Tag Archives: oklahoma

When I was growing up — in the Antediluvian Age when everyone smoked Lucky Strikes and cars all had clutches and carburetors — the maps in my grade school rooms had 48 states on them.

Those classroom roll-down maps were beautiful to my young eyes — all that green, yellow and ruddy brown in wood engraving density. They are maps that have never been equalled, and I knew, looking at the map, pulled down in front of the black chalkboard, that I wanted to go to every one of those states and see if Colorado were really the color of chestnuts, if Florida were really Kelly green. It seemed so lush.

Over the years, I’ve gone to — and written about — all 48 contiguous United States, seven Canadian provinces, a couple of edgings into Mexico and a few places in Europe and Africa.

In each of the places I’ve been, there is a top sight to see, like the Grand Canyon in Arizona or Yellowstone in Wyoming. And I’ve loved them all.

But there are also smaller, less well-known places that have quietly become some of my favorites. I’m sure everyone has the same: places where something special happened, or that sum up the qualities of a state or region, or that just seem so relaxed and beautiful that they draw you back over and over.

For me, such places are often remote from normal tourism attractions. I am a sucker for unspoiled grasslands in the Great Plains, for alligator-filled swampland in the South, for backcountry roads in the Appalachians. Others may look for happy crowds to join, for music and dancing or roller coasters. My favorites, however, tend to be empty of people, silent and to provide long views over a significant arc of the planet.

So, here are a few of those places, listed state by state.

Alabama

If you want to learn about the Deep South and how much it has changed, you should visit Selma. It is where the great Civil Rights march of 1965 began, crossing the Edmund Pettus Bridge and heading on to the state capitol at Montgomery. If you think the battle is over, you should visit Selma and see, despite how far we have come, how distant is the horizon.

Arizona

Of course, the Grand Canyon is on our license plates, but almost any other square foot of the state is nearly as wonderful, from Hoover Dam to Douglas, from Four Corners to Yuma. But I have a special place in my heart for an obscure exit ramp from I-17 north of Phoenix. Badger Springs Road is a bit of largely undisturbed desert, with trails and cactus, and I can always pull off the highway and find a bit of peace and quiet.

Arkansas

The state is rich in rural areas, craggy in the north, flat and muddy in the east through the Mississippi flood plain, steamy with hot springs toward the south. But the little town of Toad Suck in the center of the state seems even a little quieter, a little more remote than most, and is graced with a state park as well, along the Arkansas River. No hotels, but friendly people.

Northern California

California is too rich; I have to split it in two. Even then, I could name a dozen places in each half: In the north — Tule Lake National Wildlife Reserve, Mono Lake on the eastern side of the Sierras, Lassen National Park, the Humboldt Redwoods, the tule marshes along the Sacramento River. But I keep coming back to Owens Valley, just below Mt. Whitney. From the soda-flat Owens Lake north to the ruins of the Manzanar Relocation Center — where Japanese-Americans were interned during World War II — the valley is both picturesque — the Alabama Hills where so many Western films were shot among the wonderland of rocks — and historic — in addition to the concentration camp, there is the sorry and violent tale of how a thirsty Los Angeles stole the valley’s water earlier in the century.

Southern California

East of San Diego is one of California’s most pristine deserts. It is called Anza-Borrego Desert State Park and it is the primordial home of all those Washington palm trees that line the streets of Phoenix. Borrego Springs is a surprisingly kempt little town in the middle of it, but the rest of the park usually seems as empty as a college campus during spring break.

Colorado

For most people, the state probably brings to mind skiing or expansion baseball, or an over-hyped beer, and certainly Colorado is best remembered for post-card mountains — all those “fourteeners” — but I love the Pawnee National Grasslands, one of the best places to get a sense of what the West was really about, what the Great American Desert was — not desert, but the Great Plains, vast, sweeping and grassy.

Connecticut

There is no more peaceful a river valley in the nation than the Housatonic north of New Milford. The Appalachian Trail winds along a portion of its banks. There are covered bridges, meadows and not too far away, near Cornwall, there is a large stand of virgin white pine, called the Cathedral Pines. U.S. 7 parallels the river most of the way.

Delaware

Delaware is a tiny state, and most people notice it, if at all, for the chemical plants and refineries that stick their bellowing smokestacks into the air, and the highways that pass through it on their way elsewhere, up over the twin Delaware Memorial Bridge. But there are the “Hooks” — Prime Hook and Bombay Hook national wildlife refuges, swampy and woodsy on the broad mouth of Delaware Bay.

Florida

If you cannot get enough of the Everglades, or if the national park is too crowded, head north off U.S. 41 on any of a dozen gravel roads into Big Cypress National Preserve. Or take the loop road to the south, through incredible cypress wetlands, with sagging Spanish moss and blackwater swamps.

Georgia

The Okefenokee is my favorite swamp. That’s saying a lot. I’ve seen more wildlife in it than in any other. Drive up Georgia 177 from Edith into the Stephen C. Foster State Park and rent a canoe. Paddle within inches of swimming alligators. Look into the trees for the snake birds — anhingas — with their darting necks and their wings spread out in the sun to dry.

Idaho

With its camas prairies, steep mountains and gaping canyons, the Nez Perce Indian Reservation is one of the most beautiful parts of this beautiful state. You can see the valley where Chief Joseph began his tragic 1,500-mile unsuccessful flight to freedom for his people in 1877.

Illinois

Chicago has big shoulders in the north, but down at the very bottom are the forlorn toes of Cairo, one of the most memorable of Mississippi River towns. It is aging, with peeling paint and boarded up storefronts, but you can feel in the humid air the history behind it. And you can see the conjoining of the muddy Mississippi water with the clearer, faster moving Ohio River. Boats and barges move past in the misty mornings like iron dreams.

Indiana

If you want to find the prototype of Disney’s “Main Street U.S.A.,” you couldn’t do better than to see Paoli, in the southern part of the state. No more perfect quiet little Middle-American village can be found. There are no tourists and nothing to do, but imagine what it must be like to live there, under the spreading chestnut trees just off the town square.

Iowa

Iowa is sometimes surreal: At the bottom of the bluffs of the Mississippi are cities filled with Victorian architecture. There are trees and vines. On top of the bluffs, there are endless rolling farms, with silos instead of trees, like some Grant Wood painting. The best of the cities is Dubuque, one of the greatest surprises of my travels. It is one of America’s most beautiful cities.

Kansas

If you want to get away from civilization, you can hardly do better than the middle of Kansas. Just north of Lebanon is the “Geographical Center of the Conterminous U.S.,” which is a highly qualified title to be proud of. But you stand there, looking out over the grass and wonder, if they dropped the Big One here, would anyone hear it?

Kentucky

The state is mud in the west, limestone in the center and coal in the east. Among the stumpy, round-bumped mountains of coal-mining Harlan County and neighboring Letcher County, are some of the poorest homes and interesting people of the country.

Louisiana

It surprises even me, but one of my favorite places is along the Interstate. For 20 miles, I-10 rises on piers over the Atchafalaya Swamp. Take an exit into the dark woods and drive along the river into old, mossy river towns, built where the terra is not so firma. Even the pavement seems squishy beneath your feet.

Maine

Everybody heads to Bar Harbor, where the T-shirt shops and frozen yogurt stores are chock-a-block. Pass on that and head to Schoodic Point further north. Also part of Acadia National Park, it is one of the ruggedest, rockiest parts of the rocky Maine coast.

Maryland

Antietam National Battlefield, near Sharpsburg, is the most emotional Civil War site I have visited. Every aspect of the fight, and all the blood and bullet-holes, seem spread out graphically, and the spirits of the dead and suffering seem almost palpable at the sunken road called Bloody Lane.

Massachusetts

Arrowhead is the one-time home of Herman Melville in Pittsfield. The house is actually a character in many of his stories, and you can look out the second-floor window of his study, where he wrote Moby Dick, and see the saddle-back peak of Mt. Greylock to the north, “Charlemagne among his peers.”

Michigan

The Upper Peninsula is a big place, but everywhere you turn, there are forests, lakes and rivers, including Papa Hemingway’s Big Two-Hearted River. It’s hard to pick a single place, but there is always the drive on U.S. 2 along the southern shore of the peninsula along Lake Michigan.

Minnesota

A river doesn’t really start from a single source, but the agreed fiction is that the Mississippi begins at Lake Itasca, southwest of Bemidji. The lake is not that large, by Minnesota standards, and seems quite placid. The “father of waters” begins at a reedy little outlet that you can step across and brag you crossed the Mississippi on foot.

Mississippi

The blues began in the Mississippi Delta, and they are still played in the shabby juke joints of Clarksdale, one of those old, cracked-concrete, grass-in-the-railroad-ties, dying-downtown Deep South county seats. Everybody you see, sitting on their porch fronts, seems more human, more profound. Maybe it’s the blues.

Missouri

The Ozark Mountains can be beautiful, with lichen-covered limestone and rivers that disappear underground. Like at Big Spring State Park on the Current River, where the river comes gushing back out of the rock like a fountain.

Montana

Chief Joseph began his three-and-a-half month trek in 1877 in Idaho, he ended it on the flat, grassy, empty plains of northern Montana, at a place called the Chief Joseph Battlefield near the Bears Paw Mountains, only 40 miles from the safety his Nez Perce Indians sought in Canada. He was captured by the U.S. Army, and promised “From where the sun now stands, I will fight no more forever.”

Nebraska

People look at me funny when I tell them that Nebraska is probably my favorite state to visit. The sand hills, the puny “national forest,” the Platte River and Scotts Bluff — they all seem unbearably windblown and lonesome. I love them all, but in North Platte, you cannot feel alone at the biggest railroad freight yard in the country. You can watch trains all day.

Nevada

If Nebraska is my favorite state, Nevada is probably my least favorite. It is empty, true, but its emptiness seems hard and thoughtless, like a biker at a roadside bar and casino. But I cannot deny the beauty of such places as Big Smoke Valley, between the Toiyabe and Toquima mountains, and the wide sagebrush plains where you don’t see a car for hours, but maybe a dozen dusty pickups.

New Hampshire

The Kancamagus Highway is one of the most beautiful drives in the country, winding through the White Mountains along the Swift River. It goes from Lincoln to Passaconaway and passes some stunning stony waterfalls.

New Jersey

This is the state where I grew up. I came to despise the suburban banality of most of the state, but I loved two things: the northwest corner, with its minuscule mountains and bucolic forests; and most of all, the industrial corridor of the Jersey Turnpike, with its refineries, chemical plants and the always-beautiful Pulaski Skyway.

New Mexico

At the top of the Sacramento Mountains, in the Lincoln National Forest is a place called Cloudcroft. There is great camping, wild animals and — usually — clean air that is so clear, it could cut diamonds.

New York

New York offers more than any other single state except California. There are dozens of favorite sites, from Montauk Point to Niagara Falls. But I will always have a special affection for Harriman State Park, along the Hudson River, and Bear Mountain, that looks down at the gorge, just south of West Point and its military academy. Seven Lakes Drive, through the park, is what nature in the East is all about.

North Carolina

No question here: Ashe County, tucked up in the northwest part of the state, above the Blue Ridge, is away from the normal tourist loop, but more beautiful than any other place north of the Smoky Mountains. Any gravelly back road will take you to something surprising and there is the New River to canoe down.

North Dakota

It hardly counts for anything, and there is no real reason to visit, but I cannot get enough of Zap, a tiny crossroads, where the roads don’t go anywhere. Between Beulah and Golden Valley, Zap sits among the rising and dropping swell of the grasslands, with the occasional pond for cattle to drink from.

Ohio

Just south of Cleveland, there is a small bit of woods and rock called Virginia Kendall Park. It is right next to the larger Cuyahoga Valley National Recreation Area, and benefits from more people going there than here. There is a rocky bluff in the middle of the park and echoing voices in the forest among the leaf litter.

Oklahoma

One of the worst massacres of the so-called Indian Wars took place just outside of Cheyenne, along the Washita River. The site is now nothing but grass, a line of trees along the water, and some outcroppings of rock. But the surrounding Black Kettle National Grasslands can give you a real sense of what the land looked like 121 years ago.

Oregon

The Columbia River Gorge is one of the scenic wonders of America, and one of the most scenic drives is along the old, outmoded Columbia River Gorge Scenic Highway, which rises up the mountainside above the interstate highway, and takes you through more waterfalls than any comparable stretch of road outside Hawaii.

Pennsylvania

The second most famous house in America — after the White House — is probably Frank Lloyd Wright’s Fallingwater, a vacation home he designed for Pittsburgh’s wealthy Kaufman family beginning in 1934. It is also one of the most beautiful buildings in the country, sitting literally atop a waterfall and jutting out over the small forest glen.

Rhode Island

If you’re on the A-list, you’ll naturally gravitate to Newport and its extravagant mansions. I’m not on that list; I prefer the more humble Conanicut Island, where real people live. It sits in the middle of Narragansett Bay and gives you a good sense of what life on the bay is like.

South Carolina

Myrtle Beach gets all the traffic and spring-breakers, but Huntington Beach, 10 miles further south along Murrell’s Inlet, is the better place to be. With Huntington Gardens just across the street, with all those animal sculptures of Anna Hyatt Huntington, and a fresh-water alligator pond next to the salt marsh, Huntington Beach is a great — a great — place for seeing birds.

South Dakota

The Pine Ridge Indian Reservation may be poor, but it is beautiful. And as with many places noted for its poverty, it is very real. The people take the time to talk to you and there is history at every turn in the road — not all of it very comfortable for an Anglo to remember.

Tennessee

Most of the crowds at Great Smoky Mountains National Park gather along U.S. 441 across the crest of the range, or in Cades Cove in the southwest of the park. But one of the great drives, and less crowded, is up the Little River Road through the back side of the park. It follows the cascading Little River most of the way, and finds its way back to the visitors center at Sugarlands.

Texas

Even Texans will tell you the center of their state is the best part: The Texas Hill Country is an oasis in the middle of a state that sometimes seems like nothing more than the world’s largest vacant lot. And the best part of the Hill Country is found at the LBJ Ranch near Johnson City. It is no wonder that our 36th president loved his ranch so much. It is a jewel in a perfect setting.

Utah

Is there a square inch of the state that doesn’t deserve to be a national park? I haven’t found it. But one of the most overlooked gems is the ride along Utah 128 from Moab to Cisco. Through most of its route, the road seems to be the one you would imagine at the bottom of the Grand Canyon. Well, perhaps that exaggerates it a wee bit. But it is special.

Vermont

Near Plymouth is the birthplace and homestead of Calvin Coolidge, who has recently lost his title as the president we made the most jokes about. In fact, Silent Cal was a smart cookie and not at all the buffoon stand-up comics make him out to be. He was raised in a tiny Yankee village that is preserved as a state park.

Virginia

Virginia is another state that seems to have more than its fair share of special places. Perhaps it’s history, perhaps geography, but almost anywhere you turn, there is something that will draw you back over and over. Still, there is something special about Thomas Jefferson’s mountaintop home, Monticello, a monument to just how profoundly beautiful a little nuttiness can be. The Age of Reason meets Henry Thoreau.

Washington

Eastern Washington is largely a blank spot in America’s consciousness. Seattle, the Olympics, the Cascades, Mt. Rainier — they are all in the west. But there is hardly an odder or more peculiar and spooky landscape on Earth than what is called the Channeled Scablands east of the Cascades. The Grand Coulee Dam blocks the Columbia River there, where a prehistoric flood scraped the earth clean for hundreds of miles.

West Virginia

The Hawks Nest, on U.S. 60 between Gauley Bridge and Ansted, looks out over the deep declivity of the New River Gorge and is one of the great scenic views of the eastern U.S.

Wisconsin

Southern Wisconsin has many treasures, including the Mustard Museum in Mt. Horeb, and the world’s largest six-pack of beer at La Crosse, but nothing can beat the genuine zaniness of the Dickeyville Grotto, a religious site in Dickeyville created out of broken bottles, seashells, stones and broken crockery. It is one of the great “outsider art” sites, and don’t miss the tribute to Columbus.

Wyoming

What’s the highest, most alpine road in America that actually goes somewhere? Undoubtedly, it is the Bear Tooth Highway, U.S. 212 from Red Lodge, Mont., to Yellowstone National Park. It climbs up over Bear Tooth Pass at 10,940 feet and provides more long Rocky Mountain views than any other road. Look out for the marmots.

Heartland odyssey, Part 2: Central Plains

September 25, 2014

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In 1997, I took an epic road trip north along the 100th longitudinal meridian from Laredo, Texas, to the Canadian border. Previously, I covered the part of the trip in Texas. This second part covers the Central Plains. Next will come the Northern Plains and the end of the trip.

Mile 631, Cheyenne, Okla.

One cannot forget the Native American presence in the Great Plains. The sense of the Plains, with the Cheyenne and Lakota riding horses across it, looking for buffalo, still is felt in every little corner not yet given over to corn and sorghum.

And one sad reminder of the history of Indians is the Washita River, near Cheyenne, where George Custer and his troops slaughtered a band of friendly Cheyenne Indians who were camped in the snow along the banks of the creek in late November, 1868.

The band, under the leadership of Black Kettle, attempted to remind the army over and over that it intended to remain peaceful.

“We want peace,” he said. “I would move all my people down this way. I could then keep them all quietly near camp.”

But Custer and his superior, Gen. Philip Sheridan, decided to “make battle.”

In the cold of Nov. 27, Custer divided his troops up into four parties, just as he would do eight years later at the Little Bighorn. But there was no Native army lying in wait at Washita. Just a village filled with families.

When Black Kettle realized what was going on, he fired his rifle in the air to alert the rest of his band that they should flee for their lives. Black Kettle had seen this sort of thing before: He had lived through the massacre at Sand Creek, Colo., in 1864 and knew what was coming.

But it was too late, the army had already descended on the encampment. Black Kettle was one of the first to be killed, with a bullet ripping through his belly. His wife was killed at the same time.

After the action, Custer reported that he had won a great battle and had killed 130 warriors. A later counts run from as few as 11 warriors and 19 women and children to around 100, mostly women and children.

The site of the battle is in a coulee a mile west of town. Most of the countryside around it is farmland and grazing land, but down in the wedge, along the stream is a dark line of trees where the Cheyenne camped. It is a lonely place among the lonesomeness of the Plains.

Mile 705, Woodward, Okla.

County historical museums exist in almost every small town in the Plains. And there is a peculiar sameness to them.

They all seem to have the identical items on view, but gathered from their different locations. After wandering through a few of them, you come to know what an old-time dentist chair looks like, or the old telephone switchboard, or the pigeonholes from the old post office.

There are white-enamel ladles, wagon wheels, butter churns and moldboard plows. There are “Old Flo” blue china sets, cornucopia-topped Victrolas and immense oaken bankers’ desks.

But it is the sameness that is important. For, north of Texas, the Great Plains is surprisingly homogenous culturally.

Whether it is Oklahoma or North Dakota, the same rugged immigrants plowed the land. German here and Irish there, but otherwise, the same.

Like the land itself, the variation is slight.

One of the best tended and displayed of these museums is the Plains Indian and Pioneers Museum in Woodward, Okla. It tells the familiar history: a land occupied by Native Americans; incursions by whites; a growing cattle industry on the open range and cows replace buffalo; the raising of fences and the building of farms.

In this portion of Oklahoma, the white invasion began in earnest in on Sept. 16, 1893, when northwest Oklahoma was opened to permanent white settlement in the third great land run in the state. Some 100,000 homeseekers carved the prairie into 160-acre homesteads in a single day. Almost overnight, towns popped up — first as tent cities — as land offices registered homestead claims.

Woodward itself sprouted 500 buildings in its first three months of existence. The railroad came through.

Outside the towns, however, buildings were hard to come by. Many settlers made their homes in dug out hills. Others built up “soddies,” or sod homes made of dirt bricks spaded from the turf. In those dusty, buggy, leaky homes, they set up their lives, cooking, sleeping and freezing their way through winters with nothing to burn in their stoves but buffalo chips or cowpies, and sharing that warmth with mice.

Yet, they made the best of it, usually whitewashing the mud walls, tamping down the dirt floors, bringing in their sideboards and pianos.

If they succeeded in busting through the soil knotted with grass roots, planting and harvesting their potatoes, wheat or corn, they may eventually have built a lumber house.

But much of the farm life of the Plains was disrupted in the 1930s by drought and the blowing dust. They had to adapt, and those who didn’t move away, did.

The “dusters” sometimes blackened the daytime sky for a week at a time, stuffing sand under the doorjambs and blowing the precious topsoil to Virginia and New York.

Now, the crops are mostly forage corn and milo, mixed with wheat. Cattle still take up a lot of the land, but there is a change in the wind — literally and none too pleasantly.

“There is a pig boom going on in Oklahoma,” explains Louise B. James, director of the museum. Huge hog farms are being built across the Plains, to make pork intended to pick up the slack in beef sales.

“They make pork chops and Spam, yes,” says James, “but I’m boycotting them. It doesn’t seem to be doing any good, though.”

Runoff from the farms is seriously polluting streams and groundwater.

“It’s real touchy stuff. A lot of people really hate the pigs. This is cattle country, but many people look to the hogs as salvation.”

Meanwhile a law is slowly working through the state legislature that would control the size of the hog farms.

Mile 747, Dodge City, Kan.

I took up life as a pedestrian in Dodge City.

This wasn’t a state I would have chosen for myself; it was brought to me when my rental car coughed, wheezed and then decided to take a nap in the turn lane of Wyatt Earp Boulevard, which is both Main Street and Motel Row in this Kansas cattle town.

The problem, I was told, was not really bad and could be quickly fixed, if they could find the part they needed. Unfortunately, the nearest part turned out to exist in Oklahoma City.

“We can have it here tomorrow,” they said.

Which was going to leave me on foot. First they drove me back to my motel so I could arrange for the room. The man who drove me was 83.

“I came to Dodge City in 1921 in a covered wagon,” he tells me.

“We came from Colorado. My father worked for the government.”

I asked him what had changed over the years.

“It’s all changed,” he answered. “There used to be a livery stable on this corner and over there,” he motioned to a vacant lot, “that used to be City Hall.”

The railroad tracks run through town, paralleling Wyatt Earp Boulevard.

“That used to be Front Street,” he says. Now Front Street is a tourist trap behind a chain link fence where you pay $5 to see “Boot Hill” and a streetfront of Hollywood-set buildings where you can get a sarsaparilla at the “Long Branch” saloon or pay to have the printer work up a wanted poster with your name on it.

“Is that the way Dodge City used to be,” I ask.

“Hell, no,” he says. “That’s just for tourists.”

He has lived in Dodge for most of his life.

“Do you like it here?”

“Yes.”

“Why?”

“I don’t know nothing else, I guess.”

For the rest of the day, I walk. It wasn’t a first choice, but Dodge City is light on public transportation. There are no buses and when I call the taxi company, I get a recorded message that asks me to leave my name and number and they’ll “get back to me.”

So, I head off in the direction of downtown, following the Atchison, Topeka and Santa Fe rail line (or more accurately, in this age of railroad megamergers, the BNSF rail line). On the other side of the tracks are green fields and old houses.

Grasshoppers jump under my feet like popcorn.

The gigantic grain elevator roars with cooling fans and a train pulls by me, squealing and humming.

After so many days of driving, it is a revelation to be on my legs once more. When the wind shifts, I can smell the feedlots on the edge of town.

Wyatt Earp is lined with Taco Bells and Burger Kings. It looks like every generic “Miracle Mile” in the West.

The Dodge City most people think of from Gunsmoke reruns is a flat town surrounded by the Hollywood version of the West, full of woods, deserts and mountains.

There are no mountains anywhere near Dodge City, but surprisingly, the downtown is built on one of the few hills in the area. Walking through it means climbing steep streets paved with bricks.

The Chamber of Commerce plays up the “Old West” angle and everywhere you see come-ons that tout the “gunslingers” and saloon girls.

The prize, though, must go the the Gunfighter’s Wax Museum, which is even cheesier than it sounds. Taking up the second floor of the Kansas Schoolteachers Hall of Fame, it’s dark corridors are filled with cartoonish murals lit with blacklight. There’s Jesse James and Davy Crockett, although I never heard of Crockett called a gunfighter before.

But then, John F. Kennedy wasn’t a gunfighter, either and he’s here, along with LBJ and Dracula.

A gigantic bronze longhorn steer acts as official greeter for the town: It is the first thing you see when you reach downtown.

It commemorates the hundreds of thousands of “beeves” that were herded to Dodge City in its prime, to be shipped on the railroad back to markets in the East.

As I walked back to my motel after dinner, I saw a cloud of about 2,000 or more blackbirds trail across the sky like a river, slowly filling the sky channel from one horizon to the other, then the first birdstream was joined by a second, running right beside it, with its own several thousand birds.

It was a monumental Western sight, a Milky Way of black stars spread out over the twilight. When the first herds rode through, a third followed and after they left, a fourth: a sky with something like 10,000 blackbirds, twisting and skittering like sparks from a fire.

Mile 880, Oakley, Kan.

Vi Fick couldn’t stop collecting shark’s teeth. She collected so many in the fossil beds near Monument Rocks in western Kansas that she didn’t seem to know what to do with them.

So she wound up giving them to the tiny community of Oakley, Kan., providing, she said, that they erect a building for the collection, which included not only the 11,000 teeth, but dinosaur bones, mammoth teeth and the hysterical paintings she created with them. The museum opened in 1972.

For Vi Fick had something of the crazy folk artist about her. She painted oil paintings in the learn-to-paint-from-the-TV-painter school, but she added a touch of her own with bits of seashells, bones and shark’s teeth.

The Fick Fossil and History Museum is one of the must-see stops in northwest Kansas. Not only will you find her bones and her pictures, but a decent local history museum, with its usual collection of old Victrolas, antique dentistry tools and antediluvian flour canisters.

The fossil collection is genuinely impressive and scientifically identified. Some of the fossils are from Fick, others from the collection of paleontologist George F. Sternberg, including a 15-foot Portheus molossus, a kind of huge prehistoric fish.

But you have seen fossils before, I’m sure. What you probably haven’t seen is a painting of the American flag with sharks’ teeth for all the stars and the stripes covered in more teeth, pointed one way for the red and the reverse way for the white.

Nor have you likely seen an entire wall lined with 2-foot tall oval picture frames — 30 of them — each filled with neat, symmetrical arrangements of sharks’ teeth.

There are also the great seals of the U.S. and Kansas, outlined in the teeth.

There is a photograph of Vi Fick in the museum. You can tell from her modest dress, set with a cameo pin at the collar, and from her well-scrubbed face that she was a hard-working, pioneer-stock God-fearing woman.

But you can likewise tell from the pile of tight white-haired curls, gathered in a football-shaped pompadour over her head and rivaling it for size, that she wasn’t completely in control of herself.

If you have any doubts, just look at her eyes, wider than any normal person feels comfortable holding them and staring out at you with the intensity of thumbtacks.

It may be true that the obsessive dedication Vi Fick felt toward her sharks’ teeth and her wacky paintings is the very dedication needed to make a successful life on the farm in the Great Plains, where everything in the natural world conspires against you.

Mile 942, Oberlin, Kan.

The wind blows across the plains the way it blows across the ocean, ceaselessly, raising great waves in the grasses and grains that cover the great sea-swell of the hills.

It is not possible, once you have been here, to imagine the plains without the blow. Spiny tumbleweeds barrel across the road in front of you and if you look in your rear-view mirror, you may very well see one caught in the grille of the car behind you.

Near Oberlin, Kan., I saw the biggest tumbleweed I have ever seen, and the darkest. Usually, they are a kind of straw-yellow and a foot or two in diameter. The one that blew straight northward with me on U.S. 83 was about four feet in diameter, rotating on its edge like a wheel. It sped along in a 40-mile-per-hour gale, turning top over keel for a hundred yards down the highway.

When I passed it, it was still following me till I lost sight of it in the back window as I drove up over a rise. For all I know, it made it to Nebraska just behind me.

The wind rattles the windows at night and if it gets under your house, can seem to be in immediate danger of lifting it in the air like a kite.

The worst winds, in terms of consistent blow, are found in the panhandles of Texas and Oklahoma, and western Kansas and Nebraska, where the average hourly wind velocity climbs to 12 and 14 miles per hour.

As I drive through, the wind runs a constant 40 mph, gusting to 50. When I step out of my car, the wind rips my shirt clean out of my trousers.

When I ask in North Platte about the winds, an old town resident thinks carefully and tells me, “On Aug. 13, 1947, we had a calm day. I remember it well.”

Mile 1039, North Platte, Neb.

Union Pacific’s Bailey Yard in North Platte, Neb., is the largest railroad classification yard in the world. Every day, 10,000 railroad cars in 120 trains run through on the 260 miles of track telescoped into a yard 8 miles long.

It runs through the city and out for miles to the west, where an observation tower is built for trainwatchers.

But, when I drive through North Platte in October, the yard is also something of a problem.

This fall has brought one of the best harvests ever to the Great Plains and there is concern that there are not enough railroad cars to transport all the grain, corn, sorghum, milo and beets.

“North Platte is reportedly one of five railroad ‘bottlenecks’ in the Union Pacific system that are causing disruption to business and industry across the country,” I read in the North Platte Telegraph.

The problem is the merger between Union Pacific and Southern Pacific railways. Bookkeeping and bureaucratic snafus have tied up some 10,000 railroad cars in limbo and there are not enough locomotives to redistribute the needed cars.

Senator Bob Kerry (D., Neb.) expressed his concern about “delays in grain car deliveries, pick ups and system gridlock,” an article reads.

“These shortages and backlogs are especially troubling since the harvest season has barely begun,” the senator said.

Nebraska beef producers were running out of molasses, which they mix into their cattle feed.

Concern has been expressed for the health of Nebraska cattle. UP delivers entire train cars of molasses that beef producers use to make feed more appealing to their cattle.

Trucks have been hired to move the molasses, but a business spokesman said that trucking “can’t continue to handle loads of this magnitude.”

“We have a plan in place to fix (the problem),” said UP Chairman and Chief Executive Officer Dick Davidson.

The company said it had purchased 288 new higher-horsepower locomotives this year and would buy another 229 next year. To help with the short-term situation, Davidson said, 214 locomotives have been leased during the past few months.

North of the town, the Sand Hills spread out like a lunar landscape, if they grew grass on the moon. Ducks fly west along the Platte River so low I can see their eyes.

And when I reach Thedford, at the edge of the Nebraska National Forest, the wind is blowing at 30 mph, with gusts up to 50 and there are people out on the golf course, playing.

Next: The Northern Plains

How to be an American

January 25, 2014

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“All modern American literature comes from one book by Mark Twain called Huckleberry Finn,” Ernest Hemingway wrote.

In that book, nearly every theme that identifies our art as American is established and explored: migration, race, individualism, anti-intellectualism, optimism, religion, social climbing, moneygrubbing and the comfortable informality that marks us as a people.

It’s as if Huck Finn were the instruction manual for how to be American. In that, Twain is just as clearly American as Debussy is French or Basho is Japanese. We often look to our art for clues to national identity. But although Twain gives us Americanness in concentrated form, most of the arts made on this continent, from Capt. John Smith’s General History of Virginia (1624) and Anne Bradstreet’s poetry, all the way up to this week’s latest rap song, partake in certain common traits.

What are they? First, we need to eliminate some of the things we like to think are particularly American, such as patriotism or respect for family. Every culture feels these qualities are particularly their own, but in fact, they are universal.

Even such negatives as bigotry and racism have their American coloration, but they are evils found in every culture.

It needs to be noted, too, that what we admire in ourselves is not necessarily admired elsewhere. Americans are direct, which others often see as rude. We are informal, which others translate as slobbishness. We are optimistic, which can be taken as arrogance. We believe in individualism, which others see as selfishness. But there are six things that we can see as particularly American: migration, individualism, optimism, religiosity, informality and expansiveness.

Migration

The one thing all Americans share is that we are immigrants.

Even Native Americans, although they hate to think so, came here from somewhere else, whether it is across an Arctic land bridge or up through a sipapu.

It is the parent fact that gives birth to all our other traits. Even after our ancestors came here from far shores, we have never ceased from peregrinating. First we moved West, populating the great wilderness.

Now, we move away from home to college or career, and find our parents retired to Florida and our siblings spread across four time zones.

To Europeans or Asians whose families have lived in the same villages for centuries, we must seem utterly rootless.

So it can hardly be surprising that the central metaphor of Huck Finn is a journey: The book is many things, from its hero’s double negatives and “ain’ts” to his climactic choice to follow his instinct instead of his schooling about runaway slave Jim, but first and foremost, it’s a “road book,” marking the peripatetic nature of American life.

Much of our art reflects this continuous travel. From the moment we arrived on the Atlantic Coast we began moving west. As art, The Godfather speaks of the immigrant experience, but so does every B Western ever filmed.

All the other traits we think of as American ultimately owe their birth to this constant moving: It gives birth to our self-reliance, our willingness to risk tomorrow on faith, and our freedom from many of the cultural straitjackets found back in the Old Country. It’s all there in the art. All either necessary for immigration or fostered by it.

Individualism

Make that “rugged individualism.”

We trust our own instincts, like Huck Finn, rather then the wisdom of the group. We are Mr. Smith in Washington, Gary Cooper at high noon, Ellen Ripley blasting aliens.

The single most potent distillation of this individualism can be found in John Wayne, love him or despise him. But Wayne didn’t spring up ex nihilo; rather, he grew from the soil: He was originally Natty Bumppo, or Hawkeye, from James Fenimore Cooper’s Leatherstocking Tales: self-reliant, unschooled but wise and practical, with an unshaken faith in his own code of behavior. He’s Walt Disney’s Davey Crockett saying, “Make sure you’re right, then go ahead,” which is just a pop culture simplification of Henry Thoreau’s Civil Disobedience.

Sometimes it’s shocking to realize how of a piece our cultural heritage is.

The flip side of individualism is our tendency to isolationism: “Good fences make good neighbors,” as Robert Frost ironically wrote. Going it alone is usually seen as a virtue.

The downside of this self-reliance is our anti-intellectualism. We trust our own ignorance more than someone else’s knowledge. This is nothing new: It’s why Andrew Jackson was elected president. It’s Huck Finn fearing to be “sivilized” by his Aunt Sally. It’s why one of the most powerful political factions of the 19th century was called the “Know-Nothings.”

It’s a trait of national identity that we should never misunderestimate.

Optimism

Against all reason and the evidence of history, Americans believe they can do anything. It is our “can-do” attitude, and you find it in the barking joy of Walt Whitman’s poetry and the songs of Oklahoma!.

To others in the world, this makes us look naive and foolish; fatalism is not part of our makeup.

Which is why America is home to pop psychology and Doris Day. As a corollary, for Americans, the future only holds a better world. “Tomorrow, tomorrow,” Annie sings. “Make it new,” said poet Ezra Pound, and although he was speaking of literature, he could just as well have been speaking of Thomas Edison, the Chrysler Building or Elvis Presley.

Take what you’re given and do something new with it. Never accept the past as the final word.

Religion

Many peoples are religious, but in America, religion is something else.

From the utopian religious communities of the 19th century to today’s fundamentalism, there is a glint of zealotry in American spirituality. Elmer Gantry would not be thinkable in France.

We have gone through at least four “Great Awakenings,” in which we rediscover the old-time religion and the narrow virtues of belief.

It was, after all, religion that founded this country, whether it is Congregationalists in New England, Quakers in Pennsylvania, Roman Catholics in Maryland. Each of them came here for religious freedom, although they were perfectly willing to oppress any religion not their own.

The separation of church and state in our Constitution is there not because we were an agnostic nation, but because everyone was so nuts on the subject and we wanted to keep from each others’ throats.

You hear the religion in the symphonic music of Charles Ives and in Negro spirituals. It echoes in Moby-Dick, and even the window behind the dour couple in Grant Wood’s American Gothic.

Informality

“I lean and loaf at my ease, observing a spear of summer grass,” Whitman writes in a poem of expansive informality, turning his back on the formal expression of European art: No villanelles for Americans, no Rime Royal.

In Europe, you have Oedipus, in America, Stanley Kowalski. Mark Twain wrote Huckleberry Finn in colloquial American English and even put a note about it at the beginning of the book. Take that, Henry James!

“Whatever is not of the street,” wrote novelist Henry Miller, “is false, derived, that is to say, literature.” And he wasn’t using the word as a compliment.

You can see it in the portrait of Whitman at the front of his book, Leaves of Grass: There he is, sleeves rolled back, collar unbuttoned, hips shifted comfortably, hat at a rakish angle. You could never imagine Tennyson like that.

Expansiveness

Everything in America is supersized, whether it’s fast food or our landscape.

In America, bigger is better: We drive SUVs and watch blockbuster movies. It’s a Texas mentality. Star Wars isn’t big enough; we need a director’s cut, added scenes, a DVD packed with extras. A movie isn’t a success unless it makes $200 million. And the TVs on which we watch those DVDs continue to grow; soon they’ll cover our living room walls.

One Marilyn Monroe isn’t enough; Warhol must print her by the dozens, just as Babe Ruth must eat hot dogs by the score.

The tall tale is our national mythology, from Paul Bunyan to Jim Carrey’s face.

Of course, how could it be otherwise with the Rocky Mountains, the Grand Canyon and the Great Plains? Our very landscape calls out for grandiosity and grandiloquence. Over the top is America’s starting line, and the next frontier is our constant goal.

OH, AND AMERICANS LOVE LISTS:

Most-American Americans

John Wayne: Love him or hate him, we can’t think of him as merely an actor. He has become an icon, the movie roles and the man bound into one, indivisible: the lone, laconic hero, man of action rather than words, graceful and bullying in turns.

4 more:

Louis Armstrong: American as soul.

Eleanor Roosevelt: American as do-gooder.

Babe Ruth: American as appetite.

Thomas Edison: American as inventor.

Most American Movies

The Godfather Saga, Francis Ford Coppola, 1977: The conflated version of the first two Godfather films tells the immigrant experience writ large: family, business, love, loyalty, betrayal and the move west, told with the force and mythology of opera.

4 more:

The Man Who Shot Liberty Valance, John Ford, 1962: “When the legend becomes fact, print the legend.”

Star Wars, George Lucas, 1977: Good vs. evil supersized.

Gone With the Wind, David O. Selznick, 1939: History whitewashed.

Do the Right Thing, Spike Lee, 1989: Race will not go away.

American Contributions to global culture

The Constitution: Our “governmental instruction manual” has become a model for the world, and its first 10 amendments have become the guiding principles of many an emerging nation. It’s more than merely political, it’s at the center of our culture, and the one thing the world really does want from us.

4 more:

Jazz: From which all popular music ultimately derives.

Hollywood: America’s secret plan for world domination.

Technology: The physical evidence of the can-do spirit.

Coca-Cola: Las aguas negras del imperialismo.

Most American Novels

Huckleberry Finn, Mark Twain: The Great American Novel, filled with everything, good and bad, about ourselves: race, individualism, anti-intellectualism, optimism, religion, social climbing, moneygrubbing and our comfortable informality.

4 more:

On the Road, Jack Kerouac: An essential national theme takes center stage.

Beloved, Toni Morrison: The evils of slavery haunt even the freed.

The Leatherstocking Tales, James Fenimore Cooper: The invention of John Wayne.

The Great Gatsby, F. Scott Fitzgerald: Money, glamour, celebrity and loss.

Most American Plays

Angels in America, Tony Kushner: The hugely ambitious “Gay Fantasia on National Themes,” takes on more American themes than anything since Huck Finn: politics, sex, generations, religious revelation, Reaganism, bigotry and forgiveness; so expansive a single night can’t hold it.

4 more:

Death of a Salesman, Arthur Miller: The underside of the American dream.

Oklahoma!, Rodgers and Hammerstein: Gushy, American cornpone classic.

Streetcar Named Desire, Tennessee Williams: Torn T-shirts and sweaty thighs.

Fences, August Wilson: Black view from Pisgah.

American Classical-music compositions

Three Places in New England, Charles Ives: The crusty New England composer reinvents classical music to make it more American: loud, brash, nostalgic and patriotic at turns, and finds its subject in landscape and history.

4 more:

Rhapsody in Blue, George Gershwin: Jazz, Tin Pan Alley, Chopin and Carnegie Hall.

Appalachian Spring, Aaron Copland: Shaker hymn goes mainstream.

Symphony No. 3, Roy Harris: The type of the American symphony.

New World Symphony, Antonin Dvorak: Is the Most American Symphony written by a Czech?

American Architecture

Monticello, Thomas Jefferson: Just as equivocal as its owner and designer, this icon from the back of the common nickel is both paean to Europe’s classical past and the American’s love of invention, gimmickry and nature: Palladian windows and a moose head.

4 more:

Chrysler Building: American industrial dynamism with grace.

Sleeping Beauty Castle at Disneyland: Architecture as play-pretend.

Fenway Park: So cranky we actually love it.

Falling Water, Frank Lloyd Wright: Built over a waterfall like a diving board.

American Poems

Song of Myself, Walt Whitman: The “good gray poet” could not have arisen anywhere else; he is completely American, from his deification of democracy to his catalogs of diversity to his “I sound my barbaric yawp over the roofs of the world.”

4 more:

Song of Hiawatha, Henry Wadsworth Longfellow: Closest thing we have to a national epic poem.

Poems, Emily Dickenson: Nothing more American than her quirky New England eccentricity.

Howl, Allen Ginsberg: “Visions! omens! hallucinations! miracles! ecstasies! gone down the American river!”

Mending Wall, Robert Frost: “Good fences make good neighbors.”

American Visual arts

American Gothic, Grant Wood: This iconic painting is more enigmatic than the Mona Lisa: encomium of hardcore American values or satire of Midwestern provincialism? Conservative or avant-garde? He’s not telling.

4 more:

Watson and the Shark, John Singleton Copley: Art ripped from the headlines, circa 1777.

Marilyn Monroe multiple, Andy Warhol: If one is good, a dozen must be better.

Dogs Playing Poker series, Cassius Marcellus Coolidge: Now, that’s OTT!

Freedom From Want, Norman Rockwell: Turkey, potatoes and lots of corn.

American Popular music

Shenandoah: A folk song of undetermined origin, this is the quintessential song about migration and loss; with its odd strophic form and 19th-century sentiment, it borrows elements from Irish shanties and African-American blues.

4 more:

One O’Clock Jump: Count Basie and swing.

Born to Run: Rebels on wheels, a la the Boss.

Hound Dog: Elvis frees America all over again.

Swing Low, Sweet Chariot: The suffering of a people, caught in the throat.

—Richard Nilsen

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How to be an American