steaming pile of rubble and we shout with glee over taking down the idols and smashing them.
But I am suggesting that we actually read Homer, study Rembrandt, listen to Beethoven’s late quartets with the intensity and importance we otherwise give to defusing a bomb.
We should read or listen or look as if our lives depended on it. Because they do.

When she brought in the last bag of groceries, she popped open a diet drink and unbuttoned the top two buttons of her blouse.

“Hot.”

Al pulled his undershirt, nearly transparent with sweat, down over his belly, in deference to decency. The hair on his belly was black in sweatcurls. His trousers were rolled up over his bony knees.

“Yeah, hot.”

They have been married long enough that they had become furniture to each other, like a sofa or bridge table.

“Hot.”

“Yeah.”

“Matthew is visiting this week.”

“Oh yeah? I didn’t know.” He opened up the fridge and yanked back the tab on a cool one.

“Yeah.”

“It’s been what? A year?”

“Two.”

“Yeah.”

He shuffled out of the kitchen and back to the TV to catch the final three innings.

Mary was 52; Al, 59. Matthew was 25, but still in school, working on his second masters degree. The first, in Media, had proved useless.

Now, he was in engineering. “Still avoiding a job,” thought Al.

The Braves were hopeless in the ninth. Philly was leading by seven runs and Atlanta had only the bottom of the order. It was a time Al could be reflective; the game was going nowhere, so his brain wandered.

“Who’s he seeing now?”

“Seeing?”

“Yeah. Who’s he going out with?”

“He’s been living with the same girl for three years. Remember? The little Oriental girl.”

“Oh, yeah. He still with her?”

“Yeah.”

“Quiet, isn’t she?”

“I thought she talked a lot.”

“Oh, yeah. Ran her mouth on about Japan or someplace.”

“She’s from Thailand.”

“Thailand?”

“Yes.”

“He bringing her along?”

“I guess so.”

“Don’t like that.”

Pinch hitter made it to second, but a freak bounce led to a 6-4-3 double play and the post game was a pitcher. Al hated pitchers. They talked too much.

“Damn candy ass,” he yelled.

“Oh.” Mary assumed this was an opinion about the girl. She didn’t quite understand, but let it pass.

In actuality, Elizabeth, the Asian girlfriend, was a graduate student, too. In English literature. Four point Oh. She was small. She did have dark hair. And her almond eyes were brown as basketballs. She was from San Diego.

“They’re coming Saturday.”

“When?”

“Saturday.”

“No, I mean morning or afternoon?”

“Afternoon, I guess. It’s a six hour drive.”

“Wonder why.”

“Traffic mostly.”

“No, I mean why are they coming?”

“Matthew said it was a surprise.”

“I hate surprises.”

“I know. I told Matthew you hate surprises and all he said was, ‘Then, he’ll really love this one.’”

“Atlanta’s gonna play the Mets.” He put down the tube guide and wondered if it would be a good game and whether he’d have to miss it.

2

Saturday came and it rained in Georgia. TBS ran a Rory Calhoun movie and Matthew and Elizabeth didn’t show up till dinnertime.

Their silver VW bug with one orange fender had broken down in Lincoln and they had had to wait several hours for a mechanic to change a fan belt. They looked quite happy. Al was suspicious.

After settling down and having lemonades served by Mary, Al began the inquisition.

“So how’s school?”

“Fine, Dad.”

“You gonna finish this year?”

“Probably. Really all I have left is my thesis.”

“What about Kwan Lee?”

“Elizabeth? She’ll be done in December, if she stays on.”

“You still living together?”

“Yes, Dad.”

“Atlanta rained out.”

“Huh?”

“Ball game. Rained out.”

“Oh.”

“Waited for you instead.”

“Sorry, Dad. It’s an old car.”

“Why don’t you get a new one?”

“We will, when we have to.”

“Does it keep breaking down?”

“It’s been good.”

“So, how’s it go?”

“It goes fine, Dad.”

“No, I mean between you. How’s it go between you two?”

“Real good. That’s one of the things I wanted to talk about this weekend.”

“Oh. Good. Glad to hear it. Things are good between Mom and me, too.”

Mom and Elizabeth were in the kitchen getting supper ready. Pot roast; mashed potatoes; boiled carrots; a jello salad; gravy.

“Can’t afford a roast much anymore, but we thought you and Matthew coming was kind of special.”

“That’s very thoughtful.” Elizabeth and Matthew were vegetarians. A little fish now and then.

Her nose is really quite small, Mary thought.

3

“Really flat chested, isn’t she?”

“She’s just fine, Dad.”

4

“Another evening with the folks.”

“Don’t be sarcastic, Matty.”

“I can’t help it. They’re so narrow minded, you’d never believe Dad used to teach at the university.”

“Your mom was real nice.”

“Especially the pot roast.”

“At least there were plenty of carrots.”

“Warning: Bacon for breakfast.”

“It’s OK, I brought the rice bran.”

“They drive me nuts. Did you notice they never talk about anything?”

“What do you want them to talk about?”

“Anything except the damn roast or the ball game. You know, even when Dad taught history, he never talked about it at home. It was, like, just a day’s work for him.”

“Maybe it was.”

“News says the weather is clearing in Atlanta and tomorrow is a doubleheader. We won’t be able to get much explained between innings.”

“We can talk to your mom and she can tell him.”

“Probably have to do that.”

He looked long at her belly.  A faint stripe of pigment made a line just to the left of her navel and extended down about four inches.

5

Al was out buying a newspaper. Elizabeth was still asleep.

“There are several things we needed to talk about, Mom.”

“Maybe we should wait for your father…”

“The ball game. Besides, he may not take our news too well. We thought it best if you told him.”

“This sounds serious.”

“Elizabeth and I are moving to South Dakota.”

“We’ll miss you, but that doesn’t sound so awful.”

“She’s got a job at the Indian school on a reservation.”

“You mean Indians?”

“Yeah, Mom.”

“What about you?”

“I’ll be raising the kid, mostly.”

“The kid?”

“Yeah. Elizabeth is pregnant.”

“You going to get married?”

“No more than we already are.”

“What about the baby?”

“He’ll do fine.”

Al pulled into the driveway and swung out the big door on the Olds. He didn’t have a paper. He swept into the kitchen like a big drop of sweat steaming down a face.

“All gone. It’s hot out there already.”

“Matthew says he and Elizabeth are going to have a baby.”

“Oh, shit. What are you doing now, kid?”

“We decided to try an experiment, Dad.”

“Since when is having a baby an experiment?”

“I thought it always was.”

“A genetic experiment? You and Kwan Lee?”

“Well, not quite, Dad. I’m not the father; not biologically, anyway.”

“What?”

Al hated knuckleballs. Just pitch’em straight down the plate. Your best stuff. A knuckler is cheating.

“Elizabeth and I have done a lot of heavy thinking…”

“That’s thinking with rocks in your head?”

“…Thinking about the state of the world and all. We wanted to do something or try something.”

“You mean besides being a vegetarian and saving the lives of countless cows?”

“Yes, Dad. Seriously.”

“But what about the child?” Mary asked.

“I don’t understand. What do you mean?”

“What about the poor child? Why are you experimenting on a poor child?”

“It’s no more than you two did with me.”

Al scraped his fingertips over his stubble. “OK, then, who’s the father.”

“He’s a man we both know at school, a doctoral student from Lagos.”

“Lagos? Where’s that?”

A look of recognition brought a ghost of a smile to Al’s face. Then a second look of recognition brought the ghost to its knees.

“Nigeria,” he whispered.

“Nigeria?” Mary had a blank look on her face.

“Africa.”

“Africa?”

“Black.”

“Black?”

“Yeah, Mom. His name is Mbwengwe and he’s black.”

“How? … black?”

“His skin is that sort of purplish black; real deep.”

“Why?”

“All his people are like that.”

“No, I mean, why is he the… I mean… I don’t understand.”

“Elizabeth and I have been thinking, like I said, and we, well, we’re not so sure about the viability of white European culture.”

“Viability?”

“Yeah. We think logic is a dead issue and …”

“What’s that got to do with having a kid? You’re not making sense. I think I need to sit down.”

“OK, Mom. Like European culture is based, we think, on yes/no categories, you know, the basis of logic. A thing is either A or Not A. And what has this thinking led us to? Digital watches and thermonuclear bombs; acid rain and Third World starvation…”

“Third World?…”

“Yeah, you know. Ethiopia and all.”

“Look, son,” Al chimed in, “Europe did OK by itself. I wouldn’t want no juju man shaking a rattle over my pneumonia.”

“Why not? If it worked.”

“Worked? How could it?”

”Well, maybe not for you, but if you believed it, it would.”

“I don’t believe.”

“Yeah, sure. But Elizabeth and I were thinking how about combining the best of all world cultures. She’s mostly Japanese…”

“I thought she was Thai.”

“She was born in Thailand. Her folks were from Osaka. Mbwengwe is African and black. I would be the nurturing father and white and European; and we would live with the Indians where all the kid’s playmates would be Indian.”

Mary’s face never got back its expression. She was trying to take all this in and it was overflowing like a faucet forgotten over a bathtub. Mary’s floor was flooded.

Elizabeth had heard the last of this conversation standing by the kitchen door.

“But you haven’t heard the best part yet,” she said.

Mary wondered what could be better.

“When we get to the reservation, we have it all arranged so that Matty will have another baby with an Indian.”

“Yeah, Mom. We don’t know her name yet, but it’s all planned out.”

“You’ve both gone crackers,” Al chimed in. “Why are  you doing this to yourselves? Why are you doing this to your kids?”

“We’re doing it for the kids. We have it all worked out. It came to Elizabeth in a dream last year…”

“That’s right. I dreamed it on New Year’s Eve and it was so vivid, I knew it would have to come true…”

“And now it’s happening. But this is only the first part of the dream.”

“Maybe you should tell us the rest of it,” said Al. Up to now he had seen a smidgen of surreal truth in what Matthew had been saying. But this last was getting strange again. He wondered if he should tiptoe to the phone.

“According to the dream, my baby will be a boy, and Matthew’s will be a girl. They will both be beautiful.”

“We’re counting on that, with the expanded gene pool and all.”

“Yes, and the boy’s name will be Solar Wings and the girl’s name will be Hilda…”

“Hilda?”

“I know it sounds funny, but that’s what the dream said. Dreams can be funny.”

“Tell me.”

“Solar Wings and Hilda will grow up together on the reservation, learning all the ancient wisdom of the shamans.”

“And what about the wisdom of the Greeks?” asked Al. “Doesn’t he get any logic at all?”

“Yes, Matthew will tutor them in Western Philosophy.”

“Didn’t you get a ‘D’ in philosophy?” asked Mary.

“Yeah. But that was a difficult semester for me, with the drugs and all.”

“If I get the drift of your insanity,” Al said, “you will then marry off Moonbeam and Edna and their kid will be a kind of quadroon extraordinaire. Am I right?”

“Yes, Dad. Our grandchild will embody all the genetic and emotional wisdom of the planet.”

“This is quite a millennial dream you suffered.”

“But that’s not all, yet.”

“What could be next? The end of time?”

“No. The beginning of time, a new Time that will not be like the one we have now. The new one will not be able to be measured by timeclocks. There will be no more punchcards when the new Time begins.”

“And how long do we have to wait for this new Time?”

“A long time.”

“How long?”

“First Solar Wings and Hilda will grow up and get married. Then their child — the daughter of the four worlds — whose name will be Frem, will be made ready and the Star Father will arrive.”

“Star Father?” Al’s skin was beginning to get clammy.

Mary’s eyes were rolling in their orbits.

“According to my dream, an extraterrestrial being will arrive in a giant spacecraft made of a type of plastic unknown on Earth and he will be the product of genetic breeding on his planet.”

“What planet is that? Krypton?”

“I don’t know. The dream didn’t say. But it is a planet of peaceable warriors. The alien will be named Beltenamine and he will mate with Frem. The product of this union will be the new Time. Our greatgrandchild will be the new order of the universe. It’s really exciting, isn’t it?”

Mary was crying.

“No, Elizabeth. It’s nuts.” Al talked in a calm manner, not aggressively, just stating a rather obvious fact. “It’s nuts.”

“No it’s not. It’s real. I dreamed it.”

Matthew eyed his old man. “You had dreams when you were younger, didn’t you? What ever became of them? We intend to live ours out. That’s not nuts.”

6

“What were our dreams, Al?”

Al sat at the kitchen table, looking out at the trees. He cracked open a pecan, salted the meat, snapped his head and hand back and started chewing.

“Owning this house was one.”

“And now we own it.”

“Making full professor was one of mine.”

“But there’s nothing wrong with associate professor.”

“Nah, I guess not.”

“When I was 10, I wanted to be a ballerina.”

“But you’re tone deaf.”

“I said ‘ballerina,’ not ‘musician.’”

“But you gotta hear the music, don’tcha?”

“I can hear the beat just fine.”

“What happened, then?”

“Mama didn’t think it was a good idea and she refused to send me to dancing school.”

“Why?”

“She said I should get married like she did.”

“Did you?”

“I married you, silly.”

“I mean, did you get married like she did?”

“What do you mean?”

“I remember your Mama as kind of bitter. She spent her whole life serving your old man.”

“He was very old fashioned, even for then.”

“So? Has your life been better?”

“Better than Mama’s?”

“Yeah.”

“I guess so. I don’t really know how happy she was. She never said.”

“What were their dreams?”

“I don’t know. Well, I guess Dad always wanted to be a missionary to China. Mama would have none of it. She liked being a minister’s wife; she liked the social role.”

“What was her dream?”

“I guess she just wanted a bigger church, a larger congregation.”

“My folks had a dream that I would go to college and get and education and a good job. I guess I made their dream come true.”

“Some dreams come true and others just never pan out.”

Al cracked another pecan. It was rotten inside.

“Just like these nuts,” he said.

“Yeah, I worry about Matthew and Elizabeth, too.”

“No, I mean the pecans.”

“Oh.”

national gallery front 2
I was in the National Gallery in Washington, D.C., standing in front of one of my oldest friends, Mary, Queen of Heaven, by the Master of the Saint Lucy Legend, Mary Queen of Heaven National Gallerymelting in the presence of the colors and textures that that anonymous artist was able to pour like cake frosting over the surface, when who should show up but my old friend Stuart.

“What a coincidence,” I said, “to find you here today. I didn’t know you were here in D.C.”

“Been here for a few days,” he said. “I’m on my way back to Portland.”

Stuart currently lives in Maine, not Oregon.

“I may be an old hippie, but I’ve aged out of Portlandia,” he told me. “I’m more Whole Earth Catalog than I am fair-trade coffee.”

He said he is now living with a viola player who teaches and plays part-time with the Portland Symphony. “I’m learning to listen to the middle of the music,” he said. “I’m ignoring the tunes and the bass and hearing the filler. It’s hard. Have you ever tried to listen to a viola part in a symphony? It takes great ears.”

Stuart has a long history of serial monogamy, and the prognosis for this relationship is no better than 50-50.

“It’s strange how often you find yourself in a city and meet someone you know,” I said. “You’re the last person I would have thought to run across in the art museum.”

“It’s interesting you should notice the coincidence,” Stuart said. “I’ve been thinking a lot about coincidences lately. I don’t really believe in them.”

We took a moment to bask in the glory of the painting and decided to meet later for lunch.

That’s when Stuart unloaded his latest theory.

“I was reading Tom Jones and couldn’t help notice all the coincidences needed to keep the plot flowing. When I read several essays about the book — which I just loved, by the way — several people held up the coincidences as a flaw, that such coincidences just weren’t believable.

“Of course, several Postmodern critics mention the same coincidences as proof of the author’s knowingness, that he is tipping us off that he knows that we know that he knows, etc., that this is fiction, that this is a piece of art and not reportage. A wink and a nod.

“But I take issue with both groups. I’ve given a lot of thought to coincidences and realized that coincidences are not the rare thing we usually think they are, but rather the most common occurrences in life. Essentially, everything that happens is a coincidence. When I go to the doctor’s office and an old woman comes in the door behind me, that’s a coincidence. When I drive down the road and there is a red car in the next lane, that is a coincidence. After all, what are the chances that that car will be red, or that we both arrive at the same stoplight at the same time. The chances are astronomically against it. When I go the the deli and order a pastrami sandwich and the guy behind the counter tells me that the customer just in front of me got the last one and he is currently out of pastrami: Well, that’s a coincidence, too.

“So, I have no problem with Tom Jones being filled with coincidences. The difference between some coincidences and others — those we pay attention to and those that pass without our notice — is not the coincidence part, but the significance part. When we invest a coincidence with meaning, then it seems to rise to the level of notice, and to the level we give it some sort of magic significance. It is the significance and not the coincidence that is notable.

“And where does that significance come from? Not the event itself, but from our brains. We invest the thing with significance, but understand it as if the event itself possessed the significance we have tagged it with. We’ve got it all backwards.

“And it is the way we build a narrative structure, connecting some coincidences together into a net, that gives us a sense that the world has meaning — and when it’s a work of fiction and we notice the network of significance, we think, that could never happen in the real world, but it does, it happens every day, even every minute.

“It’s like you and me meeting today. My Brownian motion has set me on one course, yours on another; they cross and it seems as if fate has lent a hand, but it isn’t so. Purely accident. But because we know each other, the crossing seems almost miraculous.

“This first hit me, I think, after seeing the Kieslowski ‘Three Colors Trilogy.’ The three films — Red, White and Blue — are loaded with coincidences, too many to mention. But most notably, at the end of the third film, there has been a ship sinking and there are seven survivors, and they turn out to be the three couples, each from one of the three films, and a random seventh person. At first, it seems miraculous that just those three couples, which we have been watching over the three films, should coincidentally be the lone survivors of a disaster. Too much coincidence to be true, you say. Kieslowski is playing with us.

bridge at san luis rey cover“But look at it from the other end: A ship sinks, and Kieslowski takes six of the seven survivors and gives us their prequels. You can do this for any disaster. Take the survivors and write down their stories and miraculously, no matter how random the choice, the fact that they survive at the end seems unbelievable coincidence. But it isn’t: It’s the Bridge of San Luis Rey effect.”

Stuart had been talking so much, he’d barely touched his game hen, while I — providing the accepting ear — had managed to get on to dessert already.

“So, it’s all a question of significance,” he continued after a quick bite of chicken.

“The issue of coincidence is a red herring. They are everywhere all the time. But we cast a net of meaning out over the world and those coincidences we notice, and that fit our narrative, we decide mean something. The rest evaporate in unknowingness and oblivion.

“After all, what is the human mind if not a great machine for pattern recognition? If you take a bowl of marbles and drop them on the floor, when they stop rolling around, you will be able to discover in their distribution a pattern. It’s pure pareidolia, but it feels real.ursa major

“It’s the Big Dipper over and over. The night sky is really just a bowl of marbles spilled into the empyrean, but we have found patterns there. Everyone recognizes the Big Dipper, even if they call it the Plough, or call it the Seven Sages, or the Great Bear — oddly, with a long tail — or Charlemagne’s Wagon, or in Finland, a salmon weir. Same stars, different asterisms.

“Or the Virgin Mary seen in a tortilla. Or the million conspiracy theories that people get arrested by.

“Really, it’s a Rorschach universe. Meaning is cast out upon the waters and it drags in what it will. Meaning is not found, it is generated.

“And that is how we view coincidence: It is something we notice and if it fits a pattern we are projecting out into the world, it seems important, meaningful, significant. But the coincidence itself couldn’t be more pedestrian, quotidian, bland and ordinary.”

At some point, Stuart usually empties the balloon of all its air and there is a sequent quietening of his enthusiasm, as if now that he’s made his point, there is no point left to existence. Enthusiasm is followed by passivity. He’s worn himself out.

We walked out of the Garden Cafe and back into the galleries. Stuart walked out the door, off to his violist, and I went back to my Mary, Queen of Heaven.

And it is no coincidence that I picked up the check. Again.