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I got a call from Stuart last night. We don’t see each other in person as much as we used to, partly because of the virus, but mostly because we are old and long drives or flights are really hard on the knees. 

“I read your piece on threes,” he said (link here), “and I had a realization. In the past, you’ve written a lot about how we are all really two people — the public person, who is just one of seven billion others and of no real significance in the big scheme of things; and the interior person, who is the hero of our own story, and therefore central in existence.”

“Yes,” I said.

“And so, that is one more binary system, like hot and cold, or tall and short, or inside and outside. Our brains seem to like to divide things into pairs of opposites. Even though, as you say, hot and cold or tall and short  are really just the same thing, relative to each other.”

“Yes, that old, who is the shortest giant or the tallest dwarf. The sunspot is a cold spot on the sun, but it is still thousands of degrees Fahrenheit.”

“I think what you said was there’s the burning end of a cigar, and the cold end, but there’s really only one cigar.”

“Yes,” I acknowledged that I once said something of the sort — my gloss on the Tao. 

“But, I realized the experience of being alive can equally be seen as  made up of three parts,” Stuart said. “The experience, I say — the way we experience our lives.

“In the old days,” he continued, “we would call those three things ‘Man,’ ‘Nature,’ and ‘Soul,’ but those terms are freighted with religion and gender bias. I don’t like them. So, instead, I call them ‘humankind,’ ‘the universe,’ and  ‘the psyche.’ These three elements encompass our experience.”

“And ‘Nature’ conjures up too much flowers and trees and birds and bees,” I said. “It’s a term too cuddly for what you mean here, right?”

“Absolutely. I mean something closer to what Werner Herzog says about nature — the indifferent violence and coldness of the cosmos. 

“Let me take them one at a time,” Stuart said. “What I’m labeling as ‘Humankind’ is the societal and political mix, the way we fit into the ordering of the welter of human population. It includes such things as relationships — father and son, husband and wife, pastor and congregation, lord and serf, American and foreigner, really all of them you can name. It is what is between people. 

“This is essentially the same as your ‘just one of seven billion’ and is the public part of our existence. We are taxpayers, we are Catholics (or atheists), we are Tarheels or Mainers, we are children or senior citizens, Tory or Labor — “

“You’re getting kind of binary on me,” I said. 

“Sorry, I didn’t mean to. But these are all those interpersonal roles we have to play out daily and throughout our lives. 

“And none of any of this does the universe care a fig about. The universe is vast and operates on its own schedule and according to its own rules, none of which consider our human needs or desires. It is the universe that throws the dice as to whether we are born male or female; it is the universe that makes us work in the day and sleep at night; the universe that ends our life when it will. We think we have so much control, but in reality, we are able to nudge the universe only infinitesimally this way or that. In the last degree, the universe will do whatever it does. We don’t count.”

“It is the universe that took my Carole away from me five years ago. I had no choice.”

“Exactly,” Stuart said. “It’s something we just have to live with. The universe is an essential part of our experience of being alive and we accommodate to it. It makes no accommodation to us. 

“Then, there is the inner life we lead, as important as the other two, perhaps more important. It is not only the sense of ourselves as ourselves, but also, all the unconscious trash that we have to deal with that’s buried in the braincase, like superstition, hard-wired evolutionary neuronal structuring, the forgotten traumas of childhood that govern our choices in ways we’ll never know about, even that drive to see the world in patterns, patterns which may or may not actually be there.”

“Like constellations in the night sky,” I said. 

“Our brains force us to find patterns, it’s all part of the psyche.”

“But isn’t there some overlap in your system?” I asked. “You say, for instance, that family relationships are part of the ‘humankind’ portion of experience, but isn’t family also an archetype, a part of the built-in wiring of the psyche?” 

“In the terms I’m speaking of, I’m considering these as two separate things: the public understanding of family as a civic unit on one side; and the archetype of family as a mythic unit on the other. They may share a name, but they are very different things. There are quite a few examples of ideas that are seen differently through one of these three different lenses. There are even those who believe ‘family’ is a universal truth, although we know historically, families are constituted differently at different times in different cultures. 

“I expect you could look at most things through one of these different lenses and find quite different results. Even the ‘individual’ has a political significance that is different from its psychic significance. To say nothing of its insignificance in the wider universe.”

“But there is a significance to the universal individual,” I said. “It is the ancient problem of the one and the many. The universe may be infinite, but it is still made up of individual parts, be they people, planets, muons or quarks. Each may be observed separated from the matrix.” 

“I’m seeing it all through the psychic lens,” Stuart said. “And not through the objective lens of science. I’m talking about our experience of being alive. And looking up at the starry night sky can be understood through each of these lenses. As a societal matter, you are an astronomer in your social role, or you are a dreamer wasting time. Through the universal lens, you are an utterly insignificant speck of organic dust …”

“Or, you are the universe looking at itself.”

“Perhaps. But through the psychic lens, you are the center of the universe, and it all revolves around you, certainly out of your reach, but the psychic center of the universe is yourself — each of us his or her own center.”

“And you are knocked out of your ego-centered reverie, when you get a jury summons, throwing you back into the social web,” I said. “Or getting a traffic ticket, or punching in at work.”

“And getting knocked from that reverie when the universe sends you the message that arthritis is chaining up your knuckles, or that your once-new car is rusting out in its undercarriage.

“None of these three lenses is sufficient. We need them all out in our full selfhood, but they are each there, nonetheless, and can be teased out and thought about separately. I think a healthy personality keeps them all in balance. A juggling act.”

We talked about many other things, we usually do. It went on for about an hour. But this was the gist of the phone call, what I thought might be interesting to share. I miss Stuart and Genevieve in person. We had such good times. Isolation is not good. A curse on the universe for making us get old and for giving us viruses. 

“I’ve been thinking a lot about evil,” said Stuart. Stuart is now 74 and he’s been with Genevieve for a good seven years now. “Lucky seven,” he calls it. We met again on a visit to New York, and were walking down Ninth Avenue on our way to Lincoln Center. Genevieve was playing there in a pick-up orchestra in a program of all new music by Juilliard students. 

“Well, not evil so much as how we personify evil.”

I guessed he was talking about images of Satan and devils. 

“Yes, there’s Satan,” he said. “And how we picture him keeps changing. In the Middle Ages, he was a monster with goat horns and a second face where his genitals should be. 

“To Dante, he was a giant with bat wings. 

“To Milton, he was a glorious angel who had lost little of his heroic luster. In popular culture, he was an opera villain dressed in red. He had tiny pointed horns and a pitchfork. 

“To modern movie audiences, he’s now a slick hedge-fund manager. 

“The less visually imaginative have a non-personal sense of evil as a force in the cosmos something like gravity — pervasive but not individualized. They feel they have escaped the primitive urge to apostrophize nature. 

“But what interests me isn’t just his appearance, but his character. Satan isn’t a single person, but a range of fictional stereotypes — maybe archetypes. There are probably dozens of Satans, hundreds if you want to count the demons and djinn of other cultures. But they all boil down to what I think are five mega-types. I figure there are five possible motivations for Satan. First, he is a sociopath and has no concern for his effects on the world, no empathy, no compassion — hollow and empty. We’ve seen what happens when a malignant narcissist is given power. His only concern is for himself. 

“Then, he is often seen as a trickster, a Loki, who gets his kicks from knocking the hats off of policemen. His role in the universe is the revivifying power of chaos, without which the world would be a stale and boring place, where nothing interesting ever happens. The side-effect of this is necessarily going to impact some people rather badly. William Blake seems to have seen Satan as this sort of being: a creator through destruction.

“More popular is Satan the con man and seducer, the profferer of the Faustian bargain, the little voice that says, ‘give in to the desire,’ the tempter of Jesus, the snake-oil salesman who knows his potion is either useless or poison. His pleasure is in knowing he is more clever than you, and hence, this Satan is motivated, in part, by vanity. 

“A small portion of theologists envision Satan as the right hand of god, without whom god would not be possible. If there is no evil, there is no good to play against it. God and Satan are coeval, co-existent and co-dependent. This is the Gnostic Satan, as important as Jehovah.  

“Finally, there is evil as ignorance. If we knew better, we’d behave better. For this point of view, Satan does not actually exist, but only our own failure to understand. We do evil because we are blind, stumbling about in the moral darkness. 

“Of course, I don’t believe any of this,” Stuart says. “It’s all just mythology. But myth is interesting. We always seem to better understand through story than through logical argument.”

I couldn’t help but notice the irony. But Stuart went on.

“I had a dream the other night, which set me off into a different direction,” he said. “In it, evil was a machine, not a person. I figured that in a Cartesian universe, a mechanistic and scientific world, evil might well follow laws of nature very like something Isaac Newton might have formulated. Such a conception would require a mechanistic mythology. And so, I tried to imagine a Satan-machine. 

“Like all mythologies, it would have to be built on the things of daily life, what we come into contact with. These are the things that color our imaginations. And so the evil machine of the 18th century wold be all gears and pulleys, spritzing steam and clanking along. Blake’s “dark Satanic mills.” 

In the 1950s, the machine would be blinking lights and spinning magnetic-tape reels. 

In 2000, it would be read-out screens and buttons to press.”

“And now?” I asked.

“Now, I think Satan would be a visually inert silicon chip, perhaps the size of George Lucas’ Death Star, working silently and invisibly to our destruction. 

“There is an impersonality to our scientific conception of the cosmos and its creation, and so, my idea of evil should reflect that, and our Satan would be technological. The evil is still there, and it has an origin, but the origin is not shaped in any way like a human being, no arms, no legs, or eyes or tongue stuck out like Gene Simmons’ or the Hindu goddess Kali. No, I am ready for a machine to be the source of all bane and baleful action.”

“OK,” I said. “But machines are manufactured. Who made this Satan-machine? Are we not right back with the proof of god by design? Is there a God in a lab coat who tinkered with silicon until he came up with this machine?”

“Hmm.” Stuart looked thoughtful. “No, it would have to be a writer. I’m imagining Douglas Adams,” he said. 

“I’ve been thinking about numbers.” Stuart poked his fork into a pile of pasta in front of him and twirled. 

“Mostly, we think of numbers in terms of mathematics,” he said. “Or arithmetic. All very abstract. But I’m looking at them in terms of the humanities.”

Genevieve had spent the afternoon cooking up a Pasta all’Assassina, something she had just learned from YouTube. It piled up on our plates in small pyramids of spaghetti. 

“You know how there are these sequences of numbers in math? Like 2, 4, 8, 16, 32, 64, 128, 256 and so on. Or the Fibonacci Series: 1, 2, 3, 5, 8, 13 — you know. Logical sequences that seem to have some meaning outside mere math.”

“You mean like the spiral in a seashell or the arrangement of seeds in a sunflower…”

“Exactly. Well, these patterns, as patterns, are purely mathematical, in other words, they only exist in the Platonic ideal of mathematical thinking. I was looking for a sequence that made sense without arithmetic, that English majors could grasp at a gander.”

“And did you find one?” I asked.

“Absolutely. I considered the mythic or symbolic punch of numbers and came up with a sequence something like: 1, 2, 3, 4, 7, 9, 12, 21, 40, 42 — that’s kind of a ringer in this — 101, 1,001, one million, and finally, ‘billions and billions.’ That last, thanks to Carl Sagan.”

“If I understand you, these numbers carry significant weight in folktales, mythology, religion and popular culture. But don’t all numbers carry some kind of baggage? I mean, you left out eight from your list, but there is the Noble Eightfold Path of Buddhism.”

“You are right, most numbers have something, but my list considers only the big boys in the number-myth world. The ones that carry the heaviest weight. 

“One, of course, is the unity. It is the prime singularity out of which all else evolves or explodes, like in the Big Bang, or the One-True-God. Two is the duality of yin and yang, of pairs of opposites, of Yoruba twins, of Castor and Pollux, of the Navajo twins Monster-Slayer and Born-of-Water. Or of the salt and pepper shaker or even the right and left hands. Two is big in the Sequentia Stuartii. Yes, that’s what I’m calling it.” 

“Three is a quantum jump, though, I think,” I said. “Three is everywhere, from the Three Little Pigs to the Holy Trinity. Goldilocks and the Three Bears, in Greek mythology, the three Furies, Graces, and in Norse, the three Norns. In joke telling, there is the rule of threes, and in photography, we hear of the rule of thirds. Omni Gallia en tres partes divisi est.

“Yes, three is big,” said Stuart. “Four is a little smaller in the mix, but still, there are the four seasons and the four directions, the four Classic humors and elements, the Four Noble Truths of Buddhism…”

“The Four Horsemen of the Apocalypse. Let’s not forget my favorite. But I notice five and six don’t make your list.”

“Again, there are some references, but they thin out with five and six, and thus fly under my significance bar. Five has the pentagram, but most other associations are a bit more arcane, and therefore don’t have the currency of the big-number power. Six has what? Six sides to a die. Or if you want to go really esoteric, the Zoroastrian god Ahura Mazda has Six Immortal Holy Ones to attend him. I had to look that one up.

“Ah, but seven. Seven is king. It is the big kahuna of numbers. If I make a graph of number significance, seven is off the charts. The home run of numbers. Seven days in a week; seven seas; seven continents; seven hills of Rome; Seven Wonders of the Ancient World.”

“Seven Deadly Sins, again, let’s not forget my favorites.”

“And the Seven Cardinal Virtues,” said Stuart. “Seven planets in the Ptolemaic universe, seven notes in the diatonic scale. The seven liberal arts. Break a mirror and get seven years of bad luck.”

“And the number is so persuasive, someone decided there were seven colors in the rainbow. What is ‘indigo,’ after all, but just another blue. They added it so they could have seven colors.”

“God created the world in seven days. Six plus a day of rest. The Bible is full of sevens. Seven years of fat and seven of lean in the Pharaoh’s dream. Seven days of Passover. Seven year Jubilee cycle. Jericho was conquered on the seventh day after seven priests with seven trumpets marched around the city seven times. King David had seven elder brothers. After Elisha raised the child from the dead, the kid sneezed seven times. There are seven pillars in the House of Wisdom. 

“In the New Testament, seven demons are cast out of Mary Magdalene, seven loaves to feed the multitude in Mark and Matthew, the seven last words of Christ on the Cross. And Revelations is filthy with sevens. Seven golden lampstands, seven stars, seven torches of fire, seven seals, seven angels and their trumpets, seven last plagues, seven golden bowls, seven thunders, horns and eyes, diadems and kings.”

Genevieve had been mostly silent through all this, letting the boys blow their steam, but she joined in. “I was raised Catholic,” she said. “And I was brought up with seven sacraments, the Seven Joys of the Virgin and the Seven Sorrows of the Virgin, the Seven Gifts of the Holy Spirit. There were Seven Corporal and Seven Spiritual Acts of Mercy.”

“Sevens out the wazoo,” Stuart said. “And it isn’t just Christianity. There are seven chakras in Hinduism. And seven great saints, seven worlds in the universe and seven gurus. Agni, the fire god, has seven wives, seven mothers and seven sisters and can produce seven flames. The sun god has seven horses to pull his chariot. In the Rig Veda, there are seven parts of the world, seven seasons and seven heavenly fortresses. I could go on.”

And he does. 

“In Islam, there are seven heavens and seven hells. You make seven trips around the Kaaba. A baby is named on the seventh day of life. The seven sins of polytheism. 

“In the Baha’i faith the text is The Seven Valleys the soul traverses. It is the number of islands in Atlantis, the Seven Cities of Gold that the conquistadors searched for.”

“Gandhi had his list of the Seven Blunders of the World that cause violence,” said Genevieve. “Wealth without work, pleasure without conscience, knowledge without character, commerce without morality, science without humanity, religion without sacrifice, and — “

“I know this one,” said Stuart. “It’s in the news daily: politics without principle.” (And “men without shutting up,” thought Genevieve, but who was too polite to say it out loud.)

 

 “In China, there are the Seven Sages of the Bamboo Grove,” Stuart went on. “There are the seven lucky gods in Japanese mythology, and the seven-branched sword. The Buddha supposedly took seven steps at his birth. And believe, me, we’ve only scratched the surface of seven.”

“There are seven holes in the human head,” said Genevieve.

“And my favorite,” I said. I have a lot of favorites. “The seven directions. Some American Indian mythologies recognize seven: the four normal ones, plus up and down, and most importantly, the seventh direction — in. The inner world is one of the directions.”

“Let’s not forget The Seven Samurai and Bergman’s Seventh Seal,” I said. “Or Se7en.”

“Or Lina Wertmuller’s Seven Beauties, or Seven Brides for Seven Brothers. Or the 7 Faces of Dr. Lao.”

“Or The Magnificent Seven,” I said. “Or Seven Years in Tibet or Six Days and Seven Nights. Or The Seven Year Itch.”

It was becoming a contest. 

Return of the Secaucus Seven,” Stuart added. “And Snow White and the Seven Dwarfs. Seven Days in May. House of Seven Gables…”

The Seven Little Foys. The Seven Percent Solution. Seven Up! from Michael Apted’s Up series…”

“Stop it. Stop it now,” Genevieve said. “Boys,” she spit out, as a short summing up of an entire gender. 

“Eight pretty well disappears,” said Stuart, “but nine makes up for it. A stitch in time saves nine. Cloud nine is the ultimate in happiness. A cat has nine lives. Possession is nine points of the law. There are nine muses. The Norse god Odin hanged himself on the World Ash Tree for nine days to gain wisdom. In Christianity, there are nine fruits of the Holy Spirit. The Aztec and Mayan underworlds both had nine levels. Nine justices on the Supreme Court. Nine circles in Dante’s Hell. In J.R.R. Tolkien’s Middle-earth, there are nine rings of power given to nine ring-wraiths. Buddha had nine virtues.”

“There used to be nine planets,” I said. 

“Pregnancy lasts nine months,” said Genevieve.

“Nine players on a baseball team and nine innings in a game,” said Stuart. “And classical composers often had a superstition that their ninth symphony would be their last. Yes, nine is a pretty full number, contrasted with ten — the most bureaucratic of numbers. Yes, there are the Ten Commandments, but the number 10 is the least charismatic of numbers. It is the basis of the decimalization of the world. And you both know how I feel about that. Base 10 — Pfui.”

We both knew the antipathy Stuart harbored for metrification and the inhuman procrustification of the division of things into tens. Everyone familiar with Stuart knew. The next number in his sequence is 12.

“Twelve is a dozen,” he said. “It is 12 signs of the Zodiac, 12 hours of day and 12 of night. There were 12 disciples of Jesus and 12 tribes of Israel. Hercules had 12 labors. There are 12 Olympian Gods, 12 months in a year. Twelve notes in a dodecaphonic tone series. Twelve days of Christmas. Twelve jurors in a panel. Twelve knights of the Round Table. Twelve steps for Alcoholics Anonymous. Paradise Lost is in 12 books.”

“I can think of a bunch of movies with 12 in the titles: 12 Angry Men; Ocean’s  Twelve; 12 Monkeys; The Dirty Dozen; Cheaper by the Dozen; Twelve Years a Slave.”

“And Shakespeare’s Twelfth Night,” said Genevieve.

“Thirteen has plenty of mojo,” said Stuart, “but it is negative. Bad luck. There are at least three numbers with bad magic. Thirteen is one everyone knows. And 666 is the “mark of the beast.” And poor number 17 used to have no juice at all — one of the emptiest numbers, but now has quickly dropped from null to negative with the advent of Q. Nutjobs are going bananas every time they hear a number 17. 

“Then, there is 21, the points of blackjack and the minimum age to enter a casino and play blackjack. In many places, it’s the minimum age for a lot of things. The 21st Amendment ended prohibition, and when it did, you had to be 21 to buy hooch. Which you could do at the 21 Club in New York.”

“There are 21 guns in a 21-gun salute,” I said. “And the TV game show that was rigged, Twenty-One. There have been four movies with that name. Add up the dots on a die and you get 21. It’s the number of shillings in a guinea. Or was. 

“And according to Duncan McDougall in 1907, the human soul weighs 21 grams. I didn’t know they used metric back then.”

“Next is 40,” said Stuart. “It rained for 40 days and 40 nights. Christ spent 40 days in the wilderness. There are 40 Norse Valkyries and ‘Life begins at 40.’ Muhammad was 40 years old when he received his revelation. For Russians, the ghosts of the dead remain at the site of their deaths for 40 days. We listen to ‘Top 40’ radio stations. A short nap is ’40 winks.’ The number of Ali Baba’s thieves. ’40 acres and a mule.’ And the average work week, in hours.”

“I take it that 42 is in your list as a nod to Douglas Adams.”

“Absolutely. It is also Jackie Robinson’s uniform number, the number of lines in a page of the Gutenberg Bible, and the number on the back of the spider who bit Miles Morales, turning him into Spider-Man. It is also the number of the third most famous street in Manhattan (I give primacy to Wall Street and Broadway).

“A hundred is a useful number, but doesn’t carry much mythological weight,” Stuart continued. “But a hundred and one rises in power. It is the college course number of introduction. It is a book title more popular by far than ‘100.’ There are 101 Dalmations and the 101st Airborne Division is ‘the tip of the spear.’ There was a sappy recordings of the 101 Strings. Simon Bond’s 101 Uses for a Dead Cat. The George Orwell’s truly horrifying Room 101.” 

“Doesn’t that mean that 1984 is a number in your sequence?”

“Yes, I guess so. I hadn’t thought of it. My next number is 1,001. From the Thousand and One Nights of Scheherazade.  It is one of the 1001 Books You Must Read Before You Die. Buckminster Fuller called it a Scheherazade number in his book, Synergetics, meaning it is palindromic and a factor of any other Scheherazade number. But that is math, and my galoshes get stuck in the mud of math. Don’t ask me about it.” 

The number, million, said Stuart, used to have more meaning, when it was the largest number most people thought in terms of. Being a millionaire meant something back then. 

“But it still has some cache. In popular usage, a million means a lot. ‘You’re one in a million,’ ‘a million-dollar smile,’ ‘not in a million years,’ ‘a million-dollar question.’ And ‘I’d walk a million miles for one of your smiles.’ 

“The million has largely been replaced the the billion, ‘with a B.’ To be rich nowadays requires being a billionaire. Everett Dirksen reportedly observed, ‘A billion here, a billion there, and pretty soon you’re talking real money.’ Although he denied ever saying that, it was quoted in The New York Times in 1938. Also, Carl Sagan never actually said ‘Billions and billions,’ he did use it for the title of his last book. It was actually coined as a catchphrase on the Johnny Carson show. But the concept has now become a  name for a vague but large number, the Sagan. It joins other ‘indefinite hyperbolic numerals’ such as ‘gazillion’ ‘bazillion,’ and ‘umpteen.’ Since it is ‘billions’ plural and ‘billions’ plural, logically that would require that ‘billions and billions’ be at the very least four billion whatevers.”

At this point, Genevieve brought out the Ile Flottante and after we ate it, we sat at the table for a moment and looked at all the empty bowls and dishes. And the wine glasses calling out for refills. 

“We forgot the sequel, Guns of the Magnificent Seven,” said Stuart.

Stuart came up to me excited about a book he had just read, explaining an Asian philosophical system.

“It was written in the 16th Century,” he tells me. “By a Buddhist monk in southern China. It is a largely forgotten offshoot of Mahayana Buddhism, with a heavy dose of Taoism, a bit of Tantric Buddhism thrown in, and just a touch of Vedantic philosophy, although heavily filtered by Confucianism.”

“Sounds like quite a jumble,” I said. 

“Maybe, but it’s really interesting.” The things Stuart finds interesting is extensive, and doesn’t always translate. 

“It’s known as the ‘Way of the Seven Effluents,’ although it is sometimes called the Seven Exudations.”

“Seven?”

“Yes,” he says. “It’s always fun finding the way so many Asian religions, or philosophies like to number and count. Like so many Scholastic philosophers in the Middle Ages. They had the Seven Deadly Sins and the Nine Rings of Hell, but in India and China they counted up the Four Noble Truths, the Eightfold Path and the Five Ranks, The Four Invisibles, the Four Dharma Realms, the four Varnas and the thousands of numbered sub-castes, the Eight Immortals, the Four Moods of poetry and art.”

“It can get quite bizarre,” I said. “I remember reading the Kama Sutra when I was in college and it numbered all the possible coital positions, as if they had been catalogued by Linnaeus. We’re confusing several religions and philosophies here, of course — India, China, Tibet, Japan — but there does seem to be a shared cultural compulsion to count and divide.”

“It shows up everywhere,” Stuart said. “Like Lao-tzu wrote: ‘The five colors will blind sight; the five sounds will deafen; the five tastes will spoil the palate.’ Number, number, number. Have you ever tried to read any of the Upanishads? Lists and divisions. It can be overwhelming.

Well, Hsing Tao has his own list,” Stuart continued. “He lists the seven substances produced by humans which exit the body to enter the world. They each have a function for the proper ordering of the body and its organs, and a function in the larger world they enter.”

“These are actual things?” I asked. “Or are they like the subtle substances of Eastern philosophies, the seven chakras — real but not corporeal?”

“No, they are quite real, quite ordinary, really. Interesting you should mention the chakras, because there is some similarity with the effluents, although not strict. Actually, kind of vague.

“But they are — starting from the bottom of the body, quite literally —  feces, urine, semen, sweat, saliva, mucus and tears.”

“What about ear wax?” I said.

“Not a part of this system,” he said. I’m sure there are other possible exudations, but these are the seven.”

“So far, the thing that stands out is how male-centric this system is. It includes semen, but not milk. Does Hsing Tao not recognize the other half of humanity? And what about the monthlies? Do they not count as an ‘exudation’?”

“I’ll get to that. But it is true. Still you should remember that most thought systems worldwide either don’t take women into account at all, or place women in some lower position. Let’s not be so proud about ourselves. Did you see the recent study that showed that medical trials almost never take account of women’s bodies, but study only men, as if women were somehow aberrant. But Hsing Tao does make allowances for women. I’ll get to that in a moment.” 

“OK, please go on. Tell me about them.”

“Simply put, feces eliminate the waste of the body; urine keeps the body isostatic; semen is for reproduction; sweat regulates body temperature; saliva renders dry food digestible; mucus moistens the air we breathe; and tears regulate the pressure of internal emotions.”

“As opposed to external emotions?” 

Stuart was not put off by my sarcasm. “Yes,” he said. “Emotions, according to Hsing Tao, are a substance that can expand inside the body, rather like a full stomach, and when the pressure inside is too great, in times of great sorrow or joy, the pressure equalizes through weeping. It is really a very mechanistic philosophy, at least for an Asian system.

“It is a machine, sort of, which processes food into feces and the leftovers must be eliminated. But here is where the public functions of the exudations comes in: Collected ‘night soil’ fertilizes the crops for all of us.

“Hsing Tao is quite forward looking when it comes to pee. Most of us tend to think of kidneys cleaning the blood of toxins, but the most important renal function is to keep the water pressure inside our bodies even. For Hsing Tao, you drink to keep the body from drying out, and you urinate to keep things evened out, so the body does not become turgid. 

“Saliva turns solid food, with the help of the teeth, into semi-liquid chime that we swallow and digest. It is also used to solemnize oaths. This is something that seems to happen around the world in most cultures. We spit in our hands or spit on the ground to seal the deal or punctuate a curse. Thus, a public function for an otherwise personal substance.

“Mucus is a bit trickier. For Hsing Tao, it moistens air so that when we breathe, we do not dry out our insides. This is also part of the process of isostasis. Lungs must not dry out, or they will get leathery, according to the book.”

“Fine, but what about women? Surely a philosophy cannot allow only men to populate its street corners.”

“Most Asian philosophies see the introduction of opposites as a product of maya, or illusion. Just as in Galatians, the apostle Paul says that in Christ “there is neither male nor female,” in Hsing Tao, the ultimate reality is neither male nor female, but as in the Tao Te Ching, “The unwrought material, when divided and distributed, forms vessels,” or in the world of phenomena, the one divides into the many and as it arises from the void, humanity divides into male and female. 

“In the third chapter, or sutra, or whatever you want to call it — the third canto — the author makes the equivalence between semen and milk. They both bring forth life, semen from the male, milk from the female. Both necessary for the propagation of the species.”

“And, of course, semen is usually rather milky.”

“You mock,” Stuart says, “but in fact, Hsing Tao makes this very point. He seems to think that they are the same thing, but one endowed with maleness and the other with femaleness, and therefore a mother’s milk cannot inseminate another woman.”

“This is all very weird. But there is still another body output you haven’t mentioned. And it seems rather important. Certainly more than mucus.”

“You mean the menses. I’m afraid Hsing Tao doesn’t count that among the exudations.”

“A notable omission.”

“For us, yes, but for Hsing Tao, the expulsion of monthly blood is not a simple product of body function, like the others, but a physical embodiment of a spiritual conception. It’s not like any of this is, by modern terms, scientifically defensible, but in his scheme of the cosmos, the monthly cycle is the work of the gods — or the void — and when a woman is not pregnant, the spirit invested in her has no fetal body to enter and so is expelled and it takes blood with it.”

“I’m not sure why this doesn’t count, though, as another exudation. Why is it not included? Why are there not eight — or for that matter, nine — exudations?”

“What? You want any of this to make sense? What religion or philosophy you know of makes any sense at all? Any of them breaks down at some point. Humans try to regularize the world and make sense of it, when none of it makes sense, at least not in any way the human mind can surround.”

“Then why bring it up in the first place?”

“I like to see different ways the world can be organized, the way we have fought against incoherence, found patterns where none exist, insisted that somehow, it all makes sense. Every schema breaks down at some point. Every ideology is provisional, ever solution a transition.

“When we look back through the history of ideas, what we see is constant change, or rather, constant replacement of currently accepted ideas by ideas that seek to clarify the obvious shortcomings of the previous. People like to think that this change, like the change in art styles, is propelled by mere fashion, but really, it is dissatisfaction with the version we were born into and an attempt to fix it. But the fix is always just as partial as the inherited belief.

“I like to see these earlier ideas as all equally true, in some sense, out of a humility that our current understanding is finally the right one. The four humors? The four elements? All previous creation myths? All some version of the partial truth. And so, I think of Hsing Tao.”

Stuart went on. “In this sense, at least. It feels as if we are always trying to alleviate the internal pressure of our bodies, or our feelings. The human being is expansive and the body cannot easily accommodate the fullness. So, if we see Hsing Tao as metaphorical rather than medical, there is truth in his philosophy. I know, when I have an idea, I can’t wait to let it out.”

“So, I see,” I said. “You have forgotten the most important ‘exudation.’ The one for which you are the patron saint.”

“What is that?” Stuart had a quizzical look on his aging face.

“The thing your body most expresses are words. Words words words. Speech is also something that leaks from the body. And perhaps, in your terms, the most important pressure valve for that internal build-up. Which leads me to the obvious.”

“Which is?”

“That there is no book. No ancient book of Asian philosophy. This is all a figment of your imagination. A great joke you play with yourself. You made up Hsing Tao, didn’t you?”

“Caught me.”

“What gives you joy?” asked Stuart. “I don’t mean what do you EN-joy, but truly fills you up with an uncontrollable emotion, maybe brings you to tears?” 

I thought about this for a moment. It seems different things at different times set off the buzzer. 

“That’s a fuzzy question,” I said. “Joy is one of those words that covers a whole basket of things. Like ‘love.’ Everyone means something different by it.”

“In this case, I guess, I mean something that fills you up, as if emotion will burst you open. This is very different from pleasure or happiness. Originally it meant ekstasis – a moment when you stand outside your ordinary self, and feel a connection to something bigger than you.”

“That’s a tall order,” I said. “How often does it even happen?”

“Maybe I’ve made it sound too grand,” Stuart said. “Sure, there is the big transcendent blast, but it can happen in smaller doses, too. The big ones are life changing, but the smaller ones carry you through an hour or two of rising above the ordinary.”

“As long as we leave love out of it, and theology, too, then I guess I get most joy from the arts: Music, dance, painting. Odd moments when I’m reading poetry and a line or idea takes off and I become emotional. It can make me weep uncontrollably.”

“Billy Blake said, ‘Excess of joy weeps.’”

“Of course, only when the performance is good — or not just good, but exceptional. Other times, I enjoy them, but those times that are transcendent are rare, but necessary.”

“Necessary?” 

“Yes. Just going to the symphony every week is fine, or to a play, or the ballet. But if once in a blue moon a performance doesn’t reach beyond that and pierce the essential innards of my psyche or soul or emotions — I don’t know what you call it — then it’s hard to justify the expense of buying the tickets. It’s that nearly-never performance that makes all the others worthwhile.”

“Anything else?” he asked. “I mean being an esthete is fine, but what about non-artistic things?”

“Certainly. Love has elevated me like that, although more often when I was young and an idiot. Now, it is seeing someone I love feel joy that raises my heart. When I was young and with the woman I was nuts over, seeing a breeze blow the hem of her skirt or the wrinkles of her eyes, or even the ridges of her knuckles would send shivers through my being. That was transcendent.

“Now the thrill comes from cooking for someone I care for and seeing them enjoy what I have prepared. That actually gives me something of the same feeling.”

“Interesting,” said Stuart. “Because I have this theory…”

Here we go, I thought. Buckle up. 

“… this theory that people are roughly divided into those who are what I might call ‘sensualists’ and those we might call ‘activists.’ There are other classes, too: There are the depressives who never feel that elation we call joy.

“This came to me when I asked Genevieve this question. Although playing viola with the orchestra is her job, nothing gives her greater pleasure in her off-hour time than playing quartets with friends, or accompanying on the piano as another friend sight-reads a sonata. Sitting in and playing music with others is for her the ultimate in joyfulness.”

“I recognize that,” I said. “Carole felt the same way about playing four-hand piano. The two players meld into a single entity in the music. It gave her deep pleasure. She often asked me to play recorder while she played piano. I usually declined: I did not get the same thrill she did, perhaps because I had no real talent for it. I did once sing Gutte Nacht from Winterreise as she accompanied. You would not have wanted to hear me, but it made her happy and that made me happy.”

“Yes, well, that is the activist, the one who gets joy from doing. But I thought of you, on the other hand. You observe. You watch. Your joy comes from seeing a well-performed ballet, or the rich gray-purple in the background of a Renaissance painting. It is the sensual side of things that fills your sails.”

“I never thought of myself as a sensualist,” I said. “I’m too dull and academic. But I see your point. It is through my senses that I apprehend the transcendent. Looking, hearing, touching, tasting, smelling: These are all real portals into the reality of the cosmos. And it is seeing them, like the stars and Milky Way in a truly dark night sky, that gives me a sense of something bigger and beyond myself.”

Stuart smiled. “That is exactly what I mean by ‘joy.’ It can be found in the sense of how you are connected to things outside your self. What I call activists, in this sense, are those who find that experience in caregiving, or hiking in nature, or playing music with others — something outside, bigger and more important. The sensualists are seeking the same, but find it in metaphor, in what they see and hear. The Beethoven symphony that is a metaphor for the struggle of life, or the Balanchine choreography that does the same for the dance of the cosmos.”

“When I see a great dance performance,” I said, “I feel in my own muscles the twisting and flexing of the dancers’ muscles. Hell, in a particularly good and athletic performance, I can feel it in my own body so much that I need liniment the next day.”

“Iris Murdoch once said we always seek out ways to ‘unself.’ Usually, we are stuck in our egos, which is a boring place to be, claustrophobic, anxious and lonely. We want to know there is a bigger place to be, in which we are a puzzle piece that fits a waiting empty spot. What is more, that puzzle is vast, extending to the ends of the cosmos. It what we feel when we magnify, like Mary in the Magnificat — ‘Quia fecit mihi magna qui potens est’ — and extend our being out to the night sky and the bright pin pricks there.”

Aldous Huxley wrote that humans have “a deep-seated urge to self-transcendence. I know what Stuart was talking about. I have often felt it, even in an unguided universe.  

“Yet, there are those who don’t feel joy, or at least, when I ask, they seem puzzled, not sure what I mean by the word. These are people, I think, who either don’t have the gene for joy, or who are depressed and squeezed flat, or who have not yet found their capacity. Surely they had it when they were children: Kids seem to drink directly from a fountain of joy. Joy requires a certain lack of self-consciousness, an openness, even to make yourself goofy or admit to emotions that others may not feel. 

“Depression flattens the world out — talk about the flat-earth people — and the …”

“Well,” I interrupted, “what does it for you? You always have these theories, but they are never directly about you. What gives you the giddies?”

Stuart talks a lot, but seldom about himself. There is always something held back, as if his jibber-jabber were a way of shielding himself.  

“I dunno. Let me think. I’ve gotten old — we’ve both gotten old — and can look back on a long history of sorrows and joys, both those I’ve caused and those I’ve been dealt. I have to say that the sources of joy have changed radically over those years. It used to be I felt most awake and alive when I found a new lady love to dazzle me, but after three mangled marriages and …” 

Here, he looked toward the sky and sort of bit his lip as he used his fingers to count.

“Seven, yes, seven significant other relationships, the blush of that first encounter has gone. Now I’ve been with Genevieve for eight years and I feel I’ve finally settled in, and I have found that I sometimes can watch her sleep next to me and feel that sense of magnification, expansiveness, joy, just in seeing her, and feeling that we are joined as co-puzzle pieces.”

“So,” I asked, “is that activist or sensualist?”

“Maybe I need to rethink this,” he said. “There is something passive, not active in this sort of joy, but neither is it sensual. There is joy I find in simply its ‘is-ness,’ the fact of it, the actuality and not theoretical. The ‘is-ness.’ That’s the best term for it.”

“God tells Moses, ‘I am that I am.’ But you don’t need a deity for that to be true. The cosmos is that it is.”

Stuart looked at me. “I remember Joseph Campbell talking about a newborn bawling, and that it is its way of proclaiming a joy that says, ‘I exist,’ or, as you have it, ‘I am that I am.’ Perhaps we’re finally getting to the bottom of this.”

“Do you remember when you first bumped up against the real world?” Stuart was looking philosophical. “I mean, when you first came to the realization that all was not what it seemed?”

I thought about it for a moment, but then, of course, I realized that Stuart wasn’t so much asking a question about my life, as stating a prologue to his next monologue. 

“It was in high school,” he said. “It was in the 1960s and I was notoriously bored in school. The worst was study hall — really, a holding cell between classes where no one actually studied. I hated it. Where was Temple Grandin when you needed her? We were cattle in a pen. 

Vincent ‘the Chin’

“Mr. Taylor, the Latin teacher, took a liking to me. Not that many kids wanted to learn the ablative. And so, he managed to give me an entire pad of preprinted library passes, so I could spend my time among books, instead of among juvenile delinquents. Did I mention this was northern New Jersey and a large contingent of kids in class were the offspring of made men? Vincent ‘The Chin’ Gigante had a house not more than 200 yards from where I grew up — he was the famous ‘Oddfather,’ who feigned insanity to avoid criminal prosecution. (One day, years later, when I was in college, I heard on the radio that the entire police department from my town had been arrested for taking bribes.)

“Well, one day, for some reason, I had run out of library passes and was forced to go to study hall. I arrived early and the only other student was Artie Mangano. You have to remember that there is a pecking order in high school. I was a dyed-in-the-wool nerd. I liked books. Artie was the biggest thug around, both physically and in terms of where he ranked. I was his natural target. We had long established that fact.

“We sat near each other saying nothing. Artie may have been reading a comic book. When in walked Mrs. Fisk, the French teacher who was going to be prison guard for the next hour. Mrs. Fisk had a thick accent and no sense of humor.”

“I know the type,” I said. “They are the second lieutenants of the world, right out of OCS.”

“And on the blackboard — and in those days, the board was still slate and was still black — Mr. Taylor had drawn a map of the Roman Empire. There was Illyrium, there was Gallia Cisalpina. Of course, Mr. Taylor’s writing was nearly illegible. He was a scribbler and the map was rather squirrelly. When Mrs. Fisk looked at it, she turned and looked at Artie and me and asked angrily, ‘Who wrote this on the blackboard?’ 

“We didn’t know what she was talking about.

“She clapped her hands to keep our attention. ‘Who wrote this filth? These obscene things? I must have been one of you two.’

“We had no idea what she meant. It was a map of the Mediterranean, albeit, it looked a little like an unraveled ball of yarn. She glared at us, getting louder and more incensed. 

“You two — go down to the vice principal’s office. Now! And tell him what you have done!”

“Our school had the ultimate good cop-bad cop. The principal was the soft-spoken — and unfortunately named — Donald Duff. He took a lot of mocking for that name. The vice principal was the enforcer, the meter-outer of punishment, Mr. Garbaccio, a hard-hearted disciplinarian who resembled nothing so much as Luca Brasi. 

“We walked down the hall, down the stairs and into the office. Artie was used to this routine; I was not. I was both mortified and outraged and at the same time unseemly meek and cowed. We sat in the outer office waiting for Mr. Garbaccio to finish with the miscreants ahead of us in line.

“When it came our turn, I tried to explain to him what was the reality: Mr. Taylor’s map of the Roman world offended Mrs. Fisk, who mistook it for an obscene graffito. 

“ ‘She wouldn’t have sent you down here for nothing,’ he said. Yes, she would, I thought. She was always kind of goofy. I remonstrated and re-explained. Artie said nothing. Since I was a reputed ‘good kid’ and had never been in his office before, and because Mr. Taylor’s handwriting was so well known, Mr. Garbaccio let up the pressure, but that didn’t help and so he said, ‘I understand. But, I’m going to have to give you two points anyway.’

“Discipline for misdemeanors was given out in the form of points. Collect enough and you were suspended. Artie knew the process well. I was a novice. My sense of injustice was boiling. I knew I had done nothing wrong. There is nothing so pure in this world as the flame of outrage in a kid who knows he has been unfairly blamed. 

“Two things of note resulted from this episode. First was that somehow I had acquired an unearned respect from Artie. He no longer bullied me, and in fact, his presence meant that none of his fellow mouth-breathers molested me anymore, either. It was a kind of privileged existence, a pet-nerd. We had shared a visit to Mr. Garbaccio. 

“But the second thing was that I figured out something about the real world: that sometimes form required a knowing injustice for the purpose of maintaining order, that I would have to accept my two points so that Mrs. Fisk wouldn’t be publicly outed as the flibbertigibbet that we all knew she was. The world worked by its own gears and pulleys, and sometimes the innocent get ground up in the machine. 

“You know, when you are in high school and you are given required reading, it usually sails right over your head. You don’t have enough life experience to understand what is going on with Mr. Darcy or with Fagin. They are just cardboard cutouts moving through a plot that you know you will be quizzed on come Tuesday. Really, high school kids are so much unformed clay, unlicked whelps, thinking they are so wise; but they are really just pimply-faced dorks with breaking voices and enough social anxiety to fuel a nuclear sub. 

“I mention this because when we were assigned to read Melville’s Billy Budd, I was hit upside the head with recognition — alone in the class, I knew for the first time what was really going on. I knew why the ‘handsome sailor’ had to die. I had understood the lesson of Mr. Garbaccio’s office and I felt a deep surging of sympathy for Captain Vere. He was not the villain, after all. He was understanding the bigger picture. The lesson was sobering but has been reinforced many times through the years.

“I memorized a lot of facts and dates in high school, was introduced to Shakespeare and Spanish pronouns, but all that is just information — confetti. It didn’t actually mean anything. True, I have drawn on that information a lot, but it is just the boards and nails I can use to construct a sense of the world. What I got from my two points was the only thing I can claim to have genuinely learned in high school.” 

“The older I get, the more the complexities of life narrow down to simpler components,” said Stuart. “The interactions become more complex, but the basics seem fewer.”

“Yes,” I prodded.

“I’ve been thinking about emotions, or more precisely, about how emotions are manifested by our bodies in terms of muscle reactions, hormonal dumps, brain chemistry — emotions as a physical reaction to external or internal stimuli.”

“Sounds clinical.”

“Well, I’m no scientist and I can’t claim any justification for this, but I’ve spent nearly 70 years examining my self — my inner self — and trying to understand just how I’ve reacted to the many events in my life, both the good and the bad.”

Stuart and I have both been around for a long time, been through many things, some of them together. Marriages, divorces, trips, jobs, houses, friends, pets, births, and more recently, deaths. 

“And I’ve come to believe that there are really only six emotions.”

“Surely, there are an infinite number of emotions,” I said. “At least an uncounted number. ‘I am large, I contain multitudes.’ ”

“Yes, it sometimes seems that way, but I think it is more like the taste  buds on your tongue. Only a few, but the combinations of them allow us to identify a huge range of flavors.

“The six emotions I have winnowed it all down to are: sadness, anger, fear, contentment, joy, and finally, desire — erotic desire. Each of these manifests itself in a distinct part of the body, or combination of corporeal locations.”

“I know where desire is felt.”

“Well, yes, but I don’t mean this as a joke. Let’s take them one by one and examine them.

“I start with sadness, because that’s the one most proximate, at least for you.”

“You’ve got that right.”

“Sadness — and I mean sadness, I don’t mean depression, which is a lack of affect and therefore, the opposite of emotion — sadness wells up in the eyes, in the higher portions of the chest, in a pursing of lips graduating into a pulling apart of the corners of the mouth and stretching of the neck ligaments. 

“Each of these emotions is a range, not a single thing. Sadness can run from a kind of wistfulness into a full blown gnashing of teeth and rending of garments.”

“Been there.” 

“Fear hits the pit of the stomach and the back of the neck; it widens the eyes and tightens the throat. Anger tenses the whole face and focuses the eyes, tightening their orbits; it also stiffens the back of the throat and may also clench the fists. 

“Contentment is a warm feeling throughout the body, a relaxation of tightnesses. It is what we most often call happiness. And it is very different from joy, which is an inhalation, or alternately, a holding of breath, along with a swelling of chest and perhaps a throwing back of arms. You almost escape your skin. 

“And desire — and I mean specifically sexual desire, not just the inclination to acquire what one doesn’t have — desire swells the loins.”

“And what about love? Isn’t that one of the big emotions?”

“In my way of thinking about it, love is a cause of emotions, not an emotion itself.

“Think about it. When you are young, at first flush, love is a combination of joy and desire; as you age, it may become contentment and desire, then, perhaps contentment alone. Certainly it can also cause anger in one, or fear, and ultimately, love can be expressed through sadness. You know about that all too directly. These are all the pipes attached to the keys of the organs, from flute to diapason.”

“And hate?”

“Likewise, it triggers a range of notes: anger and fear mostly.”

I can never tell just how seriously to take Stuart. His enthusiasms are certainly genuine, but they are not often long lived. He gets on a topic, drives it to its logical or illogical end and than, like an infant tempted by some new shiny object, moves on to something else. Still, there is often something to be learned by looking at the world from an angle outside even the periphery. 

“I imagine some sort of sliders on a sound studio mixing panel, pull up the fear and anger, deaden the joy and contentment. Fingers constantly pushing the controls up and down.

“Again, my disclaimer: I am no scientist, this is all just self-examination, but science does seem to have correlated certain hormones and neurotransmitters with emotional reactions. Fear and adrenaline, contentment and serotonin. Endorphins and joy. Cocktails mixing them make for some astonishing complexity. We all know it’s possible to love and hate at the same time. Shaken, not stirred.”

“You have me remembering a girlfriend I had many years ago, in Seattle,” I said. “I was crazy in love at the time, but her reaction was that ‘Love is just pheromones.’ Rather knocked me down a bit.” 

“I remember her,” Stuart said. “Nothing blonder than her hair but the sun.”

“Yes, that’s her.”

“Well, it started me thinking. We almost always pit emotion against  rational thought, as if they were opposites. Bones and Spock. What if thought was the same as emotion — a physical and chemical reaction that the body washes over us? Are there peptides and purines that channel or produce reason? Is it all ‘just pheromones?’ We privilege reason over emotion in our culture, but let’s face it, reason does not always provide better outcomes than emotion. Remember Halberstam’s book with the ironic title?”

The Best and the Brightest.”

“Yes. Logic, I’ve always said, is a provincialism of our culture. I blame Plato.”

“You usually do.”

“Or maybe Zeno. His paradox only works in language, not in reality. The tortoise will always be passed by Achilles in just a couple of bounds. Yet, the logic proves that Achilles cannot possibly ever catch up. I have doubted reason ever since I thought that one through. 

“So, I’m imagining a gushing brain chemistry that makes us divide each question into ones and zeros, yes or no, black or white, salt or pepper, chocolate or vanilla. Is there a bestiary of thought as there seems to be one of emotion?  You love Beethoven’s late quartets, right?”

“Who wouldn’t?”

“And what have you always said about the ‘Heiliger Dankgesang’ or the cavatina? ‘At its highest levels,’ you said, ‘thought and emotion cannot be told apart.’ Isn’t that right?”

“To quote a First Century prophet from the Levant: ‘You have said it.’ ”

“So, I’m trying to work out another mixing board, one for thought. Or, is it the same mixing board, but turned sideways? Does thinking create facial expressions or muscle contractions the way emotions do? When I’m lost in thought, I can feel me face go all flabby as I’m lost in thought — or sometimes the reverse, I screw up my lips and nose as I work through a knotty problem.

“At the very least, I’m convinced that the body and the mind are not separate entities, but rather a single thing looked at from different ends. We get all flummoxed when we divide ourselves up between thinking and feeling, between body and soul, between heaven and earth, between realism and idealism. I imagine it all as Medieval humors, only with modern, scientific names like urocortin and oxytocin. They didn’t have microscopes and magnetic resonance machines, but those Medieval people were not simple-minded idiots. Their brains were just as good as ours. It’s just their research facilities were underfunded. And they didn’t have as many giants on whose shoulders to stand.”

“So, she was right? It’s all just pheromones?”

“Perhaps. Remember, I’m no scientist, and even if it is all just pheromones, it doesn’t feel as if it is.”

“Well, I think it’s dinner time and I’m feeling hungry. Let’s go see what we can cook up. I’ve got a new pasta recipe that I think Genevieve will like.”

“Do you know where you come from?”

“New Jersey,” I said.

“No, I mean where your people come from.”

“Yeah, New Jersey.”

But that’s not what Stuart meant.

“I mean originally,” he said.

“Then, I guess, the Rift Valley in Africa.”

“But after that. What ethnicity do you identify as.”

“Well, everyone in my family is Norwegian. But the Nordic people migrated there from elsewhere before that.”

“And how far back does your family tree go?”

“I’ve never really thought about it much,” I said. “My grandmother’s old family Bible — in Norwegian — has people listed back as far as my great-great-grandparents. Or at least some of them. Not all 16 of them.”

“And none of the 32 who gave birth to them, or the 64 who gave birth to the 32,” he said. “I’ve been thinking about this.”

Stuart thinks about a lot of things. And when he starts off, there’s usually no stopping him. We turned a corner onto his street. The air was turning into winter.

“It began because Genevieve has been watching these genealogy programs on TV. They seem to be enormously popular. They take a celebrity guest and trace their family history to answer questions that the guest has about his or her past — things that perhaps their parents never talked about. Where did Grandma get that tattoo? Why did our family leave Serbia? They sometimes find out that their great-great-great-great-great grandfather was thrown in debtors’ prison during the Glorious Revolution, or some such thing that amazes them.”

“Yes, I’ve seen those. Henry Louis Gates does one on PBS and I’ve seen a British one on YouTube. They can be fascinating.”

“But I’ve noticed a problem that is never addressed, although, maybe it can’t be. Genevieve accidentally pointed it out once. The family trees they come up with are always piecemeal, and they tend to follow the family name, which means the father’s father’s father, on and on. Sometimes they do the mother, too. But then if it continues, it’s the mother’s father and his father. They get hung up in the family name.

“It makes it seem as if a family tree has a certain neatness to it,” Stuart said. “And if they find something notable in the past, it seems as if there is a direct line, say, from Charlemagne to them. As if a family line were a simple thing.”

Stuart had worked a good deal of this out, he said, and when we got to his house, Genevieve had dinner ready.

“She sure can cook, for a violist,” he said. Genevieve did not seem amused.

Later, he brought out his paperwork. He laid it on the cleaned off table. There was a good deal of scribbling on it, and a lot of numbers.

“You have to do the math,” he said. “You start of with 1 — that’s you. You have two parents. They each have two parents, making four grandparents. The numbers pile up. You have eight great-grandparents. Keep doubling the number for each generation. By the time you get to five ‘greats’ you have 128 people dumping their DNA into your birth cauldron.”

That makes doing a full family tree rather busy with names — even if you could track the names down. You don’t really know the names, Stuart said, but the math remains certain.

“One thinks in terms of great old Pop-Pop, or Nana, and maybe you have in mind their parents or grandparents, but it is always a manageable number of people. A number you might know — they are people you can know the names of.

“I thought of how many years this might encompass,” he said. “And as an average — and average only, because, of course, there’s a lot of variation, but as an average, I think this works. You take a generation to be 25 years — it makes the math easier and we’re only doing this for illustration. But if your parents were 25 when you were born, and your grandparents were 50, that makes your great-grandparents 75 at your birth. Again, this is only for illustration. My great-grandmother was actually 82 when I was born.

“That means there is 100 years to your great-great-grandparents.”

“OK, I’m buying it so far. But,” I said, looking down at the papers he had spread out, “that leaves us with 16 people to keep track of. Sixteen in a century seems doable.”

“The problem is that the numbers keep doubling. By the time you go back 200 years, you have 256 ancestors. By 300 years, you have 4,096 ‘9-G’ grandparents. That’s great-great-great-great-great —“ he held up his fingers and started on the next hand — “great-great-great-great-grandparents. That’s a lot of DNA dumping into your cells. If you go back 500 years — and this doesn’t yet get you anywhere near Charlemagne — you now have to send greeting cards to one-million forty-eight-thousand five-hundred and seventy-six geezers.

“Let’s go back to the 1260s, when Chartres Cathedral was dedicated and Kublai Khan was emperor of China. That’s when you now count a billion people as your ancestors. With a ‘B’ — actually, 1,073,741,824 people, all of whom were necessary for the production of the zygote that became you, sitting here, eating Genevieve’s lasagne.”

Stuart was starting to get a little excited. His eyes were taking on that glow I recognized all to well.

“You only have to go back 33 generations to a point that you have more grandparents than there are currently people on earth. Here it is, 400 years after Charlemagne and you have 8,589,934,592 ancestors. Seven more generations — that takes us only to about the turn of the first millennium and you have already needed a trillion ancestors. It starts to get really ridiculous.”

He pointed to his calculations on the paper again.

“This means that it is mathematically certain that you share an ancestor within the past thousand years with everybody now living on the planet. There’s no escaping that fact. So, you may not be a direct descendant of Charlemagne, but you are related. Since there needs to be more people than are available in order to sire you — more people required than exist or have existed on earth — it necessarily means there has to be a great deal of cross-breeding, making everyone cousins of a sort. Alle Menschen werden Brüder, as Beethoven said.”

“Maybe we should say, ‘alle Menschen sind Brüder.’ Make it present tense,” I said. “But when you mentioned ‘cross-breeding,’ it brings to mind what happened when Carole wanted to track the origins of her family.”

My late wife adored her father and loved everything about the Steele family. To discover the origin of the family, her brother, Mel, took one of those Y-chromosome tests. The Y-chromosome is passed down from father to son across the generations. When the results came back in the mail, there was at least one anomaly.

“We learned that surname and DNA are only tangentially related,” I said. “The DNA descends from father to son, but maybe not the surname. The Steele family always said it was originally Irish. But it is an English name, possibly Scottish, and everyone was Protestant. In the U.S., they lived in the Appalachians and so we assumed they were Scots-Irish. Along with the complicated information about haplogroup, there was a list of other men who had taken the test who matched up with the Steele DNA. The most recent names were indeed Steele. But going back in history, the Steele name disappears and is replaced with the name Driscoll. The oldest Driscolls on the list came from County Cork, in southern Ireland.

“What we figured out is that at some point — maybe in Ireland, maybe after they emigrated to America — a Steele woman either had a baby out of wedlock to a Driscoll, or a Steele wife had an adulterous affair with a Driscoll. So, the Driscoll DNA settled, cuckoo-egg style in the Steele family line.

“It taught us not to be too cocky about the nominal lineage you work out through genealogy. Just because someone is married, doesn’t mean the husband is father to the child. There must be a lot of this kind of misdirection over the centuries.”

“And also,” said Stuart, “You should be as aware of the many other contributors to your genetic make-up, and not so focused on the genes stumbling down through your father’s line. It’s only one of two parts, or of four parts, or of eight, or, well, you get the picture.”

 

mackerel sky   PART FIVE: THEORY OF RELATIVITY

1.

It was Thanksgiving and Stuart and Genevieve were fixing a big dinner.

Outside, it was a Maine November, dry and crisp but not yet cold. The fallen maple leaves textured the ground at the base of the trees. There was a mackerel sky.

Bernard was there with his wife. Stuart’s younger brother was there, too. Mitch came in from New Jersey with his new lady friend. Bernard’s two children had come, also. Both now grown and Liz had her own children. She came with her best friend, Dell. Jason came with his girlfriend. They all drove in from Allentown. Stuart’s father sat in the corner; he barely moved all day, taking in the scene — probably. It’s hard to know. Bernard and Ellen had picked him up on the way.

It was full house. Mia hadn’t shown up yet.

Bernard: “So, little brother, how’s life treating you?”

Mitch: “Just fine.”

In Stuart’s family, this counted as an extended conversation.

Liz: “Dell, can you take the brussels sprouts off the burner? I have to mix the Jell-O.”

Dell: “Which are the brussels sprouts? I’ve never had brussels sprouts.”

Pots were steaming, with rutabagas, potatoes, brussels sprouts and green beans. In the oven were the turkey and two pans of oyster stuffing. The gravy was yet to be made. That was Stuart’s job. He was the gravy man.

Mitch: “Hey, you’ve got Coltrane here.”coltrane

He was flipping through the CD collection.

Mitch: “A Love Supreme. Geez, what music.”

Stuart: “Put it on if you want.”

Thanksgiving was the only holiday Stuart enjoyed. The others seemed like obligations, but Thanksgiving seemed like a warm, humid, cozy indoors played against a cold, dry outdoors: You could feel it when you touched the window.

There was a brief discussion, as Bernie wanted to watch the game, but Mitch wanted to play Coltrane. They compromised and watched silent football with a jazz soundtrack.

Stuart: “Now that’s what I love about Thanksgiving.”

Meanwhile the grandkids were pinging and buzzing their Gameboys. The women gravitated to the kitchen. Mitch’s girl, Jerri, came in to help.

Jerri: “Pie!”

Liz: “Pumpkin”

Dell: “Cherry.”

In the living room, Mitch and Jason had taken to comparing political theory. Uncle Mitch was a Democrat; Jason was a Republican. It is one of the anomalies of history that as the millennium winds down, it should be the younger generation who turn conservative. It is as if time were out of joint.

Mitch: “Yeah? What do you know? You’re just a kid.”

Jason: “Well, I know Bush is going to trounce Gore.”reagan-bonzo-in-bed-time-for-bonzo

Mitch: “God help us. We’ll have gone from Reagan to Bonzo.”

Politics brings out the analytic elegance in people.

The doorbell rang and Stuart opened the door. Mia came from the bright blue sunny outdoors to the dark, warm inside, thick with the scent of turkey, dressing and nutmeg and cloves. With her came Michael. Yes, they were still together, 10 years later.

Mia: “Everyone, this is Michael.” Mia went around the room introducing everyone and they all shook hands.

Dinner was a feast; everyone ate till their bellies hurt. Conversation was warm, funny, by turns nostalgic.

To Mia, this was family, even if she wasn’t related by blood to any of them. She knew many of them well — Stuart and Genevieve might as well have been family; Bernie and Ellen; even Mitch, although she had never met Jerri. Others were more peripheral, but Mia knew which was which, for the most part. It was hard, though, to tell the twins apart at that age.

With the meal packed solidly in their collective guts, like sausages stuffed into their casings, the evening wore on. The women put up the leftovers. Stuart told them to leave the pots and dishes; he would get them in the morning. The men sat on the sofa; Mitch’s head was cocked back and a slow stertorous snore echoed in his gullet. Stuart began to talk about ancient Egypt.

“Not now,” Genevieve said, heading him off. It was not bossy, but teasing. He stopped.

After dessert and coffee, when the evening wore down, Bernie and family, along with dear old dad, left for the motel. A pile of others found a place in the guest room or on the sofa, wrapped in a down comforter.

2

Mia and Stuart stayed up late.

“Gen is great,” she said. “But you realize, don’t you, that you have been with her for more than a decade. You are breaking precedent.”

“Well, yes. But I have gotten old. It isn’t as easy to wander aimlessly. And we get to travel a lot, as she gets gigs all over. Spent most of the summer up in Hancock for the Monteux Festival. She got to play the Shostakovich sonata. It was great.”

“She’s a steady presence,” Mia said. “I can’t tell whether Michael is a steady presence for me, or if I’m the steady presence for him.”

“Does it matter?”

“Maybe not.”Dirty dishes

They stood over the kitchen sink, piled with dishes. Stuart had his arms up to the elbows in suds.

“Let me tell you about my first official marriage. Before I married your mother.

“I was unfaithful to my first ex-wife before we were married. I loved Ruth, although she drove me nuts. She was always worried about things like window curtains and insurance. She wanted kids; I wanted to continue being able to sleep late for the next 18 years and I knew that her plan would have made that impossible.

“But Ruth was really a great woman. She was beautiful. Had great eyes. And she was smart as hell. Maybe a little skinny. But there was this conventional side to her. In my lovesickness for Ruth, I pretended I didn’t see that, or at least pretended that it didn’t matter. She insisted we wait till marriage. I was so smitten, I didn’t even question that.

“Oh, but there was Helen. This was a different Helen. She wrote poetry. It wasn’t bad poetry, considering we were all just sophomores in college. Helen was not a beginner at love. In fact, she was the ‘college widow,’ as Groucho Marx might call it. A completely free spirit. I fell hard; Helen admitted me to the inner circle — so’s to speak — inner circle: I’ve never heard it called that before —  as one of many admirers.

“You should have seen me. I panted like a puppydog, waiting to be patted on the head. Helen and I hitchhiked one week to the coast and spent the nights sleeping in the sand. We made love in the dunes, in full sight of anyone. A fisherman in a passing boat waved to us.

“We left love stains all over campus. Our favorite was a practice room in the music building, and boy, we got lots of practice.”

“Yes, I remember you told me about the Organ Room on campus.”

“At night, it was unlocked for some reason, and we snuck in.

“Oh, but there was Ruth. And I loved Ruth, too. I didn’t know what I wanted. Sensible Ruth or crazy, passionate Helen? Should I go with the sensible choice or should I go with my gonads? Thrill or stability?

“I knew I was not terribly stable, that I was not really a fully mature human being, that I was flamboyant in my irresponsibility, and so I finally decided that I needed Ruth for balance. I did the sensible thing; we got married. I learned my lesson: Never do the sensible thing again.

“I made life miserable for her and without trying, she made it miserable for me. Years later, friends told me they knew it wouldn’t last and I wanted to slap them — Why didn’t you say anything then? But I also knew it wouldn’t have made any difference if they did.”

Mia looked confused.

“Wait a minute,” she said. “Isn’t this what you’re doing right now, with Gen? Aren’t you making the ‘sensible’ choice all over again?”

“Of course,” Stuart admitted. “Of course, I’m doing the same thing all over again. I’m a lot older now, so it’s different.”

“Different?”

“Well, maybe it’s not different. As you get older it isn’t so much you get wiser in the sense that you make better choices, but that you get wiser in that you recognize the fact that you’re never going to get any smarter and you’ll always do the same stupid thing.”

“That’s wisdom?”

“I dunno. Maybe.”

“That’s depressing.”

“No, not really. It’s liberating. That’s the thing about getting older. All the stuff that used to drive you nuts, you let go of. It no longer matters.”

“So, it’s OK to be comfortable in a relationship? Without fireworks?”

“Violas seldom break out in fireworks,” he said. “But I’m happy.”

“But you said it was a mistake.”

“Did I?”

3.

I’m coming out of my duck blind for the last time. I just turned 40; I got tenure. I published a book last year — a new translation — or retelling, really — of Ovid for children. I’ve been living with Michael for about as long as Stuart has lived with Genevieve. I’m not sure it’s a good idea to compare my life with his, but there is no one I’ve known as long or as closely as I’ve known Stuart. He is the only touchstone I have.

This has been a strangely skewed memoir — I have left out so much: my career at the university, several relationships that went nowhere, the whole world of Greek and Roman letters that are so central to my life — because I wanted to focus on this single aspect of my life that has been so muddled. Family. What is it, why is it, does it need to be?

When my dad died, it hit me in a way I didn’t foresee. I always thought of Stuart as my father; he’s the one who was there when I was a little girl, and he has remained there through my life in a way Dan never did. Yet, I felt so odd when I went to visit Dan in the hospital. I saw something in him — gesture, voice — that caught me unawares: They were mine, too. Dan had tried to tell me about it, but I didn’t have ears to hear, or to pay attention. He was dying, after all. Other things seemed more important.

It was the day after that Thanksgiving, when I talked with Stuart’s brother, Bernie, that he brought it all together for me. Stuart and Ellen went to the kitchen to finish cleaning up what we hadn’t washed the night before, and Gen was in her study practicing. The dulcet tones of the viola filled the house like dinner had the night before. Bernie and I sat in the front room and talked.

4.

“What do you think about family? Why is it important? Stuart always says his friends are his family — except for you, he says. You are more friend than family, he says.”

Bernie had bad knees, and sat on the sofa. His hair was mostly gone and his mouth had settled, the way they do as you get older: Younger mouths show off the upper teeth; aged mouths show the lowers.

“I take your point,” he said. “Families can be quite a burden. We have to take care of dear old dad, for instance. He’s barely there anymore. But I have the example of my wife.

“You’ve been with her a long time.”

“Thirty years …”

“Can’t fathom that. Mind you, Ellen’s great. You hit the lottery, as it were.”

“Ellen has a take on family I’d never really considered,” he said. “Family is something different for her. For her, it is where she came from.”

“You mean, like genealogy?”

“Sort of, but she isn’t so much into the family tree as such, or into whether or not she has a coat-of-arms, but rather, that she is made up of the hand-me-downs, genetically, of the ancestors, the piling up of character — of meaning — that has concentrated in her. Her family is her roots, deep in the ground, and she is connected to them as literally as the tree is to the root ball, all of a piece.Great grandmother

“She sees her hair in her grandmother’s hair, her jawline in her father’s, her love of nature — and, I might add, her stubbornness — in her grandfather. She grew up with her great-grandmother in the house, who was a Civil-War widow, and sees history not in paragraphs on a page in a book, but in her wrinkly skin. She wants to know how her great grandfather came to live in North Carolina, whether he is Scots-Irish, why they eat collards or sing certain hymns as opposed to others. Obviously, this is not all genetic. A good deal is cultural, but I don’t think Ellen makes that much distinction: It is all roots, all the long line of ancestors, which, for her, go back — and I’m not kidding — to Adam and Eve, or whoever you want to pick as the ur-progenitors. Her interest in cave men is part of the same thing. She calls it ‘the long man,’ the person drawn from one generation to the next the same way a plant goes to flower, a flower to seed, a seed to seedling, to plant, to flower, to seed and so on in a continuous recreation of the same life — the same DNA shuffled around — of which she is merely the latest flowering. Or the antepenultimate: She has now sprouted a daughter, and that daughter twin granddaughters. So now Ellen  can see she isn’t the end of a long line of ancestry, but only one link in a continuity.

“Thus, family for her isn’t simply the people who she shares Thanksgiving dinner with, as if they were all discrete entities, but rather as if they were the acorns hanging on the same oak tree, in a sense, a single person with multiple incarnations. At Thanksgiving, even if she is alone, she is having dinner with all of them.”

“Well, that is Ellen, through and through, isn’t it?”

“Yes, and it has made me think differently about family. I share your sense of relatives as something you’d rather not have to spend time with. I have chosen my own ‘family’ of friends, who mean a great deal to me. But I also have come to see the ‘mystic bonds’ of family — again, not as a question of whether I want to spend time with them. I don’t, really. But rather as a continuation of a process.

“Looked at another way, I am a bit of my parents planted in the future to grow, and to plant my children there in the future that extends beyond my harvesting.

“I had the oddest experience a few years ago. Did I ever tell you about it? You know, before Ellen, I was married and divorced. We had a son. When we split up, she took our son and I didn’t see him for something like 30 years.”

“I didn’t know.”

Mia was surprised. Bernie always seemed so rock solid. How could he have not seen his son for so long?

“I was young and a prat,” he explained. “So I moved on without much thought of it. Most men are prats when they are young; I was no exception.

“But a few years ago, I got a phone call and on the other end a voice said, “Are you my father?” It was my son. I had not seen or had any contact with him for 30 years.

“Well, Ellen and I went to Austin, Texas, where he was living and we met him and the shock was palpable: He looked exactly like I did when I was his age. Not just in physiognomy, but he wore the same kind of thick-rimmed glasses, the same plaid shirts, the same long hair I had back then. It was uncanny. He was living with a woman who came from the same county in North Carolina that Ellen came from. His house was a mess of books and CDs and DVDs. He worked, at the time, in a used bookstore and was in charge of the classics section and the poetry section. His favorite literature was the classics. The resemblance was uncanny.

“I had always assumed that in the ‘Nature vs. Nurture’ controversy, that nurture was by far the more important. We were raised at a time when we thought, ‘It’s all cultural.’ But here was evidence in front of me that perhaps it wasn’t all cultural. Perhaps DNA ruled not only the shape of our noses, but the preference we might have for Manhattan or New England clam chowder.globe

“The real clincher came when we walked through his office at the back of his house and there, on the top of a bookshelf, he had a world globe with the ball taken off, turned upside down with Antarctica now at the top, and replaced. I laughed. Back home, on top of my bookshelf in my office was a world globe that I had reversed to put Antarctica on the top. It was almost scary. How many people have done that with their globes? What are the chances that father and son, with no interaction for three decades, would each do the same peculiar thing?”

“So, you’re saying then, that as opposed to the question of whether you choose family or friends, that the question is basically irrelevant: That family is who you are, that ancestry defines your nature and you have family to thank or blame for it.”

“I remember having this discussion many years ago with a colleague. We had both grown up in New Jersey in the 1950s and ‘60s. We shared a good deal of nurture and could understand many of the same cultural references. But he was from an Italian family and I was from a Norwegian family. Despite how much we shared, he had a preference for Fellini films and I had a preference for Bergman.

“Not that I couldn’t appreciate Fellini — I do — but that deep in my bones, I knew the Bergman world; it was my interior world. While the Fellini was tremendous, but exterior to me. There is something in my genes that responds in a family way to the world of Bergman that Fellini doesn’t hit. But it was the reverse for my colleague. Italian genes felt at home in Fellini.

“In the old days, I would have chalked it all up to culture: He grew up in an Italian family and so the folk ways would have felt familiar. But now, I think — it’s only tentative, of course — but I think perhaps it may be something genetic. This may be the collective unconscious that Jung wrote about. The pile of chromosomal tendencies, tastes, judgments, behaviors, that have been reinforced over the generations by the distillation and concentration of DNA.

“I’m sure that upbringing and culture plays a part, no doubt, but I now think that there may be something inherent, that if I had been adopted by an Italian family, I would still feel more at home in Bergman. Not provable in my case, perhaps, but I think plausible.”

“So, I think you are saying, that you are inevitable in terms of family as you are in terms of history, that you may not like the times in which you are born, but you simply have no choice in the matter, and that all those relatives who bore you on holidays are just the titrations of chromosomes and you are thus embedded in your family like raisins in a muffin. No choice. Just is.”

“Yes.”

“Still don’t want them over for dinner.”

ceiling 2

PART FOUR: JE NE C’EST QUOI

1

Two people sat in the front room; they obviously had never met before. He was about 60 years old, with a full head of gray hair, brushed back neatly. She was several years younger, but with a shock of white in her forelock, giving her a kind of Susan Sontag look. Their respective others were in the next room talking seriously. Their respective others used to be married to each other. It was late afternoon and no one had turned on the lights. All color in the room was grayed out.

“Portland,” said gray hair to forelock.

“Me, too,” she said in an accent that implied “Moi, aussi.”

“Oregon,” he said.

“Maine,” she said.

It was awkward. They had all flown in from their respective corners of the map to see Mia for the holidays. And now Esther and Stuart were in the bedroom with Mia. She had something important to tell them.

“I heard from Dan,” Mia said. “He’s dying. Lung cancer.”

“He never smoked,” Esther said, sitting on the edge of the bed.

“I know,” Mia said. “But it’s far gone. He’s asked me to come.”

“Back to Poughkeepsie?”

“Yeah.”

Esther now lived in Oregon with gray-haired Roger. They had been married for a decade and it seemed to have taken. She didn’t expect to find any more Waynes or Bobs or Eds — or Stuarts. He was a good man, and he suffered patiently while Esther discussed her first husband with her second husband in the next room. Current husbands must face the closed door of their wive’s previous lives. But not a closed door, one left just enough ajar to let him know there will always be a portion of his mate’s life that will be strange to him, even as it remains vital to her. He hears the stories, but they are like fictions read in books. Esther’s life with Dan, her later marriage to Stuart and her briefer liaisons have formed the woman he inherited, and he was grown up enough to know he must not be jealous of those earlier men, but grateful to them for creating the woman he now loved. But still. It can be hard to live with all those shadows on the bedroom wall.

Mia didn’t see her mother all that much anymore, now that Esther had moved to Oregon. But the holidays gave them an excuse to travel back east to Morgantown, where Mia now had her Ph.D. and was a novice instructor teaching classical literature in translation, first-year Latin and the mythology course that was her great pleasure.

Stuart also lived in Portland, but Maine, not Oregon.

“I may be an old hippie, but I’ve aged out of Portlandia,” he told me. “I’m more Whole Earth Catalog than I am fair-trade coffee.”

He was now living with a viola player who teaches and plays part-time with the Portland Symphony. “I’m learning to listen to the middle of the music,” he said. “I’m ignoring the tunes and the bass and hearing the filler. It’s hard. Have you ever tried to listen to a viola part in a symphony? It takes great ears.”

She was the other sitting in the front room with Roger. Her name was Genevieve.

“It’s Je-Ne-Vee-Ev, not Jeneveev,” said Stuart. “Je ne vieve pas,” he punned. “Je ne c’est quoi.” She was born in Belgium and took the same offense as Hercule Poirot for being assumed French.

This was the undercurrent as Mia explained to Esther and Stuart about the cancer that had appeared out of their shared past. Stuart stood in the corner He was never good at real stuff. He wasn’t sure what to say.
“So, should I go?” she asked. “I think I should.”

Esther took Mia’s hand; Mia sat on the bed next to her. They hugged.
To fill in: Dan was alone in the world. He had no living relatives other than his daughter, and had been something of a hermit for many years, moving back and forth from the job to the house and back. It was believed there were cats. Mia had not seen him in years, and what contact they had was awkward.

“Can you take me?” she asked Stuart.

“Me?”

“I need support.”

2.

In the front room, Roger waited for the confab to conclude.

“Mia’s rather quiet,” he said. “Isn’t she?”

“Well, she keeps her own council.”

“I’ve tried to talk to her, but it’s like pulling teeth,” he said.

“She is maybe a little withdrawn,” said the French accent. I mean, Belgian.

“Not like Stuart,” he said. “He talks a lot.” He tried to be neutral about it.

“It is true,” she said. “He won’t shut up. But that is why I like him. He is … inextinguishable.” She said the word slowly, with no syllable accented. Was she thinking of the Nielsen symphony?

“How long have you been together?”

“A long time, I think. Maybe eight, nine months.”

“Can you take it?” Roger was letting his tact slip.

“We shall see.”

December 01
3.

Sometime here, we will have to admit that Mia was not a normal woman, had not been a normal girl. Her mother was voluble, friendly, chatty, even. Moved easily from man to man in her earlier days. There was a brightness to her that lit a room and attracted many a keen suitor. But Mia inherited none of that; rather, she had her father’s melancholy — at least that’s the old word for it. It probably didn’t rise to the diagnosis of depression, but it edged the border. Mia took few chances in life, let it flow around her, accepted what came her way, but seldom took the initiative. She kept to herself, found building relationships difficult, but in return, felt a kind of quiet satisfaction in those little things that floated her way. She would never have called herself unhappy, but there was not a great deal of effusive joy in her bearing, either.

In a way, Stuart provided that effusion for her, and she enjoyed his silliness. He had enough for both of them.

And so, they drove from Morgantown to Poughkeepsie, a December thaw left clods of melting snow hung on the trees higher up on the hills. The roads were all clear, but often still wet, even in the sunshine.

“What do we believe?”

Stuart said that with an emphasis on the “we.” His arm crossed the steering wheel with his left hand at the 2 o’clock position, he leaned in to Mia riding shotgun.

“Yes, I don’t mean ‘What do we believe?’ the way so many people question what our nation or society stands for, or if we anymore stand for anything. I’m not asking what we as a culture believe in, or if we have a common spine of belief to stiffen our civic polity. I leave that to the punditocracy.

“No, what I’m wondering about these days is what do we take so for granted we never even think about it, the way ancient people believed the earth was flat, or that the daytime sun moved in procession across the sky and ducked under it at night. What we believe to be true without question, indeed, we don’t even recognize it as a question, or a possible question. What is the water we swim in?”

Mia watched Pennsylvania out the window pass by, hoping to stop soon for lunch.

“You mean,” she said, “like the Medievals believed in a Christian god, or the 18th century believed in a rational order to the universe?”

“Yes, that sort of thing. I’ve been wondering because it is such a tough question. It is asking to see the invisible, to step out of the zeitgeist and look at it from above, like we were watching rats in a psychology lab wander in a maze. Can we even begin to see what we don’t recognize as the ether of our universe?”

“Maybe what we’re talking about is a slow dawning,” she said. “I mean like slavery. At one point in history — actually, in most points in history — slavery was seen as right and proper, the order of the universe, even sanctioned by God. In Greece and Rome, slavery was as much a part of everyday life as bread and wine. In America when they made the Constitution, slavery was accepted by a large segment of the population as being the natural order. But there were those who saw it differently. Slowly, the majority began to see slavery as an evil and nowadays, we unquestioningly assume slavery to be indefensible.”

“Of course,” he said, “that hasn’t stopped slavery, but only changed its face: Slavery is still accepted in parts of Muslim Africa and the sex trade is hardly anything but slavery.”

“Yes, but the issue you have raised is whether slavery was at one time the water we swam in — that for most people, there was no issue at all. The sky was above, the earth below, kings ruled the domain and slaves had their eternal link in the Great Chain of Being. It was only the exceptional person who asked if the scheme were moral or just.”

“This is true, but it is also such a hot-button item that we may fail to grasp what I’m really asking. In the case of slavery, we can now feel superior and look back on our forefathers and judge them for their failure to see the obvious. But I’m certain we are no less blind today than they were, but in other areas. What are we going to be judged for a hundred years from now?”

“Animal rights, perhaps?”

“Maybe. Certainly, there will be those who wonder why we didn’t do anything about the ozone or overfishing or nuclear proliferation. But in part, these are political failings rather than what I’m asking about.

“I’m asking rather, what do we not even question. The issue came up when I started rereading Plato. God, I hate that man. But it was the Greeks in general I’m talking about.”

Stuart had no humility about bringing up the Greeks to the classical scholar sitting next to him.

“They had a peculiar relation to their language,” he went on. “They had what we now take as a naive belief that language and existence were one: If there was something in creation, there was a word for it, and likewise, if there was a word, it described something real in the world. There was no disjunction, no sense that language had its own structure and limits, and they were different from the structure and limits of existence. No sense that if there were a word, it might describe something false, something that doesn’t really exist, or really happen. The fact that there was a word was proof that the thing existed. They could not see outside their language. This led to some kinds of absurdities, like Zeno’s paradox. The language describes a problem: Achilles and a tortoise are in a race, but with the latter given a head start, Achilles can never catch up to it, and hence can never win the race.”

Before Achilles can catch up to the tortoise, he has to go halfway to catching up with the tortoise, and then before he can close the gap, he has to cover half the remaining gap, and then half that, and half that, onto infinity, and therefore, never catch up.

“An obvious absurdity if you set the experiment up and see what happens. The problem is only in the language, not in the reality. ‘Half’ and ‘half,’ and ‘half’ are merely concepts, not observable, not physical.

“There are many versions of this problem: It is the essential problem of Plato, who sees his ideals in terms of language, in terms, more specifically, of nouns. His ideal forms are ideal verbal, linguistic forms. Being Greek, he cannot transcend that constraint. Language is reality, reality language. That is all they know and all they needed to know.”

“Sometimes, I think we’re not much better,” Mia said. “We still seem to believe words more than experience. Politics is full of such things: Welfare mothers, for instance, or tickle-down economics. Make the verbal classification and you have proved that such a thing actually exists. Maybe you can’t really find any out there, but you’ve set up the idea with the word.”

Stuart: “My favorite has always been the international conspiracy of Communist Jewish bankers. Communist bankers — have they thought this one through?”

He went on. “Of course, philosophy these days — especially in America — is practically nothing but philology, a study of in how many ways language obscures reality or is at least in serious disjunction with it.”

“So, what is our equivalent of Greek language blindness?” she said.

“I can think of a few things that might count, but I despair of being able to escape my own swimming water,” he said. “This language-reality dilemma is never gone.

“Take a sentence like ‘Whales are mammals, not fish.’ It seems to most of us that this says something about cetaceans, but in fact it is a statement about language, not biology. It says ‘We have created a language class — a noun — that we apply to some sea creatures and not others. ‘Whales are mammals not fish,’ is a statement about language.”

He was thinking about his copy of Oliver Goldsmith’s History of the Earth and Animated Nature, from 1825, which divides fish up into ‘spinous fishes,’ ‘cartilaginous fishes,’ ‘testacious fishes’ — that is, shellfish — ‘crustaceous fishes’ and ‘cetaceous fishes.’

“A whale, after all, is shaped like a fish, swims like a fish, has fins like a fish and lives in the ocean. Like the old saying, ‘If is looks like a duck and quacks like a duck…’ But nowadays, we accept the Linnean classification system as describing reality, while in fact, it is merely one way — one very useful way in a scientific and technological society, I might add — but only one way or organizing reality. The Bible doesn’t say Jonah was swallowed by a whale, but by a ‘great fish.’ We naturally make the leap, because a whale is, in some manner, a big fish. Just one that breathes air and gives birth to live young. There are many ways of organizing experience, but we assume the primacy of only one.

“Genius is being able to shift from one to the other seamlessly.”

“I have another good example,” she said. “Anti-abortionists say that abortion is murder. But murder isn’t a fact, it is a legal class. And we change laws all the time. Taking of life comes in many forms, some which we justify and others we criminalize, and different people draw the line at different points. Would it have been justifiable to kill Hitler in 1933 to prevent the millions of deaths in World War II? Would it have been justifiable to suffocate the infant Hitler in his crib? There is homicide, manslaughter, justifiable homicide, and, of course, war. Eichmann maintained that the Holocaust was merely the justifiable death of war, but we have chosen to draw the line differently. And what now of those now being ethnically cleansed in Bosnia? So, is abortion murder? It is killing, but for some it is justifiable, even necessary. Many on the anti-abortion side nevertheless justify executions for some crimes, but for that, they don’t use the word, ‘murder.’ For some it isn’t. But ‘murder’ is a verbal classification, not a fact.”

“Bingo,” he said. “It is hard to recognize what is mere language and what is genuinely out there, existent in the world, divorced from the language we use to describe things.

“Perhaps one thing — and this is related to the Greek problem — is our belief, unexamined, in the permanence of certain things.” Stuart went on.  “We have a tendency, not only to believe, but to actually create wars to defend the idea that national borders are something other than temporary lines drawn by powers that be. Just look at Poland: It moves around the map like a ball of mercury in a dish. First it’s here, then it’s there. It grows, shrinks and sometimes disappears altogether. There’s an idea that national borders depend on ethnicity, but that clearly isn’t the case. Poland, when it has existed, included Polish speakers, German speakers, Ukranian speakers, Lithuanian speakers, Yiddish speakers and Czechs, among others. Yes, most French speakers live in France, but some live in Quebec, and others in Belgium, where half the population doesn’t speak French at all, but Flemish …”

“‘In France they speak French; in Belgium, they speak Belch.’”

She was talking about Genevieve.

“… and just look at the shifting borders of the United States through the 19th century,” she said. “Nationhood is always a momentary thing. Yet we think of it as heaven-ordained.”

“Exactamente. We swim in an ocean of conceptual habits that we seldom give any thought to. Like our expectation of a beginning, middle and end. We want that in a play we watch or a song we sing. But there is no beginning, middle and end in our existence: It is all just flow. ‘Panta horein,’ Heraclitus has. ‘Everything flows.’ But the idea of beginning, middle and end is how we think of our own lives, not just that we are born and die and have a few years in between, but that each step in our life is a story that follows, episode on episode, in a coherent pattern that we recognize as our ‘self.’ We tell stories about our lives as though we were writing novels or short stories. The connection we make — the through-line — is something we cast over events, not something inherent in them.

“Experience, like the stars in the heavens, is a welter, a chaos of instances, but we make constellations out of them to be able to make sense, but if we take the constellations as something ‘real’ — like astrology does — then we mistake the pattern for the substance.”

Mia had her own example, thinking of life in academia and faculty meetings.

“The other example I can think of is hierarchy. This is perhaps beginning to be exploded, but we reflexively think of things in hierarchy. The real world of experience doesn’t provide immutable hierarchies, but in our thoughts, we make them line up in marching order and pretend there is this rank and file. Where once we had kings, knights, yeomen, vassals and serfs, now we have department chairmen, academic deans, provosts. We still have this idea that some organisms are “higher” on the evolutionary scale than others. The vestigial concept of the ‘great chain of being’ remains in our culture, even when the full-blown version has disintegrated into a confetti of vestiges.

“We decry the ‘patriarchy,’ or at least some of us do, while a good part of the population unthinkingly assumes as the default that the husband is head of the household. Real families are no longer like that.”

“Don’t get me started,” Stuart said, but the horse was out of that barn.

“The number of things we accept without thought is probably infinitely more than those things we do think about. Seven day weeks? Any real reason for that? Weekends are such a part of our experience, yet, I doubt cavemen ever thought about constantly recycling work weeks. And the decimal system. A duodecimal system would work just as well, or even a system based on 8 or 15. The 10 is just a convention.”

“Well, we have 10 fingers…”

“And 10 toes, so why not base it all on 20? In fact, I’ve seen this — in some cultures the counting is based on 12 because if we use our thumb as a counter, we can reel off a fast dozen, by first counting the fingertips of the remaining four fingers, then the second joint and then the third, adding up to 12. And with the other hand, we can keep track of the groupings of 12, and count quite efficiently on our fingers up to 144. You can see the foremen doing this on South American rivers as they load bales onto the boats. Inventory is kept on the knuckles.

“I’m sure there are so many more things we accept without thought. But my original point is that it is so hard — nearly impossible to discover what you don’t know to be mere convention.”

When they reached the Tappan Zee Bridge, it was hard to know if their exhaustion was from the long drive or the conversation.

poughkeepsie 3
4.

When they got there, it was worse than she had thought. Dan was in bed with tubes in his nose and an IV plugged into his forearm. His eyes were dark, as if he had on eyeshadow, and his cheeks were scoured out; his skin was sallow. He barely spoke above a wheeze.

Stuart waited at the hotel while Mia went to visit.

“I’m going to die,” Dan said. Slowly, very slowly, one word squeezed out at a time before gathering wind to say the next. “You are the only person …” He waited to finish his thought while sucking air. “…” He didn’t finish his thought, hoping Mia would finish it for him.

Dan had spent the three months in hospice, but a turn for the worse had landed him back in the hospital. Mia held his hand; she didn’t know what else to do. Dan closed his eyes and slept. Mia sat there for a half hour, watching the sunlight on the bare trees out the window. Then she got up to leave the room. A nurse came to her with a clipboard.

“There are some forms to sign,” she said.

Mia growled her eyebrows. “What do you mean?”

She hadn’t expected anything official; she was just there to see her father.

“You are next of kin,” the nurse said.

“What about …’ Mia realized that an ex-wife didn’t count. All of Dan’s blood family was gone. She was all there was. She signed whatever she needed to and went back to the hotel.

“It’s bad,” she said to Stuart. “He’s barely able to speak.”

“Is there anything we can do?”

“I signed a bunch of papers.”

“I mean, anything to help?”

The air was crisp, the sun was sharp, the day seemed at odds with Mia’s mood. They went to the hotel cafe for dinner.

Motel 1

5.

The next morning, when they went back to the hospital, a different nurse, this one much taller and older, met them with the news that Dan had sunk into a coma and was not expected to come out of it.

“We need to know your wishes,” she said.

“My wishes?” Mia frowned. She didn’t think her wishes were important. “What can we do for him?” she asked.

“I mean, at this stage, we are only keeping him alive with feeding tubes and a respirator. We need to know if it is your wish to continue life support or should we let him go.”

This is not a decision anyone should have to make. Mia certainly didn’t think she should have to make it. She barely knew the man; it was only an accident of DNA that she was being asked to make this choice. For the first time, she started crying. She found a chair in the hall and lowered her head and let the hot salt water drain. Her brain was seized up; the tenuous connection between her birth father and the grown daughter was made sensibly, palpably real. She reached for Stuart’s hand; she held it in both of hers.

“I don’t see that I have a choice,” she said. She told the nurse to let him die. It felt so cold; it felt so unfair to be made to choose.

“He’s going to die anyway,” Stuart said, trying to comfort her. “You are only helping him get there.”

The trip back to Morgantown was much quieter than the trip to New York.

6.

There was a lot to manage after Dan died. What to do with his remains, what to do with his apartment and all his stuff. It was all strange to Mia; she hadn’t known Dan in any real sense, so the books on his shelf were a surprise, the clothes in his dresser, the foods in his pantry. They all spoke of someone who had had an actual existence, but no longer did. Where did he go? Vanished, except for the cans of tomatoes and the box of Cheerios, the bottle of soured milk leftover in the fridge. Throw it all out, she thought.

An estate sale was arranged, the body was cremated, the gas and electric turned off, the deposits promised to be returned, the key given back to the landlord. Mia felt a deep sadness, but it wasn’t grief. She barely knew the man, so that wasn’t why she was feeling this profound emptiness. She had now a personal connection, a bodily connection with death, with non-existence. It didn’t matter whether she ever spent time with Dan; there was a cause-and-effect connection with a dead man: He had caused her to exist in the world, and his world was now over. The flower had give way to seed. Was this, perhaps, what it meant to be grown up?