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In a 1993 interview on the Charlie Rose show on PBS, author David Cornwell (aka John le Carré) talked about his childhood. “We are creatures of our background and environment,” he said. “We are very quickly made in life. The first few years seem to be determining who we are for years and years afterwards. You look for explanations for yourself and you go further and further back and wonder if you ever changed or ever developed.”

When we look at a life as a story, with a single trajectory, and rather like a novel that we tell ourselves about ourselves, one way to organize the narrative is in chapters, and those chapters are the houses we have lived in.

Each house has its particular memories, its particular emotional resonance and its beginning, middle and end, an end leading to the next chapter, the next home. Some chapters are short, some are long. There are even those among us whose lives are told in a single long chapter — a house they were born in, raised in, married in, inherited from parents and eventually died in. Such continuity is rare; most of us have many chapters.

Until I was about three, I lived with my mother and father in a house in Ridgefield Park, New Jersey, about a block from the New York Central rail line. There were six tracks alongside each other back in 1948. The rails are gone now, chewed up by langoliers but left in memory.

The novel I have internalized begins there, with the sight of sunlight striping the walls in the room where I sat in my playpen. I then added to Chapter One the soot and roar of the steam engines that ran on the tracks a block away. Little else remains; I was two when we moved.

We moved then to the house my grandmother owned in Teaneck, N.J., only a few miles away. It was a tall, old house where we shared the lower floor and my grand-aunt and her husband shared the top floor. I have been back to see that house. It is much changed. The vacant lot next door is now an apartment building. The driveway is seeded over with grass. It’s been repainted many times.

It was in that house that I watched my grandmother make applesauce from apples gathered from the tree in the back yard. It was here that my great-grandmother died in my bed, while I had to move temporarily to a bed in my Nana’s room. I remember my great-grandmother only vaguely, as a very shriveled old woman confined to my bed and then, one day, not there anymore. No one spoke about it much. She just wasn’t there anymore.

I can piece out the floorplan of the house, with the living room stretched across the front of it, the dining room at right angles running back toward the kitchen — the kitchen in most houses almost always at the back — with two swinging doors, one on each side of the room, almost like the kitchen doors of a restaurant. Parallel to the dining room ran a hall that connected three bedrooms, and the bathroom, with a great animal-claw bathtub which fascinated me. The front bedroom was for my parents, the middle for my grandmother, and the back for me, and later also for my baby brother.

Behind the kitchen was a pantry with the house’s back door and the stairs that ran down to the basement.

Houses are said — by fantasists and psychologists — to be metaphors of our selves, and the dark basement, with its golem-like furnace and the thick, insulation-coated pipes and duct-work, was the animating presence in the house. I played with my toy rocket ships down there almost as much as I played outside in the vacant lot.

There was another dark place in the house, an under-stairs closet left unfinished with lathe and plaster walls. The public rooms, that is, the living room, dining room and kitchen, were all light and airy, but I was drawn to the shadowy parts of my universe.

I walked a mile to school to kindergarten and first grade, passing a friendly old policeman who stopped traffic on the main street so I could cross.

Not all of the houses I’ve hunkered down in have left a psychological mark. Maybe only three of about twenty, but the Teaneck house was the first and gave me a profound sense of place, of what architecture means emotionally. Thus ends chapter two.

The summer before entering second grade, we got ready to move to a new house my parents had built. It wasn’t quite finished yet, and so we spent the summer living with my mother’s sister and her husband in New Milford. Where Teaneck had an urban feel, this summer had that suburban, tract housing feel. Mostly what I remember from then is that the tap water smelled very strongly of chlorine. It was a brief residence, but I made close friends with the boys who lived next door and went to Catholic school — something that seemed absolutely exotic to me. “Glory, glory hallelujah, Sister hit me with a ruler.”

Chapter Four was a split level in the then-rural township of Old Tappan, on the border with New York’s Rockland County. It was a house my parents had built on a half-acre lot they bought with a stream running through it and woods on three sides. For a kid it was idyllic. In the years I lived there, I saw the town grow into a suburban bedroom community. Busses to New York City stopped by every hour on the street corner. Bits of woods everywhere were turned into housing developments, but the woods around our house remained wild.

The house zigged and zagged from floor to floor, as if cut down the middle and half raised up between floors. On the bottom was a cellar, next up to the other side, the garage and laundry rooms, zag back to the other side and up the stairs and you get the living room, dining room and — at the back of the house — the kitchen. Back the other way and up a flight were the bedrooms and bathroom. By now I had two brothers and we all shared the same room. But up still another set of steps and you had my grandmother’s apartment, with its own living room, bedroom and bath.

It’s a house plan not much favored today, but a split-level was the height of suburbanocity back then. From second grade through high school, I watched the town fill up, tract housing explode and farms and woodlands disappear. All that happened just as I was becoming rebellious and angry at my middle-class life. It was the Holden Caulfield syndrome, and I despised everything middle class, suburban and bourgeois. I couldn’t wait to get away to college.

Next chapter was Cox Hall, a dorm at Guilford College in Greensboro, N.C. My rude introduction to the American South came on my first day, when I faced my dorm and saw a giant banner hanging from the third floor that said, in crude handwritten letters: “Forget? Hell!!” I didn’t know what those words meant, but I quickly came to understand.

Cox Hall was built before World War I, and was quite seedy, with wobbly wooden floors and thick plaster walls. I was dumped into a room with a proudly redneck bully and an ineffectual milksop, neither of whom had any academic interest. Mostly they were after poontang and Everclear. (Everclear, for the uninitiated, is a brand of pure grain alcohol of especial toxicity. Wikipedia tells us that it “is also used as a household ‘food-grade’ cleaning, disinfecting, or stove fuel alcohol.”)

I got moved to a two-person room, but my roommate quickly dropped out of school, and I had the room to myself. It was heaven, just me and my books and my Sears Silvertone phonograph on which to play my pile of classical music LPs.

For my sophomore year, I was moved to the more modern and quite faceless Milner Hall, which might as well have been designed as a prison — all brick and tile and fluorescent lighting. There was a communal bathroom and showers arrangement that echoed like a cavern.

I hated dorm life; it was riotous, noisy, crowded and cramped. I petitioned the dean to let me live off campus and eventually, because I was such a thorn in his side (over many a social issue, like women’s rights and integration), he let me go.

And I moved with my friend, Hank, into the home of a sociology professor and his wife. They had an addition at the back of the house with its own entrance and two bedrooms and a bath, and it was only a block from campus. It became a meeting place for all the other disaffected “hippie” students of 1969, and one night we threw a grand party when about 80 students showed up, most of them not invited, and the party lasted till dawn and left the back yard covered in beer cans. It did not ingratiate us with our landlords.

But by then, I had become engaged to be married, and my new wife and I moved to our own rental house. It was the second floor of a duplex and our entrance came with an outside staircase, which in winter was a treachery of ice. Rent was $50 a month.

There are three times in life when a home becomes mythic. Obviously, first when you are a child and the entire world has that glow and the house is the axis of the universe. Every corner and cornice has meaning.

The second is when you first consider yourself an adult, have gotten married and must make a life for yourself. The world has a lesser glow, but it is renewed, a decent echo of the magic of your childhood home. And this old house, with its tiny kitchen with enameled metal cabinets, became the projection of my inner state.

It was 1969, and I painted the living room burnt orange, with avocado green trim. It was a testament to the zeitgeist, but so was I.

Like so many houses built in the nineteen-teens and -twenties, it had a central hallway with rooms off each side — what architect Frank Lloyd Wright excoriated as “boxes inside boxes.” When you entered the house from the outside steps, you reached the living room. At the back of the house was the kitchen. On the other side of the hall were two bedrooms and the bathroom.

There was a vacant lot behind the house with a felled apple tree that continued to produce fruit, even while horizontal.

The house had no heat except for a kerosene stove in the living room. In the winter, I would have to walk down the icy stairs to get a gallon of kerosene from a 50-gallon drum of fuel in the back yard, carry it up, pour it into the reservoir at the back of the stove, crumple up some paper, let it soak up some kerosene, throw a match in and slowly let the kerosene heat up and vaporize so it could catch fire. Sometimes the heat would be so intense as to turn the stovepipe cherry red and begin shaking violently, and I would have to swivel the damper to discourage the fire. This too, is a metaphor.

We moved to a new house shortly before we broke up. It was about mile away and was another duplex. It would remain my home for the next seven years and the next “permanent” relationship. It was also an old house, and even more of a mythic Eden than the last. This was Chapter Eight.

There was a front door, but we hardly ever used it. We entered the house from the back, through the kitchen and into living room beyond. There was also a back bedroom — a guest room — and the master bedroom at the front of the house. What made the house such an Eden was the grounds; a great black walnut tree in the front yard, a pecan tree in the back. A vacant lot to our side and a patch of woods behind us. All year long, new weeds would blossom — I called them wildflowers. I counted once and found 190 different species of plant in our yard and the lot next door, including a pear tree. We grew a vegetable garden in the front yard and there were a couple of fig trees that gave us fresh figs to eat. This counts as one of the high water marks of my life. I was happy.

At least until my partner told me one day that she was getting married — to someone else. Eden was gone and so was my Eve. I was in shock. I sold most of what I owned and took the train from North Carolina to Seattle, where I moved in with a friend on Phinney Ridge, sharing a house with two lesbian doctors and the world’s most obscene man.

Chapter Nine was a small house and I made a room for myself in the coal bin in the basement. Upstairs, there was a living room, dining room, two bedrooms, bath, and a kitchen at the back, where we took turns cooking, almost always with hot peppers. I got work at the zoo and spent my days in an iron box selling popcorn, hot dogs and cokes. In the chill gray air of Seattle, the hot dog steamer filled the box with a Dante-esque steam-fog which condensed on every surface. The smell of those dogs and the chemical popcorn butter have put me off both for life.

A short but ecstatic relationship came crashing down and I found myself moving back to North Carolina, where my best friends from college offered me a room in their house in Summerfield, just north of Greensboro. I was a mess; I was not over the heartbreak that had shattered my selfhood. I had no job, no money — if they hadn’t given me a place to stay, I would have been homeless. I spent the next year and a half there, doing the cooking and maintenance work and feeling the comfort of a surrogate family.

The house was an old farmhouse, with a barn, or shed in the back. My room was on the ground floor with the kitchen-dining area, which were combined in one space, with the wood stove, which was the only heat in the house. In the winter, the stove was kept going constantly, and we spent almost all our time in that room. When I woke up in the morning, a glass of water would be frozen solid next to my bed. I chopped a lot of wood during that year and a half. If you have never done so — a more modern life being what it is — you will not know the calming power of splitting logs. This is the third time when life became mythic: I was hyper-aware of being the protagonist in an epic that was my own life. The world had an inner glow and throb and I recognize now that I am old, that I was not quite in my right mind.

It was while trying to regain my balance that I began writing. There was an old tree stump in the back under an ancient oak tree. I put my aqua green portable typewrite on the stump and typed away, writing letters to everyone I knew. One was 50 pages long.

I was saved when the woman I would spend the next 35 years with wrote me and asked me to come and visit her in the mountains. I visited but never left.

And so, Chapter 11 ended my psychic bankruptcy and I moved to a house on a bluff overlooking the New River in Ashe County, North Carolina. It was a new house, with a living-dining area, a bedroom and a kitchen at the back, with a basement and another bedroom for the teenage daughter that I acquired. Off the kitchen was a porch that hung out over the bluff looking down at the river, a hundred feet below us. From the kitchen window, I could watch the shifting weather on Mount Jefferson as I washed dishes. Mt. Jefferson was the central mountain in Ashe County and it changed constantly as the sun and weather shifted.

It was a long drive on a snowy winter day to the schools where my new lady was teaching, and so we moved closer to Boone, in Watauga County and found a small house in the community of Meat Camp. The house sat on a creek just below the hill on which one the schools she taught in sat.

The house had two floors, the first with a living room in front and a dining room and kitchen in the back. Upstairs there were two bedrooms, with angled ceilings under the roof. Both were small and the one we didn’t use became just storage. In the summer heat, I could lie in the creek in the icy water and cool down.

Unfortunately, the Watauga school system shut down several programs, including the art program and we needed to find other jobs. I had taught a class part time at Tidewater Community College in Virginia Beach, Va., and Carole found a job teaching art in the Norfolk School system. And so, we moved everything down to an apartment building on a cul-de-sac about a half mile from the ocean. Our apartment was next door to my brother’s. He was a fulltime teacher at the school.

It was a building with 10 apartments, side-by-side, two stories each. In ours, the kitchen was at the front, with a window that looked out on the street. Behind it was the living-dining area. Upstairs were two bedrooms. The art faculty at the school all became great friends and we held great dinner parties together. We lived there for six years.

Then my wife got a job offer from her old boss, who had moved to Phoenix, Ariz. and we decided it might be fun to live in the desert. We imagined a little adobe house with a white picket fence. Never did get that.

Instead, we had four different houses over a period of 25 years. We had packed everything up into a Ryder truck and drove across the continent, towing our car behind us. We didn’t have a place to move to, but came completely unprepared. We pulled into the street where her new boss lived, and stayed there a few nights. It turned out the house next door was for rent and we moved in.

It was a small place, with its kitchen rightfully in the back again, with two bedrooms and a combined living-dining area. It was on the corner of Seventh Street, which is probably the busiest street in all of Phoenix — probably all of Arizona. It was like living by the ocean, with the constant roar of the surf — i.e., traffic — and, while you sort of get used to it, it also wears on you long term. We had to get out.

We found a flat-roofed faux adobe house on 13th Street, a quiet back street closer to downtown. It was owned by an artist who was covered in tattoos — we called her the “dragon lady,” and who had painted the stucco on the front of the house in a trompe l’oeil imitation of crumbling adobe, revealing its bricks. Across the front of the house was a living room, which led to a hallway kitchen, to another hallway with more than 20 built-in cabinets — more storage than I have ever had or seen in a house — and a glassed-in drop-down family room with a view of a lily pond. At the back of the house was the bedroom and bathroom.

Both of our first homes had no air conditioning. In Phoenix, that is a problem. They had swamp coolers, which work beautifully in the spring and early summer, when the humidity is non-existant, but fail to cool anything in July when the monsoon humidity hits, leaving everything hot and sweaty.

That’s when my wife’s best friend offered us her place. She was moving to Hawaii and needed a tenant for her house, on Cheery Lynn Road (which everyone mistook for “Cherry Lane”). For the first time since living in Greensboro, the yard was an Eden of trees, flowers, plants and roses. Ivy devoured the entire western half of the house and the front was covered by a great tree.

Inside, the living room gave way to a kitchen behind, with a dining room jutting off it, which was actually a converted garage, tutted up with lots of added windows. Three bedrooms under the ivy half of the house, one of which became my office. We lived there for seven years. Then our landlady moved back to Arizona.

And so, we moved into the shadow of Camelback Mountain, the most familiar landmark in the city — a 2700-foot mountain on the border of Phoenix and Scottsdale in the double-hump shape of …

It was the most suburban house I had lived in since my childhood and I felt almost as if I had sold out. It was a sprawling ranch house with a drop-down living room, a huge kitchen with a fireplace and three bedrooms. And there was a swimming pool in the back yard. In Phoenix, the swimming pool usually runs a constant temperature of about 95 degrees in the summer, but feels downright chilly compared with the 110-degree air.

The house was exactly the time of one Haydn symphony to work, and so, I listened to all 104 of them, two a day going and coming, for 52 days. The commute was the highlight of my day.

Ah, but there’s always a worm in the apple and my worm was named Gannett, the newspaper chain that bought The Arizona Republic, where I worked, and everything changed from “our responsibility to our readers” to “our responsibility to our shareholders,” and there were layoffs, management stupidities, a lowering of standards, and a general dumbing down of the paper. Many of the staff were horrified, and when, at age 65, I was offered a buyout, I knew I had to take it. I loved my job, but it was dissolving in front of me. Leaving was the only rational option.

After 25 years in the desert, we moved back to North Carolina, where our daughter was living, in Asheville, up in the Blue Ridge Mountains. Asheville is a blue city in a red state, full of art, music, hippies, restaurants and craft breweries.

We found a house in a quiet neighborhood with the best landlords we’ve ever had. The house sits on a hill, with a kitchen at the back, and three bedrooms, one of which is my office. I have now been here 10 years, which is longer than anywhere else I have lived. My wife of 35 years died five years ago and my daughter moved away.

I am now approaching 75 years old and am writing Chapter 18, and through one of the oddest series of circumstances, I am now reconnected to my first wife, who I had not seen or spoken to in 50 years. She has moved in and we share this house. We are not planning to move anywhere else. Oddly, I am not at all the same person I was, but because through all the chapters, I was me, there is an equally odd continuity.

Cornwell, on that TV show I mentioned at the top of this mountain of words I have written, called life a “dangerous journey of introspection.” I first became aware of that fact as a student in North Carolina. Over the course of that life I have lived in all four corners of this continent and have, in the end, returned to North Carolina. And I wonder at how much I’ve changed and developed.

“Dear Carol”

July 9, 2015

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There was a moment in my life I was unemployed. I received unemployment checks for some weeks before I was handed a job interview with The Carolina Peacemaker, the black weekly newspaper in Greensboro, N.C. The fact that I was white seemed to make no difference. Neither did the fact I had no journalism experience at all.

Initially, the paper was looking for a photojournalist — actually, they just needed someone who could process film. When they hired me, they asked if I could write, too, and within a few months, I was “news director,” a title that sounds a whole lot more impressive than the reality. Reality was a staff of me and one other writer, a secretary, a typist, an ad salesman and Mike Feeney, a cynical Irishman and washed-out New York Times reporter who came in once a week to lay the paper out. He spent his spare time in his office drinking bad coffee and filling out the Times crossword puzzle in ink, without ever needing to use any of the “down” clues. It was like filling in an application blank. His desk was piled with ancient moldy paper coffee cups, with dehydrated grounds in the bottom, along with crushed out cigarettes. There must have been a hundred of them. I don’t know why he chose not to throw them out.

When Feeney quit, I became “managing editor,” although all that meant was that I had more work. I edited all the copy, wrote all the headlines, laid out the paper each week, developed all the photographs, sized them and sent the works out to the printer.

I also wrote many of the stories, and all of the editorials. It may seem strange that a white guy should be writing editorials telling the black population of Greensboro who to vote for, but I have to say that I never felt the slightest sense of resentment or mistrust. The paper never hid the fact that I was not African-American, and I had excellent relations with everyone I met in the black community.

But it wasn’t only editorials and news stories. A few years after I got there, the woman who wrote the advice to the lovelorn column retired, and I inherited the “Dear Carol” spot. I also became the “Kitchen Magician,” and wrote a weekly cooking column.

I have to say I had fun with Dear Carol. I created a distinct personality for her: She was a militant black feminist. I knew her entire biography, where she was born, who her father and mother were, where she went to school — the whole nine yards. I didn’t need to invent her: She was there, inside me waiting to get out.

But the most amazing part of the “Dear Carol” column was that I didn’t only have to write the answers to the letters, I had to write the letters, also.

Week after week, I concocted letters with some of the oddest and most peculiar personal problems I could think of. I had a ball.

Here are a few of them:

LOUD TIES

Dear Carol,

There is this really cute guy in the office where I work. He is a salesman and I am a secretary. But though he is friendly, and I think we could really get together, I worry about him because he wears the most disgustingly loud ties. And his socks never match. In fact, I don’t see how he can be the successful salesman he is when he shows such miserable taste in his clothes.

I know you shouldn’t judge a book by its cover, but a book doesn’t choose its cover. This guy chooses his gold lame neckties.

Should I try to become used to his clothes, or should I forget about him and look for someone else?

— My Clothes Match

Dear My,

Why aren’t you a saleswoman? You have more class than this dodo that’s pulling in the loot, but you type his ungrammatical letters.

There are three ways to be about clothes. One is to be oblivious. Many people just don’t care what they look like. Clothes just aren’t important. If they keep one from being arrested or from catching pneumonia, that’s enough.

Another whole group of people love clothes and they love the way they look in the latest fashions. They know how to dress and they do it. You can see them not only on the neon disco floor, but even in church on Sunday mornings. These people just look classy.

Then there is our salesman. He apparently wants to dress well, but doesn’t know the first thing about style. He should just relapse to the first phase and not care about his clothes. When he tries to look good, he becomes a joke. Plainness is better than gaud.

The choice is yours. Do you want a turkey who looks like a Reynolds Wrap mummy, or do you want some other turkey?

If I were you, I would just bide my time and not worry about men. When you find the right kind of man, it will be soon enough. In the meantime, you just don’t need one.

ON THE MAKE

Dear Carol,

I am a salesman for a small business and my boss is a woman. I can get along with a woman boss just fine, that doesn’t bother me. In fact, she’s real good at what she does. But she has made advances to me that are more than suggestive. They are downright rough. If she had her way, the janitor’s closet in our building would be a mighty busy place.

But she is not my type, and besides, I’m married. My wife is a quiet sort who hasn’t been around much.

My boss has been a round a lot. Especially around my desk, chasing me. Will I have to quit my job?

–Chased, so far

Dear Chased,

Don’t quit good job merely for personality problems. If you enjoy your career and you are making a good living, don’t blow it just because of one lecherous boss. If she is really good at her job, she will be promoted or will change companies as she rises in management. Then your problems will be gone. Until then, realize that her attentions are only a nuisance. Let her know that you are satisfied in your marriage and tell her she is bothering you.

And when you make it into a management position, remember your lesson and don’t bother the women you supervise. It’s a two-way street. I know.

NOT SINCE HIGH SCHOOL?

Dear Carol,

Boy, do I ever have a problem.

I am getting married next month to the man I’ve been engaged to for two years. We have a good relationship and I love him a whole lot.

We have always had a good sex life and we enjoy each other a lot. But I am pregnant. (That’s no problem since we both want a lot of kids).

But the problem is that several months ago, I decided that if I was going to be married, I should get out and have a last fling. Things got a little out of hand and I made it with 16 different guys in a week period. It was during that time I got pregnant. Now, I don’t know if the baby will be my fiance’s or not.

So far, the notorious week has been a secret, though I don’t know how. I haven’t done anything like that since high school. But should I tell my man or not?

I just don’t know what got into me.

— Monogamous

Dear Monog,

First of all, don’t ever say a thing about it. You will only cause pain for the one you love. It is spilt milk, so forget it.

Second, don’t ever let it happen again. If you’ve been with this guy for two years and having “a good sex life,” you are as good as living together and in my book, that is the same as marriage. And marriage requires trust. If you aim to make it safely through the many years you have left, you will have to give some reason for your hubby to trust you.

Of course, the same thing goes for him. I don’t want to leave the men off the hook.

They probably need to listen to this advice more than most women.

With a child on the way and a marriage upcoming, you will need a whole lot more maturity than you showed several months ago. You will have to be more circumspect as a mother.

But what in the world did you do in high school?

THE RAT COMES HOME

Dear Carol,

I am in a rage. The man I have been seeing for five years is seeing another woman. My man is married and his wife never knew about us. We kept a good secret, but now I find my man has been keeping a secret from me, too.

I got so mad that I told his wife about his affair with the third woman, but I still haven’t told her about us. His wife threw him out of the house for playing around with the other woman and the rat has come to me asking for a place to stay. The whole thing is a mess.

Well, I just want to say that for the first time ever, I understand the wife’s point of view. It hurts. But should I keep the rat, or let him drown?

— Tables Turned

Dear Turned,

You should have learned your lesson by now. The rat won’t drown, he’ll just ask a fourth or fifth girlfriend for a place to stay. He may have already. Did it ever occur to you that he may have been turned out by other girlfriends before he even asked you? Forget him. And clean up your own act.

A STINKER

Dear Carol,

My wife embarrasses me every time we go out. She has a nasty habit of smoking cigars. She likes those imported Italian cigars that are triple-dipped in asphalt and she smokes one with a cup of coffee after dinner. That is not so bad at home, but she does it when we are visiting friends and relatives.

My mother never liked my wife, and now this only seems to confirm, for my mother, the nasty things she has thought all along. But aside from the cigars, my wife is wonderful. I love her very much and don’t want to lose her. What can I do?

— Smoke Gets in Your Eyes

Dear Smokey,

Cigar smoking is unusual in a woman. I dislike all smoking and try to convince everybody to stop. I’d try to convince your wife to stop, too, but I doubt it would work. Best thing is for you to do is talk it over with her. Compromise and let her smoke among certain friends that are used to her, and ask her to forego the stinkers when you visit relatives, especially the worried mother. I know how that can be.

Just remember that several great women smoked cigars, though I doubt George Sand smoked those Italian jobs.

PAINT PAINS

Dear Carol,

My son is in college now, studying art. For Christmas last year, he gave us a huge painting to put over the couch. This canvas in the frame is at least six feet long. But Carol, the painting is terrible! It is six feet of modern abstraction, all bright blue, red and green. It looks like a wreck between a paint truck and a ketchup factory. It has been hanging up there since Christmas and I can’t take it anymore.

I thought that after a few months I could get used to it, but I don’t think several decades would help. I don’t want to hurt my son’s feelings, but I can’t stand the pain in my eyeballs anymore.

What can I do?

–No Whistler’s Mother

Dear No,

I sympathize with you. I once received a hall clock that was a statue of a naked lady with a clock in her belly. It was too big to put in my hall and so I finally put it in a large dumpster.

But your problem is that it is your son who gave you the painting and the only way to handle the problem tactfully is to ask him to paint you a new one. If you flatter him into painting a new one, then it can take the place of the old one. Give yourself several months to get used to whatever he paints. Give the old one to his father and let him worry about where it might fit in his workshop.

HER MAN IS A PICKY EATER

Dear Carol,

My boyfriend is such a picky eater. He won’t touch most anything that normal people eat.

He eats peanutbutter and marshmallow sandwiches and mashed potatoes stirred up with mustard, but practically nothing else.

His mother always let him get away with being picky when he grew up, and now I think he’ll never change.

One the other hand, I enjoy good foods. I go crazy in a Japanese restaurant or around a food processor. I love nice cookware and I own a beautiful set of carbon steel chef knives.

Well, my boyfriend and I are thinking about getting married, and I wonder if our eating habits will cause any trouble. Do you think I have something to worry about?

–Gourmet

Dear Gourmet,

It might cause a problem at first, but as the years go on and on and you fall into a common marriage pattern, you won’t be eating together anyway, so it will make no difference.

You will wind up eating salads or soup alone and hubby will come home late and fix a P-butter and Marshmallow sandwich and sit down in front of the tube.

Mothers — When your children are young, make them eat at least a bit of everything that you serve. If a kid hates mashed rutabaga, make her eat one spoonful every time you make it. In a few years, rutabaga will be among her favorite vegetables.

A kid can’t complain about one spoonful, and almost any food problem can eventually be overcome this way. Start early with your children and they will lead fuller, happier lives.

I know. My mom made me eat rutabaga.

I CHEATED, BUT NOW MY WIFE WANTS A TRIAD!

Dear Carol:

I’ve been married for ten years and have no children (by choice) and I have always gotten along with my wife. In those ten years we have never had a fight.

But as I hit my 35th birthday, I began to wonder where my life was going and I began to be afraid that I would be caught in a dull life. So when the opportunity arose to cheat on my wife, I took it.

The other woman was a waitress with huge beautiful brown eyes and a pair of legs that belongs in the Guinness Book of Records. But she was only 19 years old.

Now I knew that a lot of men go through what I did and I know a lot of wives find out about it, like mine did. But most wives either ask for a divorce, or make the big effort to forgive. My wife has a different idea. She wants all three of us to live together.

She went to the restaurant to talk to the other woman and they liked each other. My wife told her that even though she was jealous, she would control it and that she would like to find out what I would do if we all lived together.

What I’m doing is panicking.

Now a lot of guys would get real excited about living with two women and I agree it has its points, but what most men don’t consider is what it would be like to have two women telling him to take out the garbage; two women telling him to mow the lawn; two mothers-in-law.

If I had my choice, I would just go back to my wife and things would like they always were. My life is no longer dull, but I don’t think I can manage this a trois.

–Off The Pace

Dear Off,

Now you know what life is like in the fast lane and you are coughing exhaust fumes.

I think your wife is trying to teach you a lesson and it sounds like it’s a lesson you’ll never forget. Now you know the grass on the other side of the fence will only get you in trouble.

Pardon me while I gloat.

I’m sure that if you explain to your wife how you feel and if you promise to be a good boy and not do it again, she will let you off the hook. Personally, I marvel at the ingenuity of your wife. She must know just how to make you suffer.

Dear Carol,

I lost a part of my thumb in a mill accident several years ago. That is not a problem by itself, but I love bowling and my bowling ball has only two holes drilled into it.

Many years ago, a lot of people had ball with only two holes, but most of the buys in my league don’t remember that and they make fun of my bowling ball.

I know I’m being touchy about it, but they make the same jokes all the time and it gets on my nerves. “Hey, thumbs up, Bill,” they yell at me across the lanes. Last Christmas the guys on my team took up a collection and bought me another hole for my ball.

Am I being too sensitive?

–Spare me

Dear Spare,

Repetitious jokes can get on anyone’s nerves. What you need to do is talk to your team next time you bowl and tell them how you feel.

Don’t make a big thing of it, just say quietly, “I know you fellows mean well, but I’m sensitive about this matter and I wish you wouldn’t make jokes any more about my ball or my thumb.” That’s all there is to it. Most people are mean only for thoughtlessness. If they know the score, they will go ten frames for you.

My life of crime

June 9, 2015

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Although almost everything I write is in some way about myself — I call it all “Nilsenology,” after all, very little is overtly autobiographical. I am by nature rather private. But there was a moment in my life when I realized I could be private by being completely open: that if I put it all out there, it would be possible for me to be left alone, no one would have to pry.

This came after several personal catastrophes in the 1970s, a year of fleeing to Seattle and then returning, tail between my legs, to North Carolina. I was basically homeless, no job, no ambition, no career, no future. My friends Alexander and Mary Lou had offered me a room in their house in Summerfield, about 10 miles north of Greensboro, N.C., and gave me a year and a half to recover. My life is in debt to their generosity. Aside from cooking and maintenance — part of the agreement — mostly what I did was write letters, rather like Moses Herzog, going through his own crises. In a single month — March of 1980, I wrote 500 pages of letters on my aqua-colored plastic portable typewriter, using a tree stump as a desk by the barn out back of the house. I am including one of those letters here.

It was during this time I became a writer.

Alexander in Summerfield

In the first year I spent back in North Carolina, I worked for Manpower a total of six days; I substitute taught at a school for juvenile delinquents a total of about 15 days; I worked at The Carolina Peacemaker, the black weekly newspaper in Greensboro, for two stretches of three weeks each; I shot two freelance photo jobs. The money from that, from my income tax refund and $600 I made selling my Hasselblad camera is everything I earned and lived on, November 1979 to November 1980.

Alexander had given me his old Ford Falcon. It was a dark blue bomb, with no heat, no windshield wipers and a hole in the floor under the driver that let you see the road flash by under the chassis. When I had some money, I could fill it with gas and try to find some extra work.

But I really never had any money. I managed to live for a month on $20 and use the change for the following month. There were those few Manpower stints — one working in an electronics hardware factory was as close to Dante’s hell as I ever hope to know: My job for 8-hours a day was to collect the vacuum-molded plastic sprues from the individual machines and carry them back to a jet-engine-noisy room where I dumped them handful by handful into a grinding machine that chewed them back into pellets that could be reused in the molding machines.

I enjoyed my retreat from society; I enjoyed it too much. But I wrote so often for that year and a half that, although almost nothing was published (and what was published was only bits and pieces for the black newspapers), I reckon the beginning of my existence as a writer from that time.

I took a perverse pleasure in my poverty, I got down to my lowest point: a point that remains one of the cruxes of my life, the node or nodule of meaning around which I build a sense of my selfhood. I had no job, no prospect, old ragged clothes, a jalopy but no money for gasoline. It was icy cold, December, no heat in my room. I had exactly two nickels and three pennies to my name; nothing more was coming.

A few times, my poverty grinded me into pellets, too. In December, 1980, I wrote this letter:

When I read about the poverty in Dickens or in a monster Russian novel — read about stealing an overcoat or sleeping in an icy room with no heat — I respond out of recognition. C’est moi.

Take for instance, last Wednesday. I got up early, watching my breath condense before me and feeling my lungs disabused by the frigid air. I planned to drive downtown on the last gallon of gas in the car. It would not be enough gas to get me back from downtown. I was going to stop at the Plasma Center and donate — sell — my blood. My conscience bothered me terribly, but I could see no other way out. I had borrowed money from friends and I never liked the feeling, and my friends, Alexander and Mary Lou — my “family” — were so short of money themselves that they were borrowing off their credit card.

So I got in my car and headed for town. The car has no heater, so the half-hour’s drive to Greensboro was as bad as trying to get out of bed in the morning into air cold enough to preserve a mastodon. In town, I kept trying to put off going to the Plasma Center, first by going up to my old office at the Peacemaker, and then by seeing my old boss at the camera store, where I had worked in the early ’70s.

At the newspaper, I found them late for press because the typesetting machine was busted. I fixed it for them, saving them a $75 IBM service call, but when Rosie, the editor, asked me to stay and help proofread, I said I had another appointment.

So I went to see Bill Stanley at the photo shop. His face lit up when he saw me. “Well, look what the shit drugged in,” he said. “So, how’s it going Richie? You still living out in Summerstone? Didja have a good vacation?” A wry smile tortured his face as he explained to his current helper, “Richie here has been on vacation for … How many years is it now?”

The helper sat passively, probably thinking if I was any friend of Stanley’s, he’d better stay out of it.

“Hey, you want some lunch?”, asked Stanley.

“I’m afraid I don’t have any money.”

“Shit, I didn’t ask you if you had any money. Listen to what I say, willya. I asked if you wanted lunch.”

“I’d love some.”

“That’s more like it.”

I was hungry as a dung beetle. I hadn’t eaten any breakfast since there was nothing in the house, and I couldn’t afford to stop at Dunkin’ Donuts for coffee and a cruller. So we left the kid in charge and went across the road to Matthews Bar and Grill, the regular lunch spot.

Mat’s is another story. It is run by a Greek, Mihaious Daskilakis, and his wife. Everyone calls him Mat and calls her Mrs. D. When I first worked at the camera store about 10 years ago, she was a knockout, looking dark and earthy like Irene Papas. And even now, she is good looking, though the years have filled out her rump and her hair is mostly grey. And she can still barely speak English.

She is pleasant to the customers, but a termigant to Mat. He is a thinner version of Mel from Mel’s Diner, with black hair. He speaks a broken English and types amusing menus because of it. Mrs. D is unspeakably jealous and the waitress, though it is a new one every few months is invariably over 300 pounds. Mrs. D has last word in hiring waitresses. Once, when she was back in Greece for a family visit, Mat hired a good-looking, friendly, intelligent woman. She lasted until Mrs. D got back and was gone the next day.

The food at Matthews is slophouse diner food, drooling with grease. And the coffee, which I grew to love, is officially classed as a carcinogen by the FDA. The waitress has to pour it from a reagent bottle. The daily lunch special is something like meatloaf with a choice of two vegetables — from a list of peas, corn, okra, cottage cheese, french fries and “You wanta da gravies?”

“I’ll have the meatloaf,” says Stanley, “and okra. Just okra. Hold the other vegetable. And I want only one piece of bread.”

“Coffee?”

“I guess so.”

“And you?” She turned to me.

“A cheeseburger, with lettuce and tomato. And coffee.”

“Izatall?” butts in Stanley. “Have what you want. Shit, man, don’t be bashful.”

“A burger is all I need, but thanks, Willie.” I always called him Willie or William; everyone else called him Stanley.

As the waitress sets down the coffee, its surface swirled with grease or detergent, I thought, cripes, just like Henry Miller, bumming meals off the old buddies. And it was true that the burger was all I needed. Probably all I could have stood. My stomach had shrunk out of disuse. (Oh, I eat well enough at dinner, which I cooked, but breakfasts and lunches are often meager or non-existent.)

“Do you think the Old Man might need some Christmas help?”, I asked.

“Yeah, it could be. But you’d better ask him. I’m too close to retirement.”

I didn’t ask what that might mean.

“Has he been around yet today?”

“No. He’s out on his rounds now. I dunno if he’s coming downtown.” Willie slurped his coffee like an air raid siren and began sopping up the last of the gravy with the half-piece of bread he had left.

I knew I couldn’t put off my errand any more, so I thanked Willie for the meal and walked out into the cold and up the street to the seedy storefront that served for the Plasma Center.

I have given blood many times, but it has always been a free donation at a Red Cross bloodmobile. I strongly believe that is as it should be. I am appalled by the idea of selling part of me to make a buck. It is almost like “percentage slavery:” If I can’t sell whole human beings, at least I can sell of parts of them — or parts of myself, anyway.

It’s all too mercenary. But I was desperate.

What a marvelous word: “Desperate.” I had not a dollar to my name and no hopes of getting any. My clothes were wearing out and I was skimping on food. I was hitting on old friends for a meal. I was wearing summer sandals because they were all I owned and my feet were stiff with cold. Without the money from selling my blood, I doubted I could even drive home, let alone look for a job.

Behind the reception counter was a fine-looking woman of maybe 18 or 19. She looked surprised to see me: I was dressed in my Sunday best — my good pair of trousers and my last clean sports jacket. Even so, I must have looked a class apart from the derelicts who habituate the joint. Puzzled, she asked, “Can I help you?”

“Yes. I’ve given blood before …”

“So, we draw out a pint and then extract the red blood corpuscles and shoot them back into you. Then we have to do it all again to make a whole pint of plasma. If you have ever felt faint after giving blood, you won’t feel that, since we give you back all your red blood. The whole process, the first time, takes at least a hour and a half. We pay seven dollars the first visit, because of the physical, and eight dollars each time after that.

“But the doctor’s already gone for the day, so we can see you whenever you can come back.”

A real disappointment. I was hoping for at least $10. And now I was in town with no way to get out. So I drove out to Guilford College, where I had been doing some work in a professor’s darkroom. I thought I might as well get some production out of the day.

But when I reached into my coat pocket to get the car key, I found $4. A drop of luck hits the day! And as I drove towards Guilford, I tried to remember where the money came from, why I should have $4 I hadn’t known about. Then I remembered: I had picked up a few groceries for Mary Lou and she had given me a tenspot to cover them. This was her change that I had forgotten in my pocket. After a short moral argument with myself, I pulled into a self-serve gas station and bought $4 worth of gas.

The darkroom I use at Guilford is built in a short corridor running from the drama department’s studio/stage to the outside of the building. The corridor is unheated and unfortunately very public. The enlarger and supplies have to be locked up in a giant metal cabinet in a corner of the room. I had brought a portable electric heater to warm up the air and I plugged it in and started setting up my chemicals.

Just then, Matthew’s coffee reached overflow in my bladder, so I walked across the stage and into the dressing room, where the nearest mens’ room was. The dressing room was filled with costumes and makeup. Old bobbies’ uniforms and patched cutaways. I relieved myself and as I was leaving, I noticed a line-up of shoes under the clothing rack. I looked at them and they all seemed to be normal size — much too small for my feet. But one pair was larger than the rest. I picked them up and looked them over.

They were a very plain pair of oxfords, a little worn, with tilted heels, but not badly scuffed. On the sole was a Salvation Army pricetag for $2.25 I sat down on the linoleum and tried them on and, though they dug into my heel a bit, they fit. Another short moral argument and I wore them out of the dressing room. Providence and a lax conscience had provided me with the pair of shoes I needed.

I have always thought of myself as honest. It it true that I stole a few paperbacks from the drugstore in New Jersey when I was in high school — mostly for the illegal thrill of it. But since then, I have been basically honest. Not that I ever felt particularly proud of it. I feel strongly in my bones that we are all capable of enormous crimes. The human heart is foul and devious. I don’t abide with those happy-face people that feel humankind is basically “good” and has only been driven to crimes for socio-pathological reasons. We are all potential murderers. That we don’t kill, for the most part is incidental. We all could.

I believe most great writers — probably most great people — have understood this. Gentle soul Henry Thoreau says of himself, in Walden, “I never knew, and never shall know, a worse man than myself.” If my crimes are paltry — a stolen pair of worn-out shoes or a pocket of unreturned change — then it is only, I think, that I have not had the opportunities that others have had. I was not born to the Third Reich or to the Inquisition. It is easy for me to abhor the enormities of Auschwitz from my distance. It is easy to feel that I could never allow it to happen here. But I am fooling myself, as others do themselves continuously. Evil is, as they say, banal and everyday. My conscience will bother me little about the shoes: I needed them. What glib rationalization is harder to come by to steal someone’s silverware? To murder the pissant who robbed me of my redhead? To rape and pillage a whole country?

I know of few people more gentle than myself; slower to wrath, slower to find fault. I live much of my life according to “Judge not, lest ye be judged.” But when I found out how my redhead’s new husband had forbidden her to communicate with me, I felt such a welling of bile that I know I could have murdered him. I saw red. Reason drained from me. For those few hours, as I wrote the first and only vicious hate letter of my life, I was a murderer. I know in my heart that though I would likely never actually kill anyone, I was nevertheless capable of hating with a passion that rationally allowed murder. Nothing is more false than the myth propounded by the NRA that “the criminal element” is responsible for murders and rapes. Murders are committed by fathers, rapes by uncles. The Mafia really touches few of us in any direct way. If there is a criminal element, it is in each of us — a Caliban in our hearts.

And I believe that if we are to live morally — to refrain from blowing the face off our brother-in-law — we must acknowledge this beast in our bosom. If we behave morally because we believe ourselves moral and good, then what is to stop us from punishing those who are not, in our eye, also moral and good? But as I know I am capable of crime, I do my best to control myself and will spend little effort controlling others. The Inquisition was run by men who knew they were moral. They had their God on their side. They were certain; they harbored no doubts. Be we smaller people, admitting the rancor in our breasts, how can we condemn that rancor in others? If there is any Satan, surely his name is Certainty. If there is an angel who can save us, that angel is Doubt. Hitler was Certain. Anita Bryant is Certain. Jerry Falwell is Certain. The Ayatollah is Certain. Let us not be so sure. Let us not send Jews to the showers.

So, when I finished in the darkroom, I drove home on the gas I bought with Mary Lou’s money and wearing stolen shoes and not feeling too badly about myself. I could have been Raskolnikov.

—Richard Nilsen

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