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The first photograph I have of myself is at 15 weeks old, being weighed. Those first moments of life are only measured in weeks. 

Then, in the first year or so after we are born, our age is normally given in months. “He is 10 months old,” or “18 months.” We don’t usually start counting years until after the age of two. Then, it is a year-by-year thing. 

Perhaps there is, when very young, a tendency to split years in half, so that one might claim to be “two-and-a-half years old,” but that soon changes. It would sound very odd for some freshman in high school to say he was “12-and-a-half years old.” Or worse, later on on a job application to claim to be “23-and-a-half years old.” 

So, from three on, we tend to measure our lives in whole years. One is five, or twelve or 18. The last year, though, that gets its own frame, is probably 21, a year with a certain magic ring to it, as if, “Now I am officially an adult.” 

And so, the 20s slip by and the next major milestone is 30, then 40, and 50 and 60. As adults, we think in decades. “I’m in my 40s,” or “My 60s.” 

To go along with that, of course, there is the accelerated sense of time, so the decade becomes a reasonable yardstick for age. The difference between 32 and 33 is basically meaningless. Not like the difference between being four years old, and being five and first heading off to kindergarten. 

And so, the measurement of time goes from months to years to decades. And the psychological perception of time passing changes, too, and so summer vacation after you were in second grade was an endless horizon of infinite time — at least until you were trundled off to third grade. 

So, the years become the milestones, then the decades. When we are young, the day can seem forever, with all that daylight after school to go out into the yard and play until dinnertime. But this diurnal spinning speeds up, so that when you are become a grandparent, the sun circles  across the sky like the dizzy spinning an airplane propeller. 

But there is another stage in this time-perception shift. I just turned 75. Three-quarters of a century. And I look back and see my time on this planet divided into chunks of 25 years — quarters of a century. I have now completed the first three chunks, with no promise — even likelihood — that I will see another quarter-century. And I look back and see a very different landscape in the rear-view mirror, one divided into segments of a century — the unit of a hundred years now seems the yardstick to use. 

Bits of a century: Me, in Lion King pose, at roughly 20, 50, and 75

I was born just after the world war ended. The Korean War happened mostly before I was old enough to go to school. The Kennedy assassination was the present I lived through, before it became current events, and later a chapter in a history book (and by now, probably a paragraph). It is fading into a past that has gobbled up most of my life. 

There is a through-line from the earliest memory to the moment I am typing this. Parts, of course, have faded and other parts no doubt given unearned importance, but that skein of fabric runs continuous, but in longer and longer segments, and so, now, 25 years seems a meaningful chunk. 

Five generations: Great grandmother, grandmother, mother, wife and son

But I can also sense the longer sway of time. Now that I have lived 75 years, I can easily imagine the quarters-of-a-century before my birth, back to my father’s birth in 1919 or my great grandmother, Anna-Gurine Kristiansen, who was born in Norway in 1871. I knew my mother’s grandmother, Aase Aagesdatter, born in the Old Country in 1879 and lived until I was 30 years old, when I was still counting by decades. 

And I can see my granddaughters, born at the turn of the newest century and now entering the decade-by-decade portion of their lives, and see that time spreading out ahead of them well after I am gone. And so, perhaps even centuries are not long enough to gather it all in. 

In Ancient Rome an age — a saeculum — often translated as a “century,” was measured from the birth of your parents to the death of your children after you. It averaged perhaps 110 years, but was left indefinite. That was a meaningful container for time to be understood. My father, born in 1919, me in 1948, my daughter in 1963 and her twin daughters in 2001. That age will end when they grow old and look to the future of the children they might have. 

When I was young, the present moment was the fulcrum of time, leaving the past to the past and the future to obscurity. But now, having lived through my portion of a century, I sense no pivot point, just a continuum, in saecula saeculorum, from back before any memory and ahead past any speculation.  

I am 74 years old and it is fall again. Again. There are a countable number of them left for me, a fact of which I am daily aware. It will soon be winter.

It is the middle of October and the leaves in Rockingham County, N.C., are falling like snow all day and clotting the ground; the woods around the house are turning brilliant colors. It is something I’ve seen 74 times and each cycle around it seems more beautiful and more precious. 

Fall color can be reduced to mere postcard cliche. We drive the highway and look for the yellows of oak and the reds of maple and see them gleam in sunlight and think, Oh how pretty. 

That is the view from the car window; it is too far away to see the leaves clearly — just broad patches of attractive color. I am not saying that view is a lie. It is beautiful and we should enjoy it if we take a weekend drive into the mountains to see the hues. We enjoy what it is given to our age and awareness to see. 

But at 74, I walk out into the grounds behind the house and pick up one of those expired chlorophyll factories, wet and matted from under my feet and what I see is very different. Not less beautiful, but much less pretty. 

The dead leaf is ribbed and spotted, with holes eaten through, worn at the edges. Patches of dun yellow, raw red and sometimes so dark in maroon as to be almost black. Few leaves fall in a perfect and whole shape. Most have been damaged, mostly by time, bit by bugs. They are curled and sere. 

The highway view of the fall is a generalized one, the close up is individual, almost personal. The highway view is the short story; the individual is the novel — a great Tolstoyian or Dostoevskian epic. It is a constellation of detail. Like a great abstract painting, you can gaze at it and see a palimpsest of accretion, of time having its way, of decay not as the loss, but rather as a build-up of detail, each on top of the other. A Pollock able to reward the look at any detail pulled from the whole. 

We are all sitting on the patio in the back yard, with woods acres deep behind and the sweetgum tree has covered the deck. While we talk, I pick up one and feel its roughened surface, its crisp desiccation, but mostly its bruised and patterned color. 

And I recognize myself in them, now that I am old. My skin is also sere and crisped. It has its mottling and discoloration. The sheen of youth is  rasped away. This is not a lament, but a recognition. Surely there are recompenses for the years’ brutality. 

Primary among them is an equanimity. Motes that seemed essential are washed away; acceptance promotes forgiveness; the need to advance in the world vanishes. 

And, perhaps most important, I find beauty in things that, when I was younger, I could not recognize, or found ugly. After such long experience on earth, I look for different things — very different from when I was young and ignorant. Now I am aged and ignorant, but have learned to see things with a wider eye. 

So those failing leaves speak to me of a profound beauty. A beauty of mortality. Of multiplicity, of profuse accretion — of time as a building up of one thing on top of another, a layering of meaning. A depth. 

I don’t know if this will be my last fall season. I could live another 20 years, although no reasonable actuary would advise placing a bet. I do know that it forces me to appreciate the worn leaf and see its innate glory.

Click on any image to enlarge

I am old, Father William, I am old. I wear the bottoms of my trousers rolled. And I’m not kidding: I am sitting at my keyboard and there are wide cuffs on my dungarees. I have shrunk. I am only minimally shorter than I was when I was young, but I have settled, like an old house. I have been crawling around on this earth for 72 years. 

Two days ago, the maple tree in the front yard was a deep forest green. Today, half its leaves are yellow and orange. I don’t know if this will be my last fall, but certainly the number of them ahead is dwarfed by the number behind.

It has always been my favorite season, although I lost 25 of them by living in the desert, where fall is really just a period of about 17-and-a-half minutes between the thermometer at or above 100F and the moderating drop to about 80. In Arizona, it skulks by almost unnoticed. Winter is the great season in Arizona. 

I grew up in the Northeast, where fall has a special character, with nippy, dry October days and a sun getting lower in the sky, which makes the leaf color all the more ruddy and the shadows more deeply lined. Leaves raked into piles for kids to jump into. A skim of ice on ponds in the early morning. 

Now, I am in the North Carolina mountains and this time of year, the Blue Ridge Parkway begins to feel like the 101 in Los Angeles, clogged with cars, their inhabitants seeking the perfect fall-color experience. 

In most of my past years, what I noticed about fall was the color. It wasn’t always as postcard-perfect as the New England autumn of The Trouble With Harry, but then, in Hitchcock’s movie, they had to paint the leaves orange (they shot the film in summer). Still, that is the mental image most of us have of the season. 

But the calendar-picture image of fall is too pretty, like peonies or dahlias. I am not moved. They belong on postcards with names like “Autumn Paintbox” and “New England Rhapsody.” The very word “autumn” is too Latinate. It reeks of literature. It traces its etymological roots back to Proto-Indo-European words meaning “cold” and “dry.” In plain-spoken North America, we prefer to call the transforming season simply “fall.” It is the leaves that fall, after all. 

It is much as I love weeds and dislike flower gardens. The gardens are too prissy. Perhaps they smile in bright reds and yellows, but their smiles are unearned. But weeds at the side of the road have strained and labored and live without permission. They are ungoverned and profuse: The force that through the green fuse drives — weeds. 

Gardens are planted in rows, people march in columns, books are alphabetized, plants are given phylum and genus, but any idea of order in this profuse world is a fiction.

There is a rankness to the weeds that I love. If you need a demonstration of the difference between the pretty and the beautiful, it is there beside the roadways, the Joe-Pye weed, the ironweed, the asters, the thistles, goldenrod, cow-itch, cockle burrs, pokeweed, teasel. Most distinguished by their textures and scratchiness. You can feel them on your skin. “I am mad for it to be in contact with me.”

Now that I am old, with liver spots and wrinkles, it is not the color of fall so much as its texture that appeals to me. The leaves spot and crinkle, curl at the edges and almost rattle as you walk through them as they collect on the walkway. I recognize myself. 

The inner world and the outer come to match. We have inner weather, and we have an interior climate as well. At the extreme it is Lear’s “cataracts and hurricanoes,” and it is my own sense of the textural maculation of my old age: Those blackened spots and browned edges are my own. 

I cannot distinguish between my projection of myself on the world, and that world’s identification in me. It is all one. And the shrinking leaves are verse and chorus. 

And so I look with a burning concentration at the sere and weakened leaves with an intensity brought by my own awareness of how few recurrences of the season I will get to witness. They are all the more beautiful for that. 

Some people have a bucket list — of extraordinary experiences they would like to have before the final extraordinary experience. My bucket, however is already full, in fact, it runneth over. 

It is probably much the same for most people. By the time you reach the age of 70, you can look back on a lifetime of extraordinary and satisfying adventures. Perhaps you have not swum the Hellespont like Leander or Lord Byron, nor circled the globe in 72 days, like Nelly Bly, but there are no doubt things you have done that brought your own life to its full. 

I’ve seen the Rhine at night in Dusseldorf; driven the length of the Mississippi River from Lake Itasca to the Gulf of Mexico; spent a snowy Christmas eating hot homemade cookies at the home of a Hopi friend in Walpi on First Mesa in Arizona; twice circumambulated Walden Pond in Concord, Mass.; and been charged by a bear in the Great Smoky Mountains of North Carolina.

I was an idiot — I took the picture

I see birthday number 71 coming up next week and realize that translates to 852 months, 3702 weeks or nearly  26,000 days. They have gone by very quickly, picking up speed as they progress, like a train leaving the station. They are now barreling along at the speed of an express. 

Cape of Good Hope, South Africa

From the rear of that train, I can look back and say I have seen the Cape of Good Hope in South Africa; the menhirs of Brittany; seen Wagner’s complete Ring Cycle live twice; made love surreptitiously in the North Carolina legislature building. 

Menhirs at Carnac, Brittany

I’ve seen the Atlantic and Pacific, but also the Indian Ocean, the Mediterranean, the North Sea, the Sea of Cortez and Hudson Bay — my personal seven seas. I have crossed the Atlantic on an ocean liner. They don’t really have those anymore.

Mediterranean Sea

I have done other things that now seem quaint and ancient. I have twice crossed the continent on trains, once from North Carolina to New York on the Southern Crescent, from New York to Chicago on the Twentieth Century Limited, and then from Chicago to Seattle on the Empire Builder. Amtrak never had the cache of those earlier routes. 

Years later, under the shrunken Amtrak banner, I took the Sunset Limited from Los Angeles to Miami. 

Each of these things is stamped and notarized in my cerebral cortex.

Given the sum of those years, it is hardly surprising that so many things were seen, done, felt, tasted, smelled, heard. You turn the pages of the book one by one, and sooner than you realize, you are on page 852 and something has happened on every page. 

Chartres cathedral

Been to Chartres four times; and to Notre Dame de Paris half a dozen times; to Mont St. Michel; and to Reims, where French kings were crowned; and climbed the bell tower (illegally) at the National Cathedral in Washington; and descended the kivas at Chaco Canyon and Mesa Verde. 

Kiva, Mesa Verde National Park, Colorado

Been to 14 countries, including Norway and Namibia. Been to all 48 contiguous United States and all Canadian provinces except Prince Edward Island, and to the Yukon Territory. Alaska made 49 states (still haven’t been to Hawaii).

Omaha Beach, Normandy

Been to Lascaux and to Font de Gaume to see prehistoric cave paintings; been to the Normandy beaches of D-Day; to the shell craters still visible at Verdun; to all the major Civil War battle sites, and across the Old North Bridge. Stood on the piazza that Herman Melville built at Arrowhead, his home in Pittsfield, Mass. with its view of Mount Greylock (“Charlemagne among his peers”). 

Mt. Greylock, from Melville’s piazza

Three times I have walked Monet’s gardens at Giverny and seen the great waterlily murals at the Orangerie in Paris.

Giverny, France

I have ridden a horse into Canyon de Chelly in Arizona and paddled a canoe down the white water of the Mayo River in North Carolina (admittedly, not a scary rapids). 

Once, I stood at the top of the raging Linville Falls in the Blue Ridge and stupidly jumped across the cataract, rock to rock, to get to the other side of the river. I’ve also climbed to the top of Pilot Mountain in the Sauratown Mountains of Surry County, N.C. (a climb that is now illegal). 

Linville Falls, N.C.

Hiked a fair portion of the Appalachian Trail; camped in the Canadian Rockies; and 65 miles from the nearest paved road on the north rim of the Grand Canyon. Been to the telescopes at Mt. Wilson, Mt. Palomar and the Lowell Observatory in Flagstaff and the Kitt Peak observatories southwest of Tucson. 

 When I hear Hank Snow singing “I been everywhere, man,” I count the place names as they tick off and check them on my own list. “Reno, Chicago, Fargo, Minnesota, Buffalo, Toronto, Winslow, Sarasota…” Yes, yes, yes, check, check, check.

And Bobby Troup singing “Don’t forget Winona,” well, yes, been there many times. 

Glacier Bay, Alaska

But it isn’t just geography. There are cultural touchstones I count, experiences that have breathed oxygen into my soul. Not only Wagner, but also I heard Lenny Bernstein conduct La Mer with the NY Phil; heard Emil Gilels live at the Brooklyn Academy of Music; heard Maurizio Pollini play all the Chopin Preludes, Stravinsky’s Three Movements from Petrushka, and the Prokofiev Seventh Sonata. I heard Jeremy Denk play Ives’ Concord Sonata and Beethoven’s Hammerklavier in the same recital: That is like climbing Everest and Mont Blanc on the same day. Itzhak Perlman play the Strauss violin sonata — and made it seem like one of the most important sonatas ever. That was magic. Heard the Matthew Passion live twice and Haydn’s Creation. And, of course, twice heard Yo-Yo Ma perform all six Bach suites in a single program. 

I’ve seen a dozen Balanchine ballets with live orchestra, including my favorite, Apollo, five times, once by the NY City Ballet at the Palais Garnier in Paris. 

I’ve seen the full Angels in America four times through, including its original Broadway production. 

Remnants of shell craters, Verdun, France

These are all gifts, and made my life ever richer, and informed my growth, emotional and intellectual. I can say, they made me a better human being. 

I can’t count the art shows and museums I’ve visited that gave me rare treasures. The first I can remember was in high school when I went to the Museum of Modern Art in 1966 to see “Turner: Imagination and Reality.” It yanked the rudder of my craft and steered my life in a new direction. 

“Blue Poles,” Jackson Pollock

I also grew up with Picasso’s Guernica. I visited it over and over and never expected it would leave me for a new home in Spain. But in return, I never thought I’d get to see Jackson Pollock’s Blue Poles, which had been sold to Australia; it came to New York in 1998 for the big Pollock retrospective at MoMA. 

I cannot mention everything. The list is already grown tedious and begins to sound like bragging. I don’t mean that: I believe a similar list can be put together for almost everyone, although it will likely be very different from mine. Not everyone has eaten grilled mopane worms or drunk spit-fermented Zulu beer. Or needs to. 

But we can all say, after a long life, full of boons and banes, joys and privations, evils we have done, and those we have suffered, the loves we have failed at and those that stuck and nourished our lives, “We have heard the chimes at midnight, Master Shallow.”

It is a gray rainy day, cold and damp. I am standing at the glass door looking out. I am 70 years old. Yes, that is relevant.

Leaves on the ground, bare trees like leading against the sky, hands on the edge of being numb by the cold. I have my camera and decide to make photographs from where I stand behind the door. How many different images can I frame without moving my feet?

Each of the captures bears the weight of meaning. The leaves are dry, curled and brown. Some make patterns, but most are merely random scatterings. There is no avoiding the match between the internal and external worlds.

I am alone in the world. A lifetime of experience has built up a complex web of neurons in my brain, like interwoven roots. Those connections, alive with electricity, hold seven decades of memory, learning, disappointment, fears, joys and, perhaps more than anything, language. It is the means through which I most interact with the world.

Or so it seems. Yet, it is also imagery that carries meaning. I have been speaking since I was a toddler, reading since before kindergarten, but I didn’t begin making images until I was out of college. I don’t mean snapshots, but consciously trying to find visual analogs of emotional and mental states. Images as art, if that is not too fancy a word.

So, again, through the window, I see the tangle of vines that are axons and dendrites. I see the crisped leaves wet on the ground, their lives and usefulness complete. I see the trees as nudes against the colorless sky, a black-and-white photograph even while in full color. Naked we come into the world; naked we leave it.

The vines are not just a projection of brain-tangle. They are also the way I have come to understand the narrative of my existence. Once, it may have seemed like a simple story line — a plot with beginning, middle and an upcoming end. But the longer I live, the more the plot becomes muddied, clouded, balled like tangled yarn. What was linear becomes a Pollock painting. Where does my remembrance intersect with yours? Where does it knot, where disengage? We met once; which of us recalls? Or perhaps we didn’t.

There is more ahead. I write this as I perhaps begin a new adventure.

Many years ago, when I was still a student at Guilford College in North Carolina, my Classics professor was one of those friendly, inviting pedagogues who invited students to their homes for dinner or conversation. And one of the things she said at the time that has stuck with me is the idea that we all have some “ideal” age we always remain.

It might be an age we have not yet attained, or one we left behind long ago. She said that although she was then in her late 30s, that she had always felt 25. It was her internal age, the age at which she thought of herself. She said back then that even when she was in high school, she thought of herself as 25.

She is now 88. I met her again recently, but I forgot to ask if she still feels the same. From other things she mentioned, I take it she does.

My wife always said she thought of herself as her nine-year-old self. She always maintained that openness to the world that she had at nine.

I have had a different experience. I cannot find an “ideal” age. That is because I can’t think of my mind as having any age at all. I am not philosophically a dualist. I don’t believe my brain is separate from my body; I believe my body generates my mind. But while my body bumps through time, my mind sails on frictionless.

I recently wrote about this concept of “self” for my other gig, a monthly essay I write for The Spirit of the Senses, in Phoenix, Ariz. (link here).

Last month, I turned 70, but my brain doesn’t feel any older. It isn’t that my brain feels young, but rather that mind exists in a consciousness that takes no note of age: It simply exists. My mind feels no different now from when I was young, except perhaps a bit more full (sometimes I feel like I need a metaphysical Bromo), but it is aware that it occupies a body that is losing its vitality, whose knees hurt, whose eyes are rheumy and whose hams are weak.

Several people have asked if 70 feels any different than other bookending birthdays.

Oddly, yes, 70 does feel different from 69. I don’t know why. The only two odometer clicks that have had any meaning are first, when I turned 21 and believed against all evidence that I was genuinely a “grown-up” — I could drink, vote, sign contracts, and brag — and second, a month ago, when I turned 70.

When a car’s odometer flips from 69,999 to 70,000, it can happen on a trip to the grocery store. It is that meaningless. The car knows no difference. On Jan. 11, I was a mere 69; a day later, I was Methuselah. The flow of time is steady, but our clocking of it comes in ticks. That most recent tick was loud.

The fraction through which I see my lifespan has flipped upside down: The numerator is now the denominator. In other words when I was 20, I was one-fourth of my allotted life expectancy — a 1 to 3 ratio — and now seven-eighths of that time — a ratio flipped to 7 to 1. The numbers are hard against me.

I can count a number of people my age who aren’t my age anymore because they stopped aging. Others are in the process of winding down to the final broken watchspring. It’s one of the universal experiences of getting old: reading the obituaries of those you have known, those you have cared about. I keep losing context.

All this is psycho-mological,  because, except for the weakness of hams, I’m in relatively good health, and I was handed decently good genes. But 7 to 1. The math is solid.

So, pace Professor Deagon, pace dear Carole, I do not feel mentally 25 or mentally 9. I feel physically 70: the same a-chronological mind in an unquestioningly aging heap of meat.

carole-at-okiedokies

Next week, my wife reaches a milestone; not one with a round number, but perhaps more significant: She fills 75 percent of the century-long container she was born into. She has passed her “three score years and ten” by five.

While she is hampered by a dozen ailments requiring enough medicine to count each morning as a full breakfast, none is immediately life threatening.

But it started me thinking about those traditional milestones we set for ourselves. There are annual birthdays that we count off, but really, is there that much difference between being 32 and being 33? So, there are longer stretches that actually count out time that feels significant. For many, watching the odometer turn over from 29 to 30, or from 39 to 40 is accompanied by an unwelcome breakfast of existential angst.

“Am I really getting old?”passages-cover

Gail Sheehy wrote a famous book about the changes we go through as we grow. But Passages is more about the psychology of such changes. What I’m talking about are the arbitrary milestones. In Sheehy’s book, the lifestages are sequent, but not hardwired to a specific age, but a likely decade — your 20s or your 30s. What I am looking at here are not the stages themselves, but the signposts that we recognize as they pass.

For me, this starts with age five, when we first leave home daily to attend kindergarten. It is a great wrench in our lives, and we are no longer always safe in our nests, cared and fed by an attentive mom.

bar-mitzvahThe next big one is when we turn thirteen. Eleven and twelve are technically “teens,” but only when we hit thirteen does it seem to count, perhaps because the syllable “teen” is explicit. On your thirteenth birthday, you proudly consider yourself no longer a child, but an adult, or at least and adult manqué. “Today, I am a man,” goes the rite of the bar mitzvah, along with the gift of a fountain pen.

Houston quinceaneras photography. Photography for quinceaneras. Fotos y videos para quinceaneras.Next up is a bifurcation of genders. Girls have their “sweet sixteen” party, or, if Latina, their quinceañera, marking their fifteenth or sixteenth birthday. In the past, this advertised their marketability as brides, although nowadays, when people marry later, it is a vestigial celebration of “coming out” as a wearer of party dresses.

For boys, sixteen goes by unannounced. When I was growing up, boys had their counterpart at 18, when they signed up for their Selective Service card, marking their eligibility for the military draft. Then, it was accompanied by a deep hard swallow and a nervous smile waiting for a letter from the draft board. Nowadays, without an actual draft, registration is largely a formality.

For boys and girls, there is the age of the learner’s permit for driving, but this varies widely from state to state, beginning usually at fifteen, but for some not till eighteen. Northern states tend to a later age, Southern states tend to let their bairn get behind the wheel much younger.

Eighteen also marks the official “age of consent,” demarking the legality of sex. This is currently an age more honored in the breech than in the observance. It is also voting age, also honored more in the breech.

For most states, eighteen is also the age of legal majority, save Mississippi, where you still must reach twenty-one.

free-white-and-21-2Twenty-one used to be the standard bar for majority, when you become legally responsible. In less enlightened ages it was accompanied by the boast of being “free, white and twenty-one.” Now it is primarily the age at which it becomes legal to get drunk. It is the signal irony that just at the moment the person in question finally declares him- or herself a grownup, he (or she) is most likely to do the most immature thing imaginable.

Most of these age signposts seem front-loaded into growing up. After that, they become more spaced out over time. For some, turning thirty is a hazard, for others, it hits turning forty; it is the moment you realize you will never be young again, that the responsibility of adulthood, family, career and citizenship have replaced dating, playing and experimental sex. Sobriety hits, and it isn’t always fun.

Fifty is a quiet marker; most people find they are relatively happy at that age. There is, perhaps, more satisfaction at having reached the half-century mark than unease at getting on in years. Most of us, at fifty, are still vital and energetic, and we have the added benefit of all that accrued experience.

(When I was young, I calculated how old I would be at the turn of the millennium and realized I would be fifty-two, and I was daunted because I really didn’t believe it likely I would live that long. When it actually happened, it almost snuck up on me. I was hardly aware I was over fifty.)

social-security-cardSixty is stealthy, because it comes and goes hardly noticed because one’s eyes are firmly on the big sign ahead: sixty-five and the finality of retirement. They keep moving the finish line on us, upping the age for Social Security, but sixty-five is so deeply entrenched in our collective psyches, that the subsequent years just seem like a tiny hesitation. george-burns

The round numbers seem less meaningful than the fivers. Seventy-five is three quarters of a century and an accomplishment more than merely a signpost. Beyond that, the years seem less important than the life put into them. Currently the average life expectancy for American men is seventy-seven and for women, just under eighty-two. Past that, the only one that really counts is the even hundred. The George Burns point. Beyond that, you begin to count every years once again, just as you did as an infant.